Burnaway our #12 ranked publication was established in 2008. BURNAWAY focuses on contemporary art and culture in the American South, highlighting regional artists, exhibitions, and critical discourse. Its home office is located in Atlanta, Georgia, USA. Burnaway explores the work of emerging and established artists, curators, and arts professionals through in-depth articles, interviews, and reviews. Its team is committed to fostering a community of artists and art lovers and providing a space for discussion around the issues and ideas shaping the South's art scene. With its cutting-edge coverage, Burnaway is a must-read for anyone interested in the dynamic artistic landscape of the American South.
Heather Bird Harris reviews Mona Bozorgi and Tokie Rome-Taylor’s dialogue of alternative image-making in from within, so together at Swan Coach House Gallery, Atlanta.
Burnaway is excited to continue our Artist Editions with a bandana by Joy Drury Cox inspired by neighborhood crime watch signs.
Rosa Boshier González reviews the relationship between natural materials and the attention of a human's touch in Olga de Amaral at Institute of Contemporary Art, Miami.
Our monthly round up of opportunities includes the PhotoWork Junior Fellowship, a semester-long residency program in Little Rock, and an artist residency in the Dominican Republic.
Justin Chance reviews Making Connections, an exhibition showcasing the Weatherspoon Art Museum's permanent collection and highlighting the contributions of Greensboro community members in shaping the museum.
Quinn Foster reviews the revolutionary healing found in Ritual Rest, an exhibition and performance ritual by Maaliyah Symoné at The Front, New Orleans.
Burnaway takes a close look at MAR ADENTRO at Museo de Arte Contemporáneo de Puerto Rico, San Juan.
Our monthly round up of opportunities includes an invitation to submit small works for an upcoming show in Sarasota, a call to create artwork for a multicultural senior center in
Merin McDivitt reviews Asheville's Blue Spiral 1's Outside the Lines, where artists adopt an irreverent approach to surfaces, creating overlapping layers of meaning through unexpected textures and lines, as well
Noah Reyes reviews the archival and contemporary reunion of family found in the photographs of Brayan Enriquez: Like Hills Made of Sand at Atlanta Center for Photography, Atlanta.
