Whitney Biennial
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"People say some of the things I make are ‘weird.’ I think that they’re weird too, but the thoughts most people have are weird. Some people are able to see themselves in the images or the ideas and others are looking at it from a distance.” - Calvin Marcus for Cultured Mag
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Another favorite artist from the 2019 Whitney Biennial, on view until Sept 22nd.
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Though the work is reflective of me, my ideas, my quirks, etc., I think the work is on a baseline relating to some basic human conditions, feelings, and introspections.” Marcus’s work thus becomes a conduit for the development of emotional sensitivity through art objects.
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#whitneybiennial #calvinmarcus #culturedmag #painting #nycartmuseum #nycart #contemporaryart
"People say some of the things I make are ‘weird.’ I think that they’re weird too, but the thoughts most people have are weird. Some people are able to see themselves in the images or the ideas and others are looking at it from a distance.” - Calvin Marcus for Cultured Mag
.
.
Another favorite artist from the 2019 Whitney Biennial, on view until Sept 22nd.
.
.
Though the work is reflective of me, my ideas, my quirks, etc., I think the work is on a baseline relating to some basic human conditions, feelings, and introspections.” Marcus’s work thus becomes a conduit for the development of emotional sensitivity through art objects.
.
.
#whitneybiennial #calvinmarcus #culturedmag #painting #nycartmuseum #nycart #contemporaryart
Rick Lowe The artist has talked about the symbolic qualities of the game as scenarios for community engagement. He finds playing dominos to be "an incredibly spiritual and educational experience. There`s a code of ethics around the way the game is played; rigorous competition, humility, and respect."
Rick Lowe (rickloweofficial) uses playing dominoes as the basis for his paintings.
Project Row Houses: If Artists Are Creative Why Can’t They Create Solutions (2021) in the #WhitneyBiennial
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Photo: ohmygodshoez
Rick Lowe is an artist who resides in Houston, Texas. His formal training is in the visual arts. Over the past twenty years he has worked both inside and outside of art world institutions by participating in exhibitions and developing community based art projects.
Rick has participated in exhibitions and programs nationally and internationally. From 1993 to the present, he has exhibited at the Phoenix Art Museum; Contemporary arts Museum, Houston; Museum of Contemporary Arts, Los Angeles; Neuberger Museum, Purchase, New York; Gwangju Biennale, Gwangju, Korea; Museum of Fine Arts, Houston; Glassell School, Houston, TX; the Kumamoto State Museum, Kumamoto, Japan; Zora Neale Hurston Museum, Eatonville, Florida; Venice Architecture Biennale; and the Anyang Public Art Program 2010. Cittadellarte, Biella, Italy, Nasher Sculpture Center, Dallas, TX, and Documenta 14, Kassel, Germany and Athens, Greece.
In 1993, Rick founded Project Row Houses, an arts and cultural community located in a historically significant and culturally charged neighborhood in Houston, Texas.
Rick has worked as guest artist on a number of community projects nationally. In 1996 he developed the Watts House Project, Los Angeles. From 2001-2002, he worked in collaboration with arts consultant Jessica Cusick on the Arts Plan for Rem Koolhaus designed Seattle Public Library.
#design #abstracto #contemporarypainting #abstract_buff #abstractphotography #modernart #abstracts #artgallery #abstractphoto #abstracters_anonymous #artcollector #artcurator #abstractarts
Rick Lowe The artist has talked about the symbolic qualities of the game as scenarios for community engagement. He finds playing dominos to be "an incredibly spiritual and educational experience. There`s a code of ethics around the way the game is played; rigorous competition, humility, and respect."
Rick Lowe (rickloweofficial) uses playing dominoes as the basis for his paintings.
Project Row Houses: If Artists Are Creative Why Can’t They Create Solutions (2021) in the #WhitneyBiennial
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Photo: ohmygodshoez
Rick Lowe is an artist who resides in Houston, Texas. His formal training is in the visual arts. Over the past twenty years he has worked both inside and outside of art world institutions by participating in exhibitions and developing community based art projects.
Rick has participated in exhibitions and programs nationally and internationally. From 1993 to the present, he has exhibited at the Phoenix Art Museum; Contemporary arts Museum, Houston; Museum of Contemporary Arts, Los Angeles; Neuberger Museum, Purchase, New York; Gwangju Biennale, Gwangju, Korea; Museum of Fine Arts, Houston; Glassell School, Houston, TX; the Kumamoto State Museum, Kumamoto, Japan; Zora Neale Hurston Museum, Eatonville, Florida; Venice Architecture Biennale; and the Anyang Public Art Program 2010. Cittadellarte, Biella, Italy, Nasher Sculpture Center, Dallas, TX, and Documenta 14, Kassel, Germany and Athens, Greece.
