Where are the best Tribeca art galleries?

The top 5 rated galleries are Anderson Contemporary, Julian Weissman Calderón, James Cohan, and Luhring Augustine. Bortolami is a personal favorite

What are the best West Chinatown art galleries?

P·P·O·W Gallery, Lomex, Andrew Kreps, Mother Gallery, Postmasters Gallery are the TOP 5. View ALL of our Tribeca art gallery ratings!

What is Tribeca One Art Space?

Art Center cultivates artist talent through their career. View Our Tribeca art gallery ratings for more great art galleries, museums, and exhibitions

Tribeca Art Galleries

Updated 06/01/2023 by: Ryan Lutz

Monthly, thousands of art collectors use our 0-100% Cultural Rankings to find the best Tribeca art galleries. Art collectors also enjoy our NYC Art Fairs Guide, and our NYC Art NEWS Blog. Google Maps with NEW color coded NYC art districts is above.

Top Rated Tribeca Galleries

Luhring Augustine 79%
R & Company 78%
Canada Gallery 77%
GRIMM 75%
James Cohan 75%
P·P·O·W 75%
Deli Gallery 74%
Bortolami 74%
Kaufmann Repetto 74%
Broadway Gallery 74%
Postmasters 73%
1969 Gallery 73%
Lomex 73%
David Lewis 72%
Andrew Kreps 72%
CHART 72%
Chapter NY 72%
Jack Hanley 72%
52 Walker 71%

The Journal Gallery 71%
One Art Space 70%
Mother Gallery 70%
Denny Dimin Gallery 70%
Nicelle Beauchene 69%
Jane Lombard 69%
Sapar Contemporary 68%
Pablo's Birthday 67%
Cristina Grajales 67%
Twenty First 67%
Freight + Volume 67%
George Adams 66%
LATITUDE Gallery 66%
Anderson Contemporary 65%
Jack Barrett 64%
Kerry Schuss 63%
Y2K group 63%

Deanna Evans Projects 63%
Cheryl Hazan 63%

Art Projects Intl 62%
Salomon Arts 61%
Queer Thoughts 60%
Theodore Art 59%
Christine Park 57%
Hionas Gallery 57%
On The Fringe NYC 55%
Muriel Guépin 55%
Off Paradise 55%
Projekt 105 53%
Theta 50%
Calderón 47%
E.TAY Gallery 44%
Julian Weissman 44%
JDJ Tribeca 44%
A.M. Bjiere 43%
81 Leonard 39%

Looking to acquire some art? Id be happy to help you identify some appropriate works or get you connected with an art consultant in LA, Miami, or NYC. Reach out here via contact form.

- Dr Ryan Lutz

Tribeca top 10 galleries

Luhring Augustine Gallery - With a 79% rating, Luhring Augustine Gallery is one of the highest-rated galleries in Tribeca. This gallery showcases contemporary art across a range of media, including painting, sculpture, and video. Notable artists include Christopher Wool, Jeff Elrod, and Simone Leigh.
R & Company - Specializing in design, R & Company has a 78% rating and is a must-visit for anyone interested in furniture, lighting, and other design objects. The gallery represents artists such as The Haas Brothers, Wendell Castle, and Katie Stout.
Canada Gallery - With a 77% rating, Canada Gallery showcases emerging and mid-career artists working across a range of disciplines. Some of the most notable artists represented by Canada Gallery include Katherine Bradford, Katherine Bernhardt, and Eddie Martinez.
GRIMM - Known for its focus on international contemporary art, GRIMM has a 75% rating and represents artists from around the world, including the Netherlands, Japan, and the United States. Noteworthy artists include Daniel Richter, Matthew Day Jackson, and Andrea Büttner.
James Cohan - One of the largest galleries in Tribeca, James Cohan has a 75% rating and represents a diverse group of artists working in painting, sculpture, and new media. Notable artists include Fred Tomaselli, Mernet Larsen, and Byron Kim.
P·P·O·W Gallery - Specializing in contemporary art and social issues, P·P·O·W Gallery has a 75% rating and represents a range of artists working across a variety of media. Notable artists include Carrie Mae Weems, Betty Tompkins, and Anton van Dalen.
Deli Gallery - With a 74% rating, Deli Gallery is a newer addition to the Tribeca art scene, but has quickly made a name for itself by showcasing emerging artists working in a variety of media, including painting, sculpture, and video. Notable artists include Zuriel Waters and Lila Freeman.
Bortolami - Bortolami has a 74% rating and is known for its focus on conceptual and experimental art. The gallery represents artists such as Tauba Auerbach, Rachel Rose, and Andrea Zittel.
Kaufmann Repetto - With a 74% rating, Kaufmann Repetto is a contemporary art gallery that represents artists from around the world, including the United States, Italy, and China. Notable artists include Yoko Ono, Haim Steinbach, and Pedro Reyes.
Broadway Gallery - Broadway Gallery has a 74% rating and is known for its focus on emerging and mid-career artists working in a variety of media, including painting, photography, and sculpture. Noteworthy artists include Brendan Fernandes, Doron Langberg, and Cecilia Vicuña.

Overall, these twelve art galleries represent some of the best contemporary art that Tribeca has to offer. Whether

Art Fair links

Los Angeles Art Fairs

NYC Art Fairs Guide

Art Fair Guides

Top Posts

Martin at the Danish Art Workshops.

Martin Bodilsen Kaldahl, “Probing the Floor, Sniffing the Air” is on view through June 17.

kaldahlmartinbodilsen
📸: dorte_krogh
National Art Workshops, Copenhagen: statensvaerksteder

#Martinbodilsenkaldahl #HB381Gallery
#tribecagalleries #tribecaart
#contemporarysculpture #sculpture
#outdoorsculpture #danishart
#danishcontemporaryart
#danishceramics

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Martin at the Danish Art Workshops.Martin Bodilsen Kaldahl, “Probing the Floor, Sniffing the Air” is on view through June 17.kaldahlmartinbodilsen
📸: dorte_krogh
National Art Workshops, Copenhagen: statensvaerksteder#Martinbodilsenkaldahl #HB381Gallery
#tribecagalleries #tribecaart
#contemporarysculpture #sculpture
#outdoorsculpture #danishart
#danishcontemporaryart
#danishceramics

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Opening this Friday at hb381gallery in
Tribeca: a group exhibition of recent works by Veera Kulju, Marianne Huotari, and Hanne G

Opening reception: Friday, June 24th, from 5-7pm

HB381
381 Broadway, NY 10013

For more information: info@hb381gallery.com
veerakulju
mariannehuotari
byhanneg

#MarianneHuotari #Veerakulju #HanneG #HB381Gallery #TribecaGalleries #TribecaArt #Ceramics #ContemporaryCeramics #DanishContemporaryArt
#FinnishContemporaryArt #ContemporarySculpture #TextileArt

Reposted from hostlerburrows

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Inspired by a Scandinavian rug-weaving tradition that produces thickly textured textiles, Finnish artist mariannehuotari creates sculptures made of many small ceramic elements that she hand-sews together onto a metal frame with wire. Now on view in hb381gallery `s summer group show, this piece resembles a standing figure. On closer inspection, the variety of shapes that make up the piece’s surface recall leaves, fruits and other natural forms; titled ‘Summer Night’s Oasis,’ the sculpture seems to invent a new kind of fruitfulness and visual pleasure. (On view in Tribeca through Aug 19th).
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Maria Huotari, Kesayon Keidas (Summer Night’s Oasis), glazed stone wear, hand-sewn, 55 x 25.5 inches, 2020.
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#mariannehuotari #finnishart #finnishceramics #ceramicsculpture #hb381 #design #tribecadesign #tribecaart #tribecagalleries #summernightsoasis #arttour #newyorkarttours

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Inspired by a Scandinavian rug-weaving tradition that produces thickly textured textiles, Finnish artist mariannehuotari creates sculptures made of many small ceramic elements that she hand-sews together onto a metal frame with wire. Now on view in hb381gallery 's summer group show, this piece resembles a standing figure. On closer inspection, the variety of shapes that make up the piece’s surface recall leaves, fruits and other natural forms; titled ‘Summer Night’s Oasis,’ the sculpture seems to invent a new kind of fruitfulness and visual pleasure. (On view in Tribeca through Aug 19th).
…
Maria Huotari, Kesayon Keidas (Summer Night’s Oasis), glazed stone wear, hand-sewn, 55 x 25.5 inches, 2020.
…
#mariannehuotari #finnishart #finnishceramics #ceramicsculpture #hb381 #design #tribecadesign #tribecaart #tribecagalleries #summernightsoasis #arttour #newyorkarttours

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PERNILLE PONTOPPIDAN PEDERSEN
pernillepontoppidanpedersen
Pernille Pontoppidan Pedersen was born in 1987 in Skive, Denmark, and is now based outside of Silkeborg. Her work is inherently pluralistic, concerned with notions of care and kinship as they extend to the “more than human” — the interspecies realms and relationships we participate in. By pulling from ideas of Ecofeminism and Norse mythology, she fertilizes a distinctly feminine paradigm, diverging from hyperactivity to work instead from a place of freedom and intuitive chaos. Her physicality is visible, fossilized, as she pushes, coils, pinches and layers clay on a human scale, infusing it directly with her energy. By embodying a cycle of theoretical and political composting, she reimagines a speculative future marked by a clear departure from the historically governing and formulaic rules of Danish ceramics.

