Art Basel Paris
Art Basel ParisGrand Palais Éphémère, 2 Pl. Joffre, 75007 Paris, France19OCTAll Day22
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Art Basel began in northwest Switzerland and grew to a leading global platform for contemporary art with fairs in Basel, Hong Kong, Miami Beach, and now in Paris. Art Basel Also Publishes The Art Market and the Art Market Principles and Best Practices.
Art Basel Paris | Paris+ par Art Basel | Video Tour
And exciting Video tour of the inaugural Art Basel Paris art fair in 2022 with some very strong contemporary art works
Launched in October 2022, Art Basel is building cultural bridges in France (fashion and design to film and music) to create a flagship cultural event tin Paris. Paris is uniquely positioned as an epicenter of culture according to Marc Spiegler, Global Director, Art Basel.
Art Basel will work closely with Paris’s museums, private institutions, galleries and other cultural spaces, to create an active cultural program from morning to night, all week, and throughout the city. By combining the history of Art Basel and the cultural heritage of Paris, our ambition is to launch a new event that brings together artists, collectors, curators and gallery owners from all over the world and unites Parisian culture.
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Measuring 11 feet by 7 feet, this painting, Hardware Store, 1983, is considered one of Jean-Michel’s largest cross-bar diptychs, and was part of his second show at Galerie Bruno Bischofberger that same year.
“Combining two canvases, one in yellow and the other in blue, the piece features a slew of floating heads and skulls amidst Basquiat’s signature text, which includes phrases like eel and estimated value. The work has previously been featured in other major Basquiat exhibitions including The Whitney Museum of American Art in New York in 1992-1993 and in Paris at the Fondation Louis Vuitton in 2018-2019.” –– hypebeast
Artwork: Jean-Michel Basquiat. Hardware Store, 1983.
#jeanmichelbasquiat
basquiatofficial
Measuring 11 feet by 7 feet, this painting, Hardware Store, 1983, is considered one of Jean-Michel’s largest cross-bar diptychs, and was part of his second show at Galerie Bruno Bischofberger that same year.
“Combining two canvases, one in yellow and the other in blue, the piece features a slew of floating heads and skulls amidst Basquiat’s signature text, which includes phrases like eel and estimated value. The work has previously been featured in other major Basquiat exhibitions including The Whitney Museum of American Art in New York in 1992-1993 and in Paris at the Fondation Louis Vuitton in 2018-2019.” –– hypebeast
Artwork: Jean-Michel Basquiat. Hardware Store, 1983.
#jeanmichelbasquiat
basquiatofficial
Both Poles
Jean-Michel Basquiat (1960-1988)
Acrylic, oilstick and paper collage on paper mounted on canvas with tied wood supports 72½ × 72¼in. (184.2 × 183.5cm.)
Sold for GBP 3,777,500 ($4,811,611) in Oct 2017.
Executed in 1982.
‘Everything about his work is knowing, and much is about knowing.’
ROBERT STORR
Following his success in New York, Both Poles (1982) was included in Jean-Michel Basquiat’s debut exhibition in Los Angeles, at Larry Gagosian’s first gallery there, in 1982. It was acquired from the 1982 Gagosian Gallery exhibition and has been remained in the same collection ever since. The work clearly and elegantly reveals Basquiat’s wide-ranging command of symbol and significance. Twine-bound wooden stretchers – complete with traces of green paint from a previous life – protrude from each corner, a hallmark of the celebrated large-scale 1982 canvases assembled by Basquiat’s assistant and one-time club bouncer Stephen Torton…
“Although my dreams are all she`s made of.”
ODIE
Literature (featuring ‘Both Poles’)
Jean-Michel Basquiat, exh. cat., New York, Whitney Museum of American Art, 1992, p. 41 (illustrated).
Galerie Enrico Navarra (ed.), Jean-Michel Basquiat, Paris 1996, Vol. II, p. 81, no. 3 (illustrated in colour, p. 80).
Galerie Enrico Navarra (ed.), Jean-Michel Basquiat, Paris 2000, Vol. II, p. 129, no. 3 (illustrated in colour, p. 128).
G. Lock and D. Murray, (eds.), The hearing eye: jazz and blues influences in African American visual art, New York 2009, p. 277.
