Burnaway our #12 ranked publication was established in 2008. BURNAWAY focuses on contemporary art and culture in the American South, highlighting regional artists, exhibitions, and critical discourse. Its home office is located in Atlanta, Georgia, USA. Burnaway explores the work of emerging and established artists, curators, and arts professionals through in-depth articles, interviews, and reviews. Its team is committed to fostering a community of artists and art lovers and providing a space for discussion around the issues and ideas shaping the South's art scene. With its cutting-edge coverage, Burnaway is a must-read for anyone interested in the dynamic artistic landscape of the American South.
Zeny May Recidoro reviews Njeri Kinuthia's exhibition Ukombozi: Reclaiming Place and Self, an homage to her Kenyan homeland, and to her self, currently on view at the Dale Mabry Gallery,
Artist, curator, and writer Paul Bright visits the Greensboro studio of Mariam Aziza Stephan, a painter using abstract landscapes to explore themes of loss.
Dr. Allison K. Young reviews the serene and sacred practice of Cristina Molina in her solo exhibition Tell it to the River at Other Plans, New Orleans.
Our monthly round of opportunities includes an experimental studio residency in Baton Rouge, an open call for large-scale outdoor installations in Kentucky, and a master's graduate application for art education
Burnaway announces Book//Zine, our first annual art book and zine fair. Book//Zine will be in Atlanta at The Goat Farm on October 11, 2025.
Charlotte Foreman visits the studio of Julia García, discussing the influence of the Floridian landscape, internet source imagery, and the generous use of water in her work.
Lindsey Cummins reviews the multimodal assemblages by Hannah Smith in her solo exhibition Fool's Gold at Houseguest Gallery, Louisville.
Noah Reyes reviews You’re The Man Now, Dog, a comedic exhibition by Matthew Flores at Cleo the Project Space, Savannah.
Noah Simblist reviews the multitude of abstraction's meanings and uses in Beyond the Frame: Abstraction Reconstructed, a Two-Person Exhibition Featuring Denzil Hurley and Reginald Sylvester II at CANADA, New York
Yashi Davalos reviews the visual accountability and ecological politics found in Blas Isasi's 1,001,532 CE and Didier William's Gesture to Home for Prospect.6, New Orleans.