Pontoppidan Pedersen’s work has been exhibited throughout Europe, and is in the permanent collections of the Musée des Arts Décoratifs, Paris, Designmuseum Denmark, CLAY Museum of Ceramic Art Denmark, and the Danish Arts Foundation, among other institutions. She has been the recipient of numerous grants from Danish foundations for the arts throughout her career.

Test source #hb381gallery

#PernillePontoppidanPedersen #TentacularThinking #HB381Gallery #TribecaGallery #TribecaArt #TribecaGalleryWalk #Ceramics #ContemporaryCeramics #DanishContemporaryArt #ContemporarySculpture #contemporaryobject #object #clay #contemporaryceramics #contemporaryclay

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PERNILLE PONTOPPIDAN PEDERSEN
pernillepontoppidanpedersen
Pernille Pontoppidan Pedersen was born in 1987 in Skive, Denmark, and is now based outside of Silkeborg. Her work is inherently pluralistic, concerned with notions of care and kinship as they extend to the “more than human” — the interspecies realms and relationships we participate in. By pulling from ideas of Ecofeminism and Norse mythology, she fertilizes a distinctly feminine paradigm, diverging from hyperactivity to work instead from a place of freedom and intuitive chaos. Her physicality is visible, fossilized, as she pushes, coils, pinches and layers clay on a human scale, infusing it directly with her energy. By embodying a cycle of theoretical and political composting, she reimagines a speculative future marked by a clear departure from the historically governing and formulaic rules of Danish ceramics.Pontoppidan Pedersen’s work has been exhibited throughout Europe, and is in the permanent collections of the Musée des Arts Décoratifs, Paris, Designmuseum Denmark, CLAY Museum of Ceramic Art Denmark, and the Danish Arts Foundation, among other institutions. She has been the recipient of numerous grants from Danish foundations for the arts throughout her career.Test source #hb381gallery#PernillePontoppidanPedersen #TentacularThinking #HB381Gallery #TribecaGallery #TribecaArt #TribecaGalleryWalk #Ceramics #ContemporaryCeramics #DanishContemporaryArt #ContemporarySculpture #contemporaryobject #object #clay #contemporaryceramics #contemporaryclay

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Visit us at Untitled Art in Booth B1!

Ocean Drive & 12th Street
Miami Beach
Through December 3

Image: Silvia Ros

#UntitledArt2022 #PernillePontoppidanPedersen #TentacularThinking #HB381Gallery #TribecaGalleries #TribecaArt #Ceramics #ContemporaryCeramics #DanishContemporaryArt #ContemporarySculpture

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Visit us at Untitled Art in Booth B1!Ocean Drive & 12th Street
Miami Beach
Through December 3Image: Silvia Ros#UntitledArt2022 #PernillePontoppidanPedersen #TentacularThinking #HB381Gallery #TribecaGalleries #TribecaArt #Ceramics #ContemporaryCeramics #DanishContemporaryArt #ContemporarySculpture

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This residence is in the Ralph Walker designed One Hundred Barclay building.
Constructed between 1923-1927 for the American Telephone Company, One Hundred Barclay ‘became the world’s first skyscraper built in the American Art Deco style. The building’s blunt setback transitions are enunciated by vertical buttress-like piers; its form is softened by intricate ornamentation.’

Listing through: orenalexander & talalexander at officialpartners

Post: agentsofarchitecture

#vintagemodern #modernmeetsvintage #newyorkarchitecture #tribecaart #tribecarealestate #newyorkrealestate #vintagemoderndecor #urbanarchitecture #skyscraperarchitecture #100barclay #pierrejeanneret #finnjuhl #interiordesign #interiorarchitecture #prouve #urbanrealestate #hobbsmodern #vintagelove #artdecoarchitecture #dreamhomes #newyorkhistory #nyvintage #saturdayinspiration #agentsofarchitecture #sandiegovintage

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This residence is in the Ralph Walker designed One Hundred Barclay building.
Constructed between 1923-1927 for the American Telephone Company, One Hundred Barclay ‘became the world’s first skyscraper built in the American Art Deco style. The building’s blunt setback transitions are enunciated by vertical buttress-like piers; its form is softened by intricate ornamentation.’Listing through: orenalexander & talalexander at officialpartnersPost: agentsofarchitecture#vintagemodern #modernmeetsvintage #newyorkarchitecture #tribecaart #tribecarealestate #newyorkrealestate #vintagemoderndecor #urbanarchitecture #skyscraperarchitecture #100barclay #pierrejeanneret #finnjuhl #interiordesign #interiorarchitecture #prouve #urbanrealestate #hobbsmodern #vintagelove #artdecoarchitecture #dreamhomes #newyorkhistory #nyvintage #saturdayinspiration #agentsofarchitecture #sandiegovintage

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Apexart Tribeca art exhibition Memory Card- By Kim Sol
Apexart | Tribeca art exhibition | Memory Card: By Kim Sol

apexart Tribeca art exhibition Kafala- Migrant Labor in the Arabian Peninsula
apexart | Tribeca art exhibition | Kafala: Migrant Labor in the Arabian Peninsula

Bortolami Gallery Tribeca Art Exhibitions | Naotaka Hiro

Natalie Ball, Naotaka Hiro Bortolami gallery

George Adams Gallery Katherine Sherwood Pandemic Madonnas

Robert Arneson George adams gallery art exhibitions

Paul Rouphail Jack Barrett Gallery Tribeca

SFA Advisory | Sylvie Fleury | 6/8/22-7/13/22 | Tribeca'

SAPAR Contemporary | Zinaida | 6/3/22-7/15/22 | Tribeca'

Luhring Augustine Tribeca | Lee Friedlander | 6/9/22-8/5/22 | Tribeca'

Launch F18 | Jessica Yatrofsky | 6/17/22-8/27/22 | Tribeca'

James Cohan, 48 Walker St | Monir Shahroudy Farmanfarmaian | 6/23/22-8/5/22 | Tribeca'

Heller Gallery | karlyn sutherland | 6/9/22-7/15/22 | Tribeca'

HB381 | | 6/24/22-8/19/22 | Tribeca'
hb381

GRIMM | Matthias Franz | 6/17/22-7/15/22 | Tribeca'

52 Walker | 10/01/22 - 12/01/22 | untitled | Tau Lewis | Tribeca'

1969 | 09/07/22 - 10/22/22 | Solo | Radu Oerian | Tribeca'

52 Walker | 07/01/22 - 09/01/22 | untitled | Tiona Nekkia McClodden | Tribeca'
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R and Company | 04/28/22 - 08/12/22 | CALIFORNIA | HUN-CHUNG LEE | Tribeca'

Deanna Evan Projects | 06/03/22 - 07/15/22 | untitled | Winnie Sidharta | Tribeca'

52 Walker | 04/08/22 - 07/01/22 | govern me harder | Nora Turato | Tribeca'

kaufmann repetto | 04/01/22 - 07/01/22 | the wanderers | adrian paci | Tribeca'

James Cohan | 05/14/22 - 06/25/22 | untitled | Naudline Pierre | Tribeca'

Deli | 05/12/22 - 06/11/22 | untitled | Charlie Alston | Tribeca'

Y2K Group | 04/30/22 - 06/06/22 | Widow's Walk | Larissa Lockshin | Tribeca'

A.M. Bjiere | 04/28/22 - 06/04/22 | untitled | ASH KEATING | Tribeca'

Jane Lombard | 04/29/22 - 06/04/22 | PATTERN LANGUAGE | SQUEAK CARNWATH | Tribeca'