Galerie Enrico Navarra (ed.), Jean-Michel Basquiat, Appendix, Paris 2010, p. 31.
Words Are All We Have: Paintings by Jean-Michel Basquiat, exh. cat., New York, Nahmad Contemporary, 2016, pp. 24-25, no. 13 (illustrated in colour).
EXHIBITED
Los Angeles, Larry Gagosian Gallery, Jean-Michel Basquiat, 1982.
New York, Vrej Baghoomian, Inc., Jean-Michel Basquiat, 1989, no. 9 (illustrated in colour, unpaged).
Santander, Fundación Marcelino Botín, Jean-Michel Basquiat. Ahuyentando fantasmas, 2008-2009, p. 78 (illustrated in colour, p. 79). This exhibition later travelled to Rome, Fondazione Memmo.
Both Poles
Jean-Michel Basquiat (1960-1988)
Acrylic, oilstick and paper collage on paper mounted on canvas with tied wood supports 72½ × 72¼in. (184.2 × 183.5cm.)
Sold for GBP 3,777,500 ($4,811,611) in Oct 2017.
Executed in 1982.
‘Everything about his work is knowing, and much is about knowing.’
ROBERT STORR
Following his success in New York, Both Poles (1982) was included in Jean-Michel Basquiat’s debut exhibition in Los Angeles, at Larry Gagosian’s first gallery there, in 1982. It was acquired from the 1982 Gagosian Gallery exhibition and has been remained in the same collection ever since. The work clearly and elegantly reveals Basquiat’s wide-ranging command of symbol and significance. Twine-bound wooden stretchers – complete with traces of green paint from a previous life – protrude from each corner, a hallmark of the celebrated large-scale 1982 canvases assembled by Basquiat’s assistant and one-time club bouncer Stephen Torton…
“Although my dreams are all she`s made of.”
ODIE
Literature (featuring ‘Both Poles’)
Jean-Michel Basquiat, exh. cat., New York, Whitney Museum of American Art, 1992, p. 41 (illustrated).
Galerie Enrico Navarra (ed.), Jean-Michel Basquiat, Paris 1996, Vol. II, p. 81, no. 3 (illustrated in colour, p. 80).
Galerie Enrico Navarra (ed.), Jean-Michel Basquiat, Paris 2000, Vol. II, p. 129, no. 3 (illustrated in colour, p. 128).
G. Lock and D. Murray, (eds.), The hearing eye: jazz and blues influences in African American visual art, New York 2009, p. 277.
Galerie Enrico Navarra (ed.), Jean-Michel Basquiat, Appendix, Paris 2010, p. 31.
Words Are All We Have: Paintings by Jean-Michel Basquiat, exh. cat., New York, Nahmad Contemporary, 2016, pp. 24-25, no. 13 (illustrated in colour).
EXHIBITED
Los Angeles, Larry Gagosian Gallery, Jean-Michel Basquiat, 1982.
New York, Vrej Baghoomian, Inc., Jean-Michel Basquiat, 1989, no. 9 (illustrated in colour, unpaged).
Santander, Fundación Marcelino Botín, Jean-Michel Basquiat. Ahuyentando fantasmas, 2008-2009, p. 78 (illustrated in colour, p. 79). This exhibition later travelled to Rome, Fondazione Memmo.