Denny Dimin | 04/02/22 - 06/04/22 | Joy As An Act Of Resistance | Amir H. Fallah | Tribeca'
[#Beginning of Shooting Data Section] Image Size:L (8256 x 5504), FX 2022/02/04 16:09:21.33 Time Zone and Date:UTC-8, DST:ON Lossless Compressed RAW (14-bit) Artist:Alan Shaffer Copyright:2022 Nikon D850 Lens:VR 24-120mm f/4G Focal Length:46mm Focus Mode:AF-S AF-Area Mode:Auto-area AF VR:OFF AF Fine Tune:OFF Aperture:f/22 Shutter Speed:1/125s (Mechanical Shutter) Exposure Mode:Manual Exposure Comp.:0EV Exposure Tuning: Metering:Matrix ISO Sensitivity:ISO 100 Device: White Balance:Preset manual d-1, 0, 0 Color Space:Adobe RGB High ISO NR:ON (High) Long Exposure NR:OFF Active D-Lighting:Normal Vignette Control:High Auto Distortion Control:ON Picture Control:[SD] STANDARD Base:[SD] STANDARD Quick Adjust: 0.00 Sharpening:+3.00 Clarity:+1.00 Contrast: 0.00 Brightness: 0.00 Saturation: 0.00 Hue: 0.00 Filter Effects: Toning: Optimize Image: Color Mode: Tone Comp.: Hue Adjustment: Saturation: Sharpening: Latitude: Longitude: Altitude: Altitude Reference: Heading: UTC: Map Datum: [#End of Shooting Data Section]

Denny Dimin | 04/22/22 - 06/04/22 | Crystal-Walled Seas | Future Retrieval | Tribeca'

Deanna Evan Projects | 04/15/22 - 05/28/22 | Liminal Blue | Xiao Wang | Tribeca'
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Luhring Augustine | 04/07/22 - 05/21/22 | Drawing the Infinite | Rosa Barba | Tribeca'
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apexart | 03/25/22 - 05/21/22 | Recontarnos (Rewriting us) | | Tribeca'

Ortuzar Projects | 02/24/22 - 05/14/22 | 1964–1978 | ANDRÉ CADERE | Tribeca'
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Off Paradise | 03/03/22 - 05/08/22 | The Distance From A Lemon To Murder | Peter Nadin | Tribeca'

Andrew Kreps | 03/25/22 - 05/07/22 | Holy Squash | Barbara T Smith | Tribeca'
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George Adams | 03/31/22 - 05/07/22 | Hitchhikers and a Sandal Shop | Doug Biggert | Tribeca'
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Andrew Kreps | 03/25/22 - 05/07/22 | | Oliver Lee Jackson | Tribeca'
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Nicelle Beauchene | 03/24/22 - 05/07/22 | Cards cats people and stars | Luke O'Halloran | Tribeca'

SAPAR Contemporary | 03/17/22 - 05/07/22 | Moods in The Meta | | Tribeca'

Asya Geisberg Gallery | 03/31/22 - 05/07/22 | TIMES GONE BY | Matthew Craven | Tribeca'

Sapar Contemporary | 03/17/22 - 05/07/22 | Moods in the Metaverse | Uuriintuya Dagvasambuu | Tribeca'
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Jack Barrett | 04/08/22 - 05/07/22 | Passages | Haley Josephs | Tribeca'

Deli | 03/31/22 - 05/07/22 | untitled | Alex Anderson Michael Stamm | Tribeca'
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Freight and Volume | 04/08/22 - 05/07/22 | All In Alive | Emily Noelle Lambert | Tribeca'
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Broadway | 03/31/22 - 04/30/22 | You Are Getting Very Sleepy | Jo Nigoghossian | Tribeca'

Chart | 03/18/22 - 04/30/22 | PROLOGUE TO A GARDEN DARK | DAVID AIPPERSPACH | Tribeca'
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Bortolami | 03/18/22 - 04/30/22 | untitled | Fernanda Laguna | Tribeca'

Bortolami | 03/04/22 - 04/30/22 | Shift | Barbara Kasten | Tribeca'

Launch F18 | 04/02/22 - 04/30/22 | AURORA CONSURGENS | AGNES WALDEN | Tribeca'

Hal Bromm 2A | 02/11/22 - 04/29/22 | A Life in Art | Luis Frangella Russell Sharon: | Tribeca'

The Museum of Jewish Heritage | 10/22/21 - 04/29/22 | Nothing To Do But To Try | Boris Lurie | Tribeca'

Theodore Art | 03/18/22 - 04/29/22 | Pleadings and Proceedings | Alix Lambert | Tribeca'
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20220429 - 20211022 | The Museum of Jewish Heritage | Tribeca | Boris Lurie-Nothing To Do But To Try
Centered around his earliest work the so-called War Series as well as never-before-exhibited objects and ephemera from Lurie’s personal archive the exhibition presents a portrait of an artist reckoning with devastating trauma haunting memories and an elusive lifelong quest for freedom. In drawing together artistic practice and historical chronicle Boris Lurie: Nothing To Do But To Try is fertile new territory for the Museum of Jewish Heritage offering a survivor’s searing visual testimony within a significant art historical context. "I try my first oil painting on a plywood board. The paints are difficult to manage and very messy. I think I am doing very badly but then I try again: maybe I am not doing so badly. …But since no one taught me anything about art there is nothing to do but to try.” – Boris Lurie “Nothing to do but to try” are words from Lurie’s own memoir exemplifying the eternal quests of his life and his art: to survive as the ultimate act of creation and to create as the ultimate act of survival.

20220423 - 20220303 | Denny Dimin Gallery | Tribeca | Stephen Thorpe-Boundaries of the Soul
Thorpe’s exhibition Boundaries of the Soul will feature a new body of work that further explores the boundaries of physical and psychological spaces through Western and non-Western symbolism patterns and cultural iconography. The exhibition will be on view from March 4 to April 14 2022 at the gallery’s New York location. For over a decade Thorpe has developed a practice that has explored the pictorial possibilities of imagined interior space on a two-dimensional surface citing artists of the early Northern Renaissance such as Jan Van Ike Carlo Crivelli and Robert Campin as artistic progenitors. Over the past few years he has turned to the work of mythologist Joseph Campbell and psychoanalysts Karen Horney and Carl Jung to more acutely explore his painterly process and the symbolic imagery and patterns that manifest in his work. In 2020 following the self-isolation brought on by the global pandemic Thorpe debuted a new series of ‘corner’ paintings that offer an intimate and deceptively simplified conceptual framework. The corners are the meeting place of three flat planes compositionally rendered to frame the inside and outside of a room. Representing both consciousness and unconsciousness simultaneous sites of safety and entrapment the corners are a metaphor for the dualities inherent to human nature. The show’s title “boundaries of the soul” references the interplay between consciousness and unconsciousness the physical and spiritual – the very space that marks the critical point of awareness here proffered through the paintings as an entry point to introspection. Thorpe refers to the psychoanalytical understandings of the soul as the “psyche” or the “unconscious” and champions daydreaming vis-à-vis painting as a key mode of exploring one’s psychological confines. Physical boundaries are also significant in Thorpe’s painterly process and chosen subject matter. Lines are drawn and blurred through textures that are wet and dry smooth and rough controlled and chaotic. The edge of the canvas – depicting a room – bleeds into the gallery through thick layers of paint molded to the work’s frame – its own corner. Anachronistic objects question time and place and ornate rugs with designs drawn from a myriad of cultures act as nostalgic calls to half-remembered sanctuaries a tangle of real and self-constructed realities. Life-size arcades are personified yet switched off inanimate objects; while the living birds of US naturalist and painter John James Audubon are the focus of lifeless decorative wallpaper. Through these new works and an exhibition design conceived by the artist Thorpe creates a setting that marks the boundaries of the soul a platform for in-betweenness and spaces through which to encounter the limits and distinctions between self and environment.

20220409 - 20220304 | GRIMM | Tribeca | Michael Raedecker-now
now The concept now is like a dog chasing its own tail. As soon as now arrives—becomes thought or imagined or uttered or pictured or written or said—its meaning switches to recently (and recently lacks the same sex appeal). In other words now is elusive; difficult to catch but we run after it all the same. capture From a distance the flat and rectangular objects that Raedecker has produced have the appearance of the things we once called paintings. In the studio he has engineered a mechanism of capture which manufactures products that contradict our efforts to form certainty. Instead as we approach the objects getting closer to the surface it dawns that our impressions stem from fantasy evoking a distinction between imagination and reality. In short the viewer has been assigned an active task through which their interaction with the image can be felt and perception becomes tangible and within our grasp. Like a focussing lens looking at Raedecker’s evocative concoctions veers between two realities: psychical and material. pleasure The closer we get to the traps which are disguised as paintings the more the veil of illusion falls away. Images become paint paint becomes thread and thread becomes simply itself. The proximity of the canvas surface shatters the viewers’ inventions. No-one is closer to the surface than Raedecker who spends hours going in and out of the surface from the front to the back “and back again”. mechanical reproduction Did you know these flat objects on the walls are facsimiles of pre-existing images made by the artist? In the lengthy process Raedecker makes smaller versions sketches (he calls them demos) which are digitally copied painted and manipulated and enlarged and transferred to these surfaces. Like the endless reproductions that constitute our so-called (authentic) reality we are looking at sophisticated copies saturated in monochrome colour. Raedecker goes even further and copies and repeats images within an exhibition: the pool and the pool and the tents and the tents and the treehouses and the treehouses. Are we really expected to project alternatives onto the second and third instance of the copy? Isn’t the artist highlighting the eternal recurrence of the same set of narratives we repeat culturally and repeat to ourselves? can’t see the wood for the trees Up close the viewing experience is all material (applied through an overloaded clash of handmade versus mechanical processes). Back up and as the colliding elements coalesce the picture emerges. Here Raedecker’s objects provide some sort of lesson in how to look at a painting. The how and not the what—as if the pictorial illusion (the wood/forest above) provides only a MacGuffin. holes The making of holes represents the core elusive metaphor of the Raedecker enterprise. If he is known for one thing it is threading and threading begins with making a hole. With a needle as soon as the hole is formed it is filled. Pictorially the hole is a screen onto which the protagonist (or viewer) has the space to imagine and even fulfill desire. We might otherwise call these daydreams: scenes episodes romances or fictions formed by the viewer. Is it just me my wishes fattened (or thinned) on a diet of mainstream TV and movies or do these holes evoke dark foreboding for us all? Misdemeanours? Crimes? Violence? Murder? Death? Why might we be seduced by such places? Why might these frequently exotic images with their unhomely connotations make us feel cosy? And by way of an answer: could these holes paradoxically provide the viewer with a glimmer of completeness? After all isn’t feeling whole cosy in a nutshell. -Stuart Cumberland 2022

20220507 - 20220317 | SAPAR Contemporary | Tribeca | -Moods in The Meta

20220423 - 20220319 | Postmasters Gallery | Tribeca | lovid-Lovid "Hold on" + Serkan Ozkaya "ni4ni"
Postmasters is pleased to present two solo exhibitions: Lovid "Hold on" + Serkan Ozkaya "ni4ni." Gallery 1 will feature work by Serkan Ozakaya. What if we told you that you don’t inhabit one single viewpoint one body one pair of eyes or one fleeting moment in time? What if you could escape the echo-chamber of your senses and infinitely multiply your perception your experience your very existence? New visions and meanings will unveil themselves as your habitual frame of reference comes unmoored and shifts towards another. A parallax will take place in front of your eyes — and in the gray matter behind them... Gallery 2 will feature work by LoVid. “Hold On” the show will present a series of digital tapestries and NFTs. Both are spatial and time-based compositions that translate interaction with human gesture into two fundamentally different formats. LoVid is well known for recorded videos and live performances where the audiovisual landscapes of moving image and sound are created through custom-built analog synthesizers. The hands-on process itself involves connecting lots of cables twisting knobs and flipping switches to make and mix RGB colors forming shapes patterns and rhythms. The imagery from the videos and performances is often transformed into digitally produced fabric that comprises costumes merch installations clothing collages and sculptures.

20220521 - 20220325 | apexart | Tribeca | -Recontarnos (Rewriting us)
Recontarnos (Rewriting Us) is a multidisciplinary exhibition of work by Central American women artists that highlights and entwines the lived experiences perspectives and shared resiliency of women in the region. Historically the social narratives of women in Central America have been told from the patriarchal male gaze. This is the first Central American exhibition that features all women artists and is curated by an all-female and feminist curatorial collective using curaduría comunitaria. This project is a way of owning our own portrayal through the creative autonomy of our storytelling sharing thoughts and feelings through sorority tenderness and care; thus the title Rewriting Us. The selected artworks thread together acts of resistance with depictions of daily life violence and loss interpretations of feminisms and the female body youth and old age and desired and undesired motherhood among other topics. Together they weave our coexistence into the diverse fabric of female identity across the region. The result is a political statement that relies upon and fosters abundant discourse generating an active conversation between diverse perspectives and experiences displayed in the physical space. We riot by rewriting our own narratives for we are not merely seeking inclusion but a conscious transformation of the structures and processes that depict womens' perspectives and experiences. Artists Fernanda AlvaradoLucy ArguetaMaría Fernanda CarlosFrancela Carrerarenat castilloColectivo Hapa (Anna Matteucci Jennifer Karczynski and Karen Olsen Yu)Lisa De León and Katheryn PatáMaría Adela DíazElda Figueroa and Djassminn MoralesAna Lucía GaliciaAna Elizabeth LópezMomo MagallónColectivo Las Hartas (Grettel Méndez Ramírez Andrea Gómez Jiménez Michelle Canales Barquero and Mariela Richmond Vargas)Susana Sánchez CarballoEmma Segura Calderónlía vallejoMelissa Valverde Gamboa

20220507 - 20220331 | Asya Geisberg Gallery | Tribeca | Matthew Craven-TIMES GONE BY
Asya Geisberg Gallery is pleased to present our third exhibition of works on paper by Matthew Craven “TIMES GONE BY.” Craven has long been interested in the universality of symbols and patterns referencing textiles painted pottery and mosaics from across the world. New elements have emerged taken from flags and pennants old cross stitch patterns and most intriguingly organic shapes and flowers. Setting aside the artist’s frequent use of vintage collage elements the large pieces in this show are bursting with a dizzying array of patterns and colors. Entirely hand drawn the pixel-like squares that make up the designs are now smaller in scale radiating from a center point and morphing to build organic structures within the ever-present grid. The backs of vintage B-movie posters still form each work’s foundation browned stained or torn from a previous life. Where before the artist drew inspiration from travel and in-person visits to book shops and museums strict lockdown orders and a relocation have turned his references inward. The prismatic works in this show are a journey into pattern gone awry the laborious and time consuming process of their creation a kind of meditation. While the composition of some works recalls actual carpets or textiles with their framing and symmetry Craven now actively disrupts these expectations in other works - as if the weaver has a bug in the program. The radiating center of “MORTAL()COIL.” has a magnetic pull to it reminiscent of a mandala a portal an acid dream or a kaleidoscopic Louis Wain cat. In “EMERGE.” seemingly orderly patterns fragment and overlap cut short and then skipping across the page to march on in some further spot as though jumping through time. Flowers bloom in “LAST MINUTES OF MEMORY.” bleeding over Greek keys and breaking up patterns like weeds in a sidewalk. Craven has built a visual language that is both instantly recognizable and tantalizingly obscured. These pieces contain a kind of alchemy a spell built by symbols morphed and intertwined ingredients taken from the lexicon of visual human experience. The titles of the new works - specifically TEMPLE. ALTER. and CLOISTER. - allude to the act of spiritual introspection. “While my head felt cluttered during the pandemic creating these drawings was a release for me. I let the imagery come to my mind's eye in a stream of consciousness. Meditative drawings in the middle of a mad world.” Matthew Craven was born in Michigan. He earned a BFA from Michigan State University and received his MFA from the School of Visual Arts NY. He has exhibited widely in the United States and abroad including solo and two-person exhibitions at Hashimoto Contemporary San Francisco; Ampersand Gallery Portland; David Shelton Gallery Houston; DCKT Contemporary NY; Allegra LaViola Gallery NY; Marvelli Gallery NY; Gallery Hijinks San Francisco; Packing Detroit; 101/Exhibit Los Angeles; and Get This! Gallery Atlanta. Group exhibitions include Guerrero Gallery San Francisco; Mini Galerie Amsterdam NL; Essex Flowers NY; Danese/Corey NY; Hashimoto Contemporary Los Angeles; SPRING/BREAK NY; Muster-Meier Switzerland; Richard Heller Gallery Los Angeles; Perry Rubenstein NY; and The Hole NY; among others. He has participated in reisdencies with Marfa Myths Festival TX; Tilleard Projects Lamu Island Kenya; The Jaunt Bali Indonesia; and The Watermill Center NY. Craven has been reviewed in Juxtapoz Magazine The Brooklyn Rail Art Critical The Huffington Post Art F City and Burnaway and has curated exhibitions at DCKT Asya Geisberg Gallery and Nudashank.