_____ #CollectibleDesign
U Armchair by French Interior Architect Matthieu Recope de Tilly for STUDIOTWENTYSEVEN
Year 2023
Numbered Edition
Fully upholstered
H 29.5 W 47.2 D 39.3 SH 15.7 in
H 75 W 120 D 100 SH 40 cm
Paris, France
#STUDIOTWENTYSEVENrecope
Recope de Tilly’s works for STUDIOTWENTYSEVEN on view at our new Flagship Gallery
STUDIOTWENTYSEVEN New York •
241 Church Street - Tribeca, New York, NY 10013
Opening Soon
STUDIOTWENTYSEVEN
_____ #CollectibleDesign
U Armchair by French Interior Architect Matthieu Recope de Tilly for STUDIOTWENTYSEVEN
Year 2023
Numbered Edition
Fully upholstered
H 29.5 W 47.2 D 39.3 SH 15.7 in
H 75 W 120 D 100 SH 40 cm
Paris, France
#STUDIOTWENTYSEVENrecope
Recope de Tilly’s works for STUDIOTWENTYSEVEN on view at our new Flagship Gallery
STUDIOTWENTYSEVEN New York •
241 Church Street - Tribeca, New York, NY 10013
Opening Soon
STUDIOTWENTYSEVEN
acrylic on canvas 45x61x1cm #art #abstractart #abstractpainting #contemporaryart #artnet #artsy #arte #painting #loveart #artwork #colors #kunst #gallery #kunstgalerie #artforsale #artcurator #artdealer #artcologne
#artbasel #artmiami #usa #nyc #chelsea #london #Berlin #paris #sanfrancisco #losangeles #miami #pulpogallery2024
acrylic on canvas 45x61x1cm #art #abstractart #abstractpainting #contemporaryart #artnet #artsy #arte #painting #loveart #artwork #colors #kunst #gallery #kunstgalerie #artforsale #artcurator #artdealer #artcologne
#artbasel #artmiami #usa #nyc #chelsea #london #Berlin #paris #sanfrancisco #losangeles #miami #pulpogallery2024
_____ #CollectibleDesign
AMÉLIA by French Interior Architect Jérôme Bugara for STUDIOTWENTYSEVEN
Year 2023
Limited Edition 10
Fully Upholstered
H 36.2 W 295.2 D 119.2 SH 18.1 in
H 92 W 750 D 303 SH 46 cm
Paris, France
#STUDIOTWENTYSEVENbugara
STUDIOTWENTYSEVEN
_____ #CollectibleDesign
AMÉLIA by French Interior Architect Jérôme Bugara for STUDIOTWENTYSEVEN
Year 2023
Limited Edition 10
Fully Upholstered
H 36.2 W 295.2 D 119.2 SH 18.1 in
H 92 W 750 D 303 SH 46 cm
Paris, France
#STUDIOTWENTYSEVENbugara
STUDIOTWENTYSEVEN
_____ #CollectibleDesign
From the new ÉLÉMENTAIRE Works by Maxime Boutillier for STUDIOTWENTYSEVEN
CM1 Desk
Year 2023
Limited Edition 30
Honed grand antique marble or solid wood
H 29.5 W 86.6 D 27.5 in
H 75 W 220 D 70 cm
Paris, France
#STUDIOTWENTYSEVENboutillier
ÉLÉMENTAIRE Collection
Year 2023
Exclusively for STUDIOTWENTYSEVEN, Boutillier’s Élémentaire Collection is a contemporary reimagining of the lush iconography of Art Deco design. The collection pushes the limits of that period’s sumptuous curvature, bold geometries, and rich materials to uncover something elemental and essential. Playing with negative space and asymmetrical counterpoints, each work is a masterful and architectural monument to presence and absence, becoming a palimpsestic ode to the hallmarks of Deco style.
Simple forms and clean lines foreground the monochromatic theatricality and maximalist veining of French grand Antique marble, an exquisite finish exclusive to STUDIOTWENTYSEVEN. Available in strictly limited edition, the collection is also available in European oak. Handcrafted by fine artisans in France, Élémentaire offers show-stopping works of future nostalgia for the most discerning collectors.
STUDIOTWENTYSEVEN
_____ #CollectibleDesign
From the new ÉLÉMENTAIRE Works by Maxime Boutillier for STUDIOTWENTYSEVEN
CM1 Desk
Year 2023
Limited Edition 30
Honed grand antique marble or solid wood
H 29.5 W 86.6 D 27.5 in
H 75 W 220 D 70 cm
Paris, France
#STUDIOTWENTYSEVENboutillier
ÉLÉMENTAIRE Collection
Year 2023
Exclusively for STUDIOTWENTYSEVEN, Boutillier’s Élémentaire Collection is a contemporary reimagining of the lush iconography of Art Deco design. The collection pushes the limits of that period’s sumptuous curvature, bold geometries, and rich materials to uncover something elemental and essential. Playing with negative space and asymmetrical counterpoints, each work is a masterful and architectural monument to presence and absence, becoming a palimpsestic ode to the hallmarks of Deco style.
Simple forms and clean lines foreground the monochromatic theatricality and maximalist veining of French grand Antique marble, an exquisite finish exclusive to STUDIOTWENTYSEVEN. Available in strictly limited edition, the collection is also available in European oak. Handcrafted by fine artisans in France, Élémentaire offers show-stopping works of future nostalgia for the most discerning collectors.