20220429 - 20220211 | Hal Bromm 2A | Tribeca | Luis Frangella Russell Sharon:-A Life in Art

20220417 - 20220322 | On The Fringe | Tribeca | Adrianne Lobel-Paintings and Tapestries
Adrianne Lobel is a multidisciplinary American artist with an extensive career in stage design for ballet opera and theater on and off Broadway in major regional theaters and in Europe. She has also been painting for over two decades. This exhibition brings together twelve paintings and twelve tapestries created over the last year in a secluded stone house in Rhinebeck NY. Surrounded by fields and woods Lobel works outdoors creating small plein air paintings that become the basis for larger canvases made in her studio in Hoboken. The tapestries are in turn based on the paintings where the very nature of needlepoint means that the images become more abstracted. Shown side-by-side these images speak to Lobel’s obsession with the translation of nature.

20220423 - 20220310 | 1969 Gallery | Tribeca | Jarrett Key-From the Ground Up

20220508 - 20220303 | Off Paradise | Tribeca | Peter Nadin-The Distance From A Lemon To Murder

20220423 - 20220319 | Postmasters | Tribeca | LoVid-Hold On

20220423 - 20220319 | Postmasters | Tribeca | Serkan Ozkaya

20220507 - 20220325 | Andrew Kreps | Tribeca | Barbara T Smith-Holy Squash

20220507 - 20220325 | Andrew Kreps | Tribeca | Oliver Lee Jackson-

20220423 - 20220325 | P·P·O·W | Tribeca | David Wojnarowicz-Dear John Pierre

20220424 - 20220401 | Mother | Tribeca | ADAM AMRAM-Love is Infectious

20220331 - 20220316 | LATITUDE New York | Tribeca | TINGLAN HUANG-Soft Box

20220328 - 20220227 | E.Tay | Tribeca | S T E V E N B A L O G H-untitled
Tribeca art gallery E.Tay is showing the works of S T E V E N B A L O G H starting 2/27/2022 and ending 12/30/99. This body of work from S T E V E N B A L O G H is titled untitled.Visit for more details https://www.etaygallery.com/

20220604 - 20220422 | Denny Dimin | Tribeca | Future Retrieval
Tribeca art gallery Denny Dimin is showing the works of Future Retrieval starting 4/22/2022 and ending 4/1/22. This body of work from Future Retrieval is titled Crystal-Walled Seas.Visit for more details https://dennydimingallery.com/exhibitions/

20220604 - 20220402 | Denny Dimin | Tribeca | Amir H. Fallah-Joy As An Act Of Resistance
Tribeca art gallery Denny Dimin is showing the works of Amir H. Fallah starting 4/2/2022 and ending 3/16/22. This body of work from Amir H. Fallah is titled Joy As An Act Of Resistance.Visit for more details https://dennydimingallery.com/exhibitions/

20220414 - 20220304 | Denny Dimin | Tribeca | Stephen Thorpe-Boundaries of the Soul
Tribeca art gallery Denny Dimin is showing the works of Stephen Thorpe starting 3/4/2022 and ending 2/27/22. This body of work from Stephen Thorpe is titled Boundaries of the Soul.Visit for more details https://dennydimingallery.com/

20211130 - 20221001 | Launch F18 | Tribeca | ADAM STENNETT-ISOMETRIC BLINDNESS
Tribeca art gallery Launch F18 is showing the works of ADAM STENNETT starting 10/1/2022 and ending 4/22/22. This body of work from ADAM STENNETT is titled ISOMETRIC BLINDNESS.Visit for more details http://www.launchf18.com/

20220430 - 20220402 | Launch F18 | Tribeca | AGNES WALDEN-AURORA CONSURGENS
Tribeca art gallery Launch F18 is showing the works of AGNES WALDEN starting 4/2/2022 and ending 4/2/22. This body of work from AGNES WALDEN is titled AURORA CONSURGENS.Visit for more details http://www.launchf18.com/

20220402 - 20220204 | Christine Park | Tribeca | Lucia Love-untitled
Tribeca art gallery Christine Park is showing the works of Lucia Love starting 2/4/2022 and ending 3/4/22. This body of work from Lucia Love is titled untitled.Visit for more details https://jdj.world/

20220326 - 20220223 | Theta | Tribeca | Hannah Taurins-Cover Girl
Tribeca art gallery Theta is showing the works of Hannah Taurins starting 2/23/2022 and ending 10/1/22. This body of work from Hannah Taurins is titled Cover Girl.Visit for more details https://www.theta.nyc/hannah-taurins

20220604 - 20220428 | A.M. Bjiere | Tribeca | ASH KEATING-untitled
Tribeca art gallery A.M. Bjiere is showing the works of ASH KEATING starting 4/28/2022 and ending 4/2/22. This body of work from ASH KEATING is titled untitled.Visit for more details https://ambjiere.com/exhibitions

20220423 - 20220317 | A.M. Bjiere | Tribeca | MAREO RODRIGUEZ-PORTALS
Tribeca art gallery A.M. Bjiere is showing the works of MAREO RODRIGUEZ starting 3/17/2022 and ending 2/4/22. This body of work from MAREO RODRIGUEZ is titled PORTALS.Visit for more details https://ambjiere.com/exhibitions

20220319 - 20220219 | Christine Park | Tribeca | VANGELIS PLIARIDES-SHAPES OF LOVE
Tribeca art gallery Christine Park is showing the works of VANGELIS PLIARIDES starting 2/19/2022 and ending 2/23/22. This body of work from VANGELIS PLIARIDES is titled SHAPES OF LOVE.Visit for more details https://www.christinepark.net/

20220606 - 20220430 | Y2K Group | Tribeca | Larissa Lockshin-Widow's Walk
Tribeca art gallery Y2K Group is showing the works of Larissa Lockshin starting 4/30/2022 and ending 4/28/22. This body of work from Larissa Lockshin is titled Widow's Walk.Visit for more details https://www.y2kgroup.com/exhibitions

20220416 - 20220312 | Y2K Group | Tribeca | MARGAUX VALENGIN-HUES D’EMPORTEMENT
Tribeca art gallery Y2K Group is showing the works of MARGAUX VALENGIN starting 3/12/2022 and ending 3/17/22. This body of work from MARGAUX VALENGIN is titled HUES D’EMPORTEMENT.Visit for more details https://www.y2kgroup.com/exhibitions

20220429 - 20220318 | Theodore Art | Tribeca | Alix Lambert-Pleadings and Proceedings
Tribeca art gallery Theodore Art is showing the works of Alix Lambert starting 3/18/2022 and ending 2/19/22. This body of work from Alix Lambert is titled Pleadings and Proceedings.Visit for more details https://www.theodoreart.com/current

20220715 - 20220603 | Deanna Evan Projects | Tribeca | Winnie Sidharta-untitled
Tribeca art gallery Deanna Evan Projects is showing the works of Winnie Sidharta starting 6/3/2022 and ending 4/30/22. This body of work from Winnie Sidharta is titled untitled.Visit for more details https://www.deannaevansprojects.com/exhibitions

20220528 - 20220415 | Deanna Evan Projects | Tribeca | Xiao Wang-Liminal Blue
Tribeca art gallery Deanna Evan Projects is showing the works of Xiao Wang starting 4/15/2022 and ending 3/12/22. This body of work from Xiao Wang is titled Liminal Blue.Visit for more details https://www.deannaevansprojects.com/exhibitions

20220409 - 20220225 | Deanna Evan Projects | Tribeca | Nickola Pottinger-fi mi heart full
Tribeca art gallery Deanna Evan Projects is showing the works of Nickola Pottinger starting 2/25/2022 and ending 3/18/22. This body of work from Nickola Pottinger is titled fi mi heart full.Visit for more details https://www.deannaevansprojects.com/exhibitions

20220507 - 20220408 | Freight and Volume | Tribeca | Emily Noelle Lambert-All In Alive
Tribeca art gallery Freight and Volume is showing the works of Emily Noelle Lambert starting 4/8/2022 and ending 6/3/22. This body of work from Emily Noelle Lambert is titled All In Alive.Visit for more details http://www.freightandvolume.com/exhibitions/

20220402 - 20220225 | Freight and Volume | Tribeca | David Kramer-I Am The Boss of Me
Tribeca art gallery Freight and Volume is showing the works of David Kramer starting 2/25/2022 and ending 4/15/22. This body of work from David Kramer is titled I Am The Boss of Me.Visit for more details http://www.freightandvolume.com/exhibitions/

20220429 - 20220325 | Pablos Birthday | Tribeca | HENRIK EIBEN-"my selected little alphabet“
Tribeca art gallery Pablos Birthday is showing the works of HENRIK EIBEN starting 3/25/2022 and ending 2/25/22. This body of work from HENRIK EIBEN is titled "my selected little alphabet“.Visit for more details https://www.pablosbirthday.com/

20220507 - 20220331 | George Adams | Tribeca | Doug Biggert-Hitchhikers and a Sandal Shop
Tribeca art gallery George Adams is showing the works of Doug Biggert starting 3/31/2022 and ending 4/8/22. This body of work from Doug Biggert is titled Hitchhikers and a Sandal Shop.Visit for more details https://www.georgeadamsgallery.com/exhibitions/

20211130 - 20220506 | Cristina Grajales | Tribeca | Paula Hayes and Randy Polumbo-untitled
Tribeca art gallery Cristina Grajales is showing the works of Paula Hayes and Randy Polumbo starting 5/6/2022 and ending 2/25/22. This body of work from Paula Hayes and Randy Polumbo is titled untitled.Visit for more details https://cristinagrajales.com/exhibitions/

20211130 - 20220506 | Cristina Grajales | Tribeca | Robert Wilson- A Boy From Texas
Tribeca art gallery Cristina Grajales is showing the works of Robert Wilson starting 5/6/2022 and ending 3/25/22. This body of work from Robert Wilson is titled A Boy From Texas.Visit for more details https://cristinagrajales.com/exhibitions/

20220424 - 20211130 | Cristina Grajales | Tribeca | Aaron Poritz-Big Woods
Tribeca art gallery Cristina Grajales is showing the works of Aaron Poritz starting 11/30/2021 and ending 3/31/22. This body of work from Aaron Poritz is titled Big Woods.Visit for more details https://cristinagrajales.com/exhibitions/

20211130 - 20220325 | Chapter NY | Tribeca | Cole Lu-The Temple of Sleep
Tribeca art gallery Chapter NY is showing the works of Cole Lu starting 3/25/2022 and ending 5/6/22. This body of work from Cole Lu is titled The Temple of Sleep.Visit for more details https://www.chapter-ny.com/

20211130 - 20220325 | Chapter NY | Tribeca | Dominique Knowles-The Solemn and Dignified Burial Befitting My Beloved for All Seasons
Tribeca art gallery Chapter NY is showing the works of Dominique Knowles starting 3/25/2022 and ending 5/6/22. This body of work from Dominique Knowles is titled The Solemn and Dignified Burial Befitting My Beloved for All Seasons.Visit for more details https://www.chapter-ny.com/

20220604 - 20220429 | Jane Lombard | Tribeca | SQUEAK CARNWATH-PATTERN LANGUAGE
Tribeca art gallery Jane Lombard is showing the works of SQUEAK CARNWATH starting 4/29/2022 and ending 11/30/21. This body of work from SQUEAK CARNWATH is titled PATTERN LANGUAGE.Visit for more details https://www.janelombardgallery.com/

20220409 - 20220305 | Kerry Schuss | Tribeca | Ken Johnson-untitled
Tribeca art gallery Kerry Schuss is showing the works of Ken Johnson starting 3/5/2022 and ending 3/25/22. This body of work from Ken Johnson is titled untitled.Visit for more details https://www.kerryschussgallery.com/

20220507 - 20220408 | Jack Barrett | Tribeca | Haley Josephs-Passages
Tribeca art gallery Jack Barrett is showing the works of Haley Josephs starting 4/8/2022 and ending 3/25/22. This body of work from Haley Josephs is titled Passages.Visit for more details https://jackbarrettgallery.com/

20220402 - 20220304 | Jack Barrett | Tribeca | Quay Quinn Wolf-repair
Tribeca art gallery Jack Barrett is showing the works of Quay Quinn Wolf starting 3/4/2022 and ending 4/29/22. This body of work from Quay Quinn Wolf is titled repair.Visit for more details https://jackbarrettgallery.com/

20220507 - 20220317 | Sapar Contemporary | Tribeca | Uuriintuya Dagvasambuu-Moods in the Metaverse
Tribeca art gallery Sapar Contemporary is showing the works of Uuriintuya Dagvasambuu starting 3/17/2022 and ending 3/5/22. This body of work from Uuriintuya Dagvasambuu is titled Moods in the Metaverse .Visit for more details https://www.saparcontemporary.com/exhibitions

20221217 - 20221103 | 1969 | Tribeca | GROUP SHOW-Blind Field | curated by Matt Bollinger
Tribeca art gallery 1969 is showing the works of GROUP SHOW starting 11/3/2022 and ending 4/8/22. This body of work from GROUP SHOW is titled Blind Field | curated by Matt Bollinger.Visit for more details https://www.1969gallery.com/upcoming

20221022 - 20220907 | 1969 | Tribeca | Radu Oerian-Solo
Tribeca art gallery 1969 is showing the works of Radu Oerian starting 9/7/2022 and ending 3/4/22. This body of work from Radu Oerian is titled Solo.Visit for more details https://www.1969gallery.com/upcoming

20220813 - 20220630 | 1969 | Tribeca | Panteha Abareshi Linus Borgo Robert Andy Coombs Shannon Finnegan Jerron Herman Chella Man Kate Meissner Emma Portner Puppies Puppies Christine Sun Kim Tourmaline-Pure Joy | curated by Chella Man
Tribeca art gallery 1969 is showing the works of Panteha Abareshi Linus Borgo Robert Andy Coombs Shannon Finnegan Jerron Herman Chella Man Kate Meissner Emma Portner Puppies Puppies Christine Sun Kim Tourmaline starting 6/30/2022 and ending 3/17/22. This body of work from Panteha Abareshi Linus Borgo Robert Andy Coombs Shannon Finnegan Jerron Herman Chella Man Kate Meissner Emma Portner Puppies Puppies Christine Sun Kim Tourmaline is titled Pure Joy | curated by Chella Man.Visit for more details https://www.1969gallery.com/upcoming

20220430 - 20220318 | Chart | Tribeca | DAVID AIPPERSPACH-PROLOGUE TO A GARDEN DARK
Tribeca art gallery Chart is showing the works of DAVID AIPPERSPACH starting 3/18/2022 and ending 9/7/22. This body of work from DAVID AIPPERSPACH is titled PROLOGUE TO A GARDEN DARK.Visit for more details https://chart-gallery.com/artists/312-david-aipperspach/

20220701 - 20220401 | kaufmann repetto | Tribeca | adrian paci-the wanderers
Tribeca art gallery kaufmann repetto is showing the works of adrian paci starting 4/1/2022 and ending 6/30/22. This body of work from adrian paci is titled the wanderers.Visit for more details https://kaufmannrepetto.com/upcoming-exhibitions/

20220507 - 20220324 | Nicelle Beauchene | Tribeca | Luke O'Halloran-Cards cats people and stars
Tribeca art gallery Nicelle Beauchene is showing the works of Luke O'Halloran starting 3/24/2022 and ending 5/5/22. This body of work from Luke O'Halloran is titled Cards cats people and stars.Visit for more details https://nicellebeauchene.com/exhibition-archive/

20220402 - 20220303 | Nicelle Beauchene | Tribeca | Jonathan Baldock-Grave Goods
Tribeca art gallery Nicelle Beauchene is showing the works of Jonathan Baldock starting 3/3/2022 and ending 3/18/22. This body of work from Jonathan Baldock is titled Grave Goods.Visit for more details https://nicellebeauchene.com/exhibition-archive/

20220414 - 20220401 | Journal | Tribeca | Yves Scherer-untitled
Tribeca art gallery Journal is showing the works of Yves Scherer starting 4/1/2022 and ending 4/1/22. This body of work from Yves Scherer is titled untitled.Visit for more details https://www.thetenniselbow.org/

20220403 - 20220325 | Jack Hanley | Tribeca | Gary Panter - Motohiro Hayakawa -Susan Te Kahurangi King-Matt Lock | Lale Westvind- Rea Burton-Axolotl Tank
Tribeca art gallery Jack Hanley is showing the works of Gary Panter - Motohiro Hayakawa -Susan Te Kahurangi King-Matt Lock | Lale Westvind- Rea Burton starting 3/25/2022 and ending 3/24/22. This body of work from Gary Panter - Motohiro Hayakawa -Susan Te Kahurangi King-Matt Lock | Lale Westvind- Rea Burton is titled Axolotl Tank.Visit for more details https://www.jackhanley.com/exhibitions

20220403 - 20220325 | Jack Hanley | Tribeca | Jess Johnson-Core Dump
Tribeca art gallery Jack Hanley is showing the works of Jess Johnson starting 3/25/2022 and ending 3/3/22. This body of work from Jess Johnson is titled Core Dump.Visit for more details https://www.jackhanley.com/exhibitions