STUDIOTWENTYSEVEN
We are glad to announce the gallery`s participation, with artist Romina De Novellis, in Paris+ par artbasel Sites, which will take place in the Jardin des Tuileries from 18 October.
For the occasion the artist has conceived a new installation/performance, entitled `Voulez-vous danser avec moi ? Merci, je ne préfère pas`.
Save the date!
_
romina_de_novellis
#AlbertaPane #rominadenovellis #artbaselparis #artbasel #artbaselsites #performanceart #performanceartist #performance
We are glad to announce the gallery`s participation, with artist Romina De Novellis, in Paris+ par artbasel Sites, which will take place in the Jardin des Tuileries from 18 October.
For the occasion the artist has conceived a new installation/performance, entitled `Voulez-vous danser avec moi ? Merci, je ne préfère pas`.
Save the date!
_
romina_de_novellis
#AlbertaPane #rominadenovellis #artbaselparis #artbasel #artbaselsites #performanceart #performanceartist #performance
Mrs. is thrilled to announce our participation in Art Basel Miami Beach 2023 this December! We will be presenting a solo booth by Jamaican artist Nickola Pottinger.
Nickola Pottinger (b. 1986, Kingston, Jamaica) lives and works in Brooklyn, New York, and earned her BFA from The Cooper Union. Pottinger’s striking sculptures result from an intuitive process that the artist developed involving paper pulp, collage, pigments and embedded found objects, including from her block in Brooklyn. Described as wall reliefs, they are quizzical, irregular, vaguely ritual, and seem on the verge of motion — a kinetic charge that conveys, if abstractly, the Jamaican-born artist’s dance background and interest in the body. Recent exhibitions include Chapter NY, Sergeant’s Daughters, and the New Museum Triennial, New York; Galerie Julien Cadet, Paris; and the Galveston Artist Residency, Texas. Previous solo exhibitions include Parker Gallery, Los Angeles, Deanna Evans Projects, New York, NY and The Armory Show, New York, NY, which was reviewed by the New York Times. The artist will have her first solo exhibition with Mrs. in January, 2024.
📷: Nickola Pottinger
‘a no pose she a pose,’ 2023
Hand Made Paper Pulp, Hair Clips, Ballies, Bantu Hair Knots (Chiney Bumps), Lava Rocks, Resin, Silicone
31 x 25 x 24 inches
78.74 x 63.50 x 60.96 cm
Images courtesy Swivel Gallery, photographs by Cary Whittier cwhittier
#nickolapottinger #mrsgallery #abmb #artbasel #miami #yay
Mrs. is thrilled to announce our participation in Art Basel Miami Beach 2023 this December! We will be presenting a solo booth by Jamaican artist Nickola Pottinger.
Nickola Pottinger (b. 1986, Kingston, Jamaica) lives and works in Brooklyn, New York, and earned her BFA from The Cooper Union. Pottinger’s striking sculptures result from an intuitive process that the artist developed involving paper pulp, collage, pigments and embedded found objects, including from her block in Brooklyn. Described as wall reliefs, they are quizzical, irregular, vaguely ritual, and seem on the verge of motion — a kinetic charge that conveys, if abstractly, the Jamaican-born artist’s dance background and interest in the body. Recent exhibitions include Chapter NY, Sergeant’s Daughters, and the New Museum Triennial, New York; Galerie Julien Cadet, Paris; and the Galveston Artist Residency, Texas. Previous solo exhibitions include Parker Gallery, Los Angeles, Deanna Evans Projects, New York, NY and The Armory Show, New York, NY, which was reviewed by the New York Times. The artist will have her first solo exhibition with Mrs. in January, 2024.
📷: Nickola Pottinger
‘a no pose she a pose,’ 2023
Hand Made Paper Pulp, Hair Clips, Ballies, Bantu Hair Knots (Chiney Bumps), Lava Rocks, Resin, Silicone
31 x 25 x 24 inches
78.74 x 63.50 x 60.96 cm
Images courtesy Swivel Gallery, photographs by Cary Whittier cwhittier
#nickolapottinger #mrsgallery #abmb #artbasel #miami #yay