20221201 - 20221001 | 52 Walker | Tribeca | Tau Lewis-untitled
Tribeca art gallery 52 Walker is showing the works of Tau Lewis starting 10/1/2022 and ending 4/1/22. This body of work from Tau Lewis is titled untitled.Visit for more details https://www.52walker.com/

20220901 - 20220701 | 52 Walker | Tribeca | Tiona Nekkia McClodden-untitled
Tribeca art gallery 52 Walker is showing the works of Tiona Nekkia McClodden starting 7/1/2022 and ending 3/25/22. This body of work from Tiona Nekkia McClodden is titled untitled.Visit for more details https://www.52walker.com/

20220701 - 20220408 | 52 Walker | Tribeca | Nora Turato-govern me harder
Tribeca art gallery 52 Walker is showing the works of Nora Turato starting 4/8/2022 and ending 3/25/22. This body of work from Nora Turato is titled govern me harder.Visit for more details https://www.52walker.com/

20220409 - 20220304 | David Lewis | Tribeca | John Boskovich-Mirrors
David Lewis a Tribeca is showing the works of John Boskovich starting 3/4/2022 and ending 3/4/22. This body of work from John Boskovich is titled Mirrors.Visit for more details: And please phone ahead to confirm the gallery hours and availabilityJohn Boskovich received his MFA from CalArts during its sadomasochistic critical obsessional efflorescence in the era of skeptical beliefs Douglas Huebler and John Baldessari. John was TA for Baldessari’s famous Post-Studio Art seminar. The background is ‘60s and ‘70s Conceptual art; video art and performance arts is thick; Andy Warhol never sleeps. Billy Name’s silver tin foil decor for The Factory. The mirrors of two infinity rooms one by Kusama another by Samaras. The Nonsites of Robert Smithson. Fassbinder’s “Chinese Roulette” — all those mirrors one liar facing another’s reflection fissile and hysterical. “The mirror crack’d from side to side ‘The curse has come upon me’ cried The Lady of Shalott” — Alfred Lord Tennyson The Lady of Shalott (Fragments from a text by David Rimanelli on John Boskovich’s Mirrors.)Courtesy of David Lewis New York

20220611 - 20220512 | Deli | Tribeca | Charlie Alston-untitled
Tribeca art gallery Deli is showing the works of Charlie Alston starting 5/12/2022 and ending 7/1/22. This body of work from Charlie Alston is titled untitled.Visit for more details https://deligallery.com/Exhibitions

20220326 - 20220224 | Deli | Tribeca | Abigail Lucien Brittney Leeanne Williams-untitled
Tribeca art gallery Deli is showing the works of Abigail Lucien Brittney Leeanne Williams starting 2/24/2022 and ending 3/4/22. This body of work from Abigail Lucien Brittney Leeanne Williams is titled untitled.Visit for more details https://deligallery.com/Exhibitions

20220514 - 20220224 | Ortuzar Projects | Tribeca | ANDRÉ CADERE-1964–1978
Tribeca art gallery Ortuzar Projects is showing the works of ANDRÉ CADERE starting 2/24/2022 and ending 5/12/22. This body of work from ANDRÉ CADERE is titled 1964–1978.Visit for more details https://www.ortuzarprojects.com/artists/andre-cadere

20220422 - 20220210 | R and Company | Tribeca | JEFF ZIMMERMAN-NEW WORK
Tribeca art gallery R and Company is showing the works of JEFF ZIMMERMAN starting 2/10/2022 and ending 3/31/22. This body of work from JEFF ZIMMERMAN is titled NEW WORK.Visit for more details https://r-and-company.com/designers/jeff-zimmerman/

20220422 - 20220210 | R and Company | Tribeca | ZANINI DE ZANINE-THE SOUND OF WOOD | FEATURING
Tribeca art gallery R and Company is showing the works of ZANINI DE ZANINE starting 2/10/2022 and ending 2/24/22. This body of work from ZANINI DE ZANINE is titled THE SOUND OF WOOD | FEATURING ZANINI DE ZANINE CALDAS.Visit for more details https://r-and-company.com/designers/zanini-de-zanine-caldas/

20220812 - 20220428 | R and Company | Tribeca | HUN-CHUNG LEE-CALIFORNIA
Tribeca art gallery R and Company is showing the works of HUN-CHUNG LEE starting 4/28/2022 and ending 2/24/22. This body of work from HUN-CHUNG LEE is titled CALIFORNIA.Visit for more details https://r-and-company.com/designers/hun-chung-lee/

20220422 - 20220210 | R and Company | Tribeca | KATIE STOUT-KLOWN TOWN
Tribeca art gallery R and Company is showing the works of KATIE STOUT starting 2/10/2022 and ending 2/10/22. This body of work from KATIE STOUT is titled KLOWN TOWN.Visit for more details https://r-and-company.com/designers/katie-stout/

20220416 - 20220304 | GRIMM | Tribeca | Michael Raedecker-Now
GRIMM a Tribeca is showing the works of Michael Raedecker starting 3/4/2022 and ending 3/4/22. This body of work from Michael Raedecker is titled Now.Visit for more details: And please phone ahead to confirm the gallery hours and availabilitynow The concept now is like a dog chasing its own tail. As soon as now arrives—becomes thought or imagined or uttered or pictured or written or said—its meaning switches to recently (and recently lacks the same sex appeal). In other words now is elusive; difficult to catch but we run after it all the same. capture From a distance the flat and rectangular objects that Raedecker has produced have the appearance of the things we once called paintings. In the studio he has engineered a mechanism of capture which manufactures products that contradict our efforts to form certainty. Instead as we approach the objects getting closer to the surface it dawns that our impressions stem from fantasy evoking a distinction between imagination and reality. In short the viewer has been assigned an active task through which their interaction with the image can be felt and perception becomes tangible and within our grasp. Like a focussing lens looking at Raedecker’s evocative concoctions veers between two realities: psychical and material. pleasure The closer we get to the traps which are disguised as paintings the more the veil of illusion falls away. Images become paint paint becomes thread and thread becomes simply itself. The proximity of the canvas surface shatters the viewers’ inventions. No-one is closer to the surface than Raedecker who spends hours going in and out of the surface from the front to the back “and back again”. mechanical reproduction Did you know these flat objects on the walls are facsimiles of pre-existing images made by the artist? In the lengthy process Raedecker makes smaller versions sketches (he calls them demos) which are digitally copied painted and manipulated and enlarged and transferred to these surfaces. Like the endless reproductions that constitute our so-called (authentic) reality we are looking at sophisticated copies saturated in monochrome colour. Raedecker goes even further and copies and repeats images within an exhibition: the pool and the pool and the tents and the tents and the treehouses and the treehouses. Are we really expected to project alternatives onto the second and third instance of the copy? Isn’t the artist highlighting the eternal recurrence of the same set of narratives we repeat culturally and repeat to ourselves? can’t see the wood for the trees Up close the viewing experience is all material (applied through an overloaded clash of handmade versus mechanical processes). Back up and as the colliding elements coalesce the picture emerges. Here Raedecker’s objects provide some sort of lesson in how to look at a painting. The how and not the what—as if the pictorial illusion (the wood/forest above) provides only a MacGuffin. holes The making of holes represents the core elusive metaphor of the Raedecker enterprise. If he is known for one thing it is threading and threading begins with making a hole. With a needle as soon as the hole is formed it is filled. Pictorially the hole is a screen onto which the protagonist (or viewer) has the space to imagine and even fulfill desire. We might otherwise call these daydreams: scenes episodes romances or fictions formed by the viewer. Is it just me my wishes fattened (or thinned) on a diet of mainstream TV and movies or do these holes evoke dark foreboding for us all? Misdemeanours? Crimes? Violence? Murder? Death? Why might we be seduced by such places? Why might these frequently exotic images with their unhomely connotations make us feel cosy? And by way of an answer: could these holes paradoxically provide the viewer with a glimmer of completeness? After all isn’t feeling whole cosy in a nutshell. -Stuart Cumberland 2022 Michael Raedecker (b. 1963 in Amsterdam NL) currently lives and works in London (UK). He received his BA in Fashion Design from the Gerrit Rietveld Academie Amsterdam (NL) and continued his studies at the Rijksakademie van Beeldende Kunsten Amsterdam (NL) as well as Goldsmiths College London (UK). In 2000 Raedecker was shortlisted for the Turner Prize. His work can be found in the collections of the Art Institute of Chicago IL (US); Akzo Nobel Art Collection Amsterdam (NL); British Art Council London (UK); Guggenheim Museum New York NY (US); Kunstmuseum The Hague (NL); Astrup Fearnley Museum Oslo (NO); Tate London (UK); MAXXI National Museum of XXI Century Arts Rome (IT); Van Abbemuseum Eindhoven (NL) Museum Voorlinden Wassenaar (NL) amongst others as well as in many private collections.Courtesy of the artist and GRIMM

20220430 - 20220331 | Broadway | Tribeca | Jo Nigoghossian-You Are Getting Very Sleepy
Tribeca art gallery Broadway is showing the works of Jo Nigoghossian starting 3/31/2022 and ending 4/28/22. This body of work from Jo Nigoghossian is titled You Are Getting Very Sleepy.Visit for more details https://www.broadwaygallery.nyc/

20220430 - 20220318 | Bortolami | Tribeca | Fernanda Laguna-untitled
Tribeca art gallery Bortolami is showing the works of Fernanda Laguna starting 3/18/2022 and ending 2/10/22. This body of work from Fernanda Laguna is titled untitled.Visit for more details https://bortolamigallery.com/exhibitions/welcome-to-my-show-in-new-york-bienvenidos-a-mi-muestra-en-nueva-york/

20220430 - 20220304 | Bortolami | Tribeca | Barbara Kasten-Shift
Tribeca art gallery Bortolami is showing the works of Barbara Kasten starting 3/4/2022 and ending 3/4/22. This body of work from Barbara Kasten is titled Shift.Visit for more details https://bortolamigallery.com/exhibitions/shift/

20220326 - 20220225 | Bortolami | Tribeca | Mika Horibuchi-Watercolors
Tribeca art gallery Bortolami is showing the works of Mika Horibuchi starting 2/25/2022 and ending 3/31/22. This body of work from Mika Horibuchi is titled Watercolors.Visit for more details https://bortolamigallery.com/exhibitions/watercolors/

20220409 - 20220311 | Canada New York | Tribeca | Sahar Khoury-You Can't Cut It Into Pieces
Tribeca art gallery Canada New York is showing the works of Sahar Khoury starting 3/11/2022 and ending 3/18/22. This body of work from Sahar Khoury is titled You Can't Cut It Into Pieces.Visit for more details https://www.canadanewyork.com/exhibitions/2022/you-cant-cut-it-up-into-pieces/

20220411 - 20220311 | Canada New York | Tribeca | Lyric Shen-Biscuit
Tribeca art gallery Canada New York is showing the works of Lyric Shen starting 3/11/2022 and ending 3/4/22. This body of work from Lyric Shen is titled Biscuit.Visit for more details https://www.canadanewyork.com/exhibitions/2022/biscuit/

20220625 - 20220514 | James Cohan | Tribeca | Naudline Pierre-untitled
Tribeca art gallery James Cohan is showing the works of Naudline Pierre starting 5/14/2022 and ending 3/11/22. This body of work from Naudline Pierre is titled untitled.Visit for more details https://www.jamescohan.com/exhibitions/naudline-pierre

20220507 - 20220402 | James Cohan | Tribeca | Jordan Nassar-untitled
Tribeca art gallery James Cohan is showing the works of Jordan Nassar starting 4/2/2022 and ending 3/25/22. This body of work from Jordan Nassar is titled untitled.Visit for more details https://www.jamescohan.com/exhibitions/jordan-nassar2

20220326 - 20220224 | James Cohan | Tribeca | Kathy Butterly-Color In Forming
Tribeca art gallery James Cohan is showing the works of Kathy Butterly starting 2/24/2022 and ending 4/7/22. This body of work from Kathy Butterly is titled Color In Forming.Visit for more details https://www.jamescohan.com/exhibitions/kathy-butterly2

20220507 - 20220409 | James Cohan | Tribeca | Tuan Andrew Nguyen-Radiant Remembrance | 2021
Tribeca art gallery James Cohan is showing the works of Tuan Andrew Nguyen starting 4/9/2022 and ending 5/14/22. This body of work from Tuan Andrew Nguyen is titled Radiant Remembrance | 2021.Visit for more details https://www.jamescohan.com/exhibitions/tuan-andrew-nguyen2

20220402 - 20220304 | James Cohan | Tribeca | Christopher Myers-The Hands of Strange Children
Tribeca art gallery James Cohan is showing the works of Christopher Myers starting 3/4/2022 and ending 4/2/22. This body of work from Christopher Myers is titled The Hands of Strange Children.Visit for more details https://www.jamescohan.com/exhibitions/christopher-myers2

20220423 - 20220311 | Jane Lombard Gallery | Chinatown | Tom Molloy-say the dream was real and the wall imaginary
say the dream was real and the wall imaginary A group exhibition curated by Joseph R. WolinFeaturing: Ambreen Butt Margarita Cabrera Becci DavisAnita Groener Spandita Malik Tom Molloy Azita Moradkhani Kanishka RajaMarch 11 - April 23 2022Opening: March 11 5 - 7 PMmake it happenfinish the thoughtsay the dream was real and the wall imaginarybecause we need you to build more roadfor all of us to walk onbecause participationbecause witnessbecause history —Richard Siken “Why” 2013 Jane Lombard Gallery is pleased to present say the dream was real and the wall imaginary a group exhibition curated by Joseph R. Wolin that brings together eight artists who investigate walls borders and boundaries—both physical and ideological—and ways to think beyond them. The exhibition featuring work by Margarita Cabrera Anita Groener Tom Molloy Ambreen Butt Becci Davis Spandita Malik Azita Moradkhani and Kanishka Raja opens on March 11th from 5–7 PM and will be on view through April 23rd 2022. Walls—whether delimiting rooms dwellings cells properties territories nations or lines of jurisdiction—are designed to separate. Walls divide us; they confine us within and fence others out. But as walls were created by us we can imagine a world where they don’t exist. As Richard Siken’s poem suggests we can dream past walls because we must. Each artist featured in say the dream was real and the wall imaginary is in some way confronted with the blunt facts of enforced division. As such their work not only considers the presence of walls but how to transcend them dreaming of futures that lack borders. Margarita Cabrera (Mexico/U.S.) and Anita Groener (Netherlands/Ireland) create works that look at borders between countries focusing on the individuals who left their home countries in search of refuge and opportunity. Cabrera’s ongoing series Space in Between explores the politics of the national border between the United States and Mexico collaborating with recent immigrants to create soft sculptures representative of their own experiences with crossing borders. Groener’s sculpture and video works explore symbolic deconstructions and reconstructions of home through both personal narratives and those of communities facing displacement due to violence. Tom Molloy’s (Ireland/France) Borderline plays with the signs and implications of demarcations and boundaries. Ambreen Butt’s (Pakistan/U.S.) series Say My Name abstract compositions made from the names of children and teenagers killed by U.S. drone strikes on either side of the border between Afghanistan and Pakistan constitute acts of remembering individual young lives snuffed out as “collateral damage” in the never-ending War on Terror. Becci Davis’s (U.S.) three-channel video Isaiah’s Inventory/Searching for Junior foregrounds a gesture of un-writing history as she transcribes the estate inventory of a nineteenth-century Southern slave owner her fifth great-grandfather whose property includes her fourth great-grandmother and her children and runs the footage backwards. Spandita Malik (India/U.S.) shoots portraits of Indian women restricted to their homes in small villages collaborating with the subjects through regional styles of stitching and embroidery which they deploy according to their own desires and ideas about self-presentation. Azita Moradkhani (Iran/U.S.) considers the distortions of patriarchal structures focused on her native Iran in delicate drawings that merge fancy lingerie with scenes of cultural archetypes and political protest. Painter Kanishka Raja (India/U.S.) merges airports shopping malls corporate lobbies tony domestic interiors computer hubs shantytowns refugee camps and flooded cities with frenetic abstraction predicting an unpeopled world half dystopia half fever dream that eerily parallels the actual condition in which we live today. Collectively the artists in say the dream was real and the wall imaginary not only ask viewers to examine the effects and meanings of walls as tools of division but also to imagine ways to dismantle them. Through their work we can dream new prospects for a future without borders. About Joseph R. Wolin Joseph R. Wolin is an independent curator and critic and the Consulting Curator and Editor at the Museum of Art and Design at Miami Dade College. He is a contributor to Border Crossings Frieze Glasstire Time Out New York and other publications and was the co-curator of MOAD’s Living Together a yearlong series of exhibitions performance art concerts and other events held at venues across Miami during 2017–18. He teaches in the MFA Photography programs at Parsons School of Design and lesley University.