In 1993, Rick founded Project Row Houses, an arts and cultural community located in a historically significant and culturally charged neighborhood in Houston, Texas.
Rick has worked as guest artist on a number of community projects nationally. In 1996 he developed the Watts House Project, Los Angeles. From 2001-2002, he worked in collaboration with arts consultant Jessica Cusick on the Arts Plan for Rem Koolhaus designed Seattle Public Library.
#design #abstracto #contemporarypainting #abstract_buff #abstractphotography #modernart #abstracts #artgallery #abstractphoto #abstracters_anonymous #artcollector #artcurator #abstractarts
new piece - and largest book wheel to date at 43” diameter at its widest.
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•#bookobsessed #finearts #studiolife #promotion #commission #thejealouscurator #curious #art21 #accretion #bookporn #namaste #katet #artemest #handmade #viral #bookbinding #zerowaste #talkinggalleries #cern #doitfortheprocess #calltoartists #maisonetobjet #whitneybiennial #contemporaryartcollectors #timespaceexistence #interiordesignmagazine #whoopigoldberg #sköldpadda #sodomino #colossal
new piece - and largest book wheel to date at 43” diameter at its widest.
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•#bookobsessed #finearts #studiolife #promotion #commission #thejealouscurator #curious #art21 #accretion #bookporn #namaste #katet #artemest #handmade #viral #bookbinding #zerowaste #talkinggalleries #cern #doitfortheprocess #calltoartists #maisonetobjet #whitneybiennial #contemporaryartcollectors #timespaceexistence #interiordesignmagazine #whoopigoldberg #sköldpadda #sodomino #colossal
Whitney Biennial 2022: Quiet as It`s Kept
ニューヨークのホイットニー美術館（Whitney Museum of American Art）が開催した2022年のホイットニー・ビエンナーレ（2022年4月6日 - 9月5日）のカタログ。2022年のビエンナーレでは、世代や分野を超えた63人のアーティストとコレクティブが参加し、今日のアメリカ人が抱える課題、複雑さ、可能性を反映したダイナミックな作品が発表されました。ビエンナーレの各参加者は、展示会の歴史、参考文献、およびアーティスト自身の個人的な声明またはインタビューによって補完された画像によって紹介されています。
The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial’s participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist’s own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial’s two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve—as previous editions have—as an invaluable resource on present-day trends in contemporary art in the United States.
Publisher: Whitney Museum of American Art
#design #graphicdesign #bookdesign #artbook #whitneybiennial #whitneymuseumofamericanart #デザイン #グラフィックデザイン #ブックデザイン #アートブック #ホイットニービエンナーレ #ホイットニー美術館
Whitney Biennial 2022: Quiet as It`s Kept
ニューヨークのホイットニー美術館（Whitney Museum of American Art）が開催した2022年のホイットニー・ビエンナーレ（2022年4月6日 - 9月5日）のカタログ。2022年のビエンナーレでは、世代や分野を超えた63人のアーティストとコレクティブが参加し、今日のアメリカ人が抱える課題、複雑さ、可能性を反映したダイナミックな作品が発表されました。ビエンナーレの各参加者は、展示会の歴史、参考文献、およびアーティスト自身の個人的な声明またはインタビューによって補完された画像によって紹介されています。
The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial’s participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist’s own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial’s two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve—as previous editions have—as an invaluable resource on present-day trends in contemporary art in the United States.
Publisher: Whitney Museum of American Art
#design #graphicdesign #bookdesign #artbook #whitneybiennial #whitneymuseumofamericanart #デザイン #グラフィックデザイン #ブックデザイン #アートブック #ホイットニービエンナーレ #ホイットニー美術館
“There’s also a sort of ease and freedom visible in my paintings. I’m not trying to come up with layered messages of meaning. I’m doing what I want in the moment and viewers connect with that.” - Shara Hughes (flauntmagazine)
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With a multitude of solo shows, acquisitions by major museums, and a room of her own at the 2017 Whitney Biennial, Shara Hughes is one of the most exciting and promising new artists .
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She`s also an ATL native, who now lives and works in NYC. "For this show, Hughes takes a more pointed approach to the imaginative landscapes that have defined her practice for the past four years" - by zooming in on flowers, and the effect is brilliant. .
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#risdi #sharahughes #racheluffner #racheluffnergallery #whitneybiennial #flowerpaintings #abstractpaintings #landscapepaintings #atlantaartist
“There’s also a sort of ease and freedom visible in my paintings. I’m not trying to come up with layered messages of meaning. I’m doing what I want in the moment and viewers connect with that.” - Shara Hughes (flauntmagazine)
.
.
With a multitude of solo shows, acquisitions by major museums, and a room of her own at the 2017 Whitney Biennial, Shara Hughes is one of the most exciting and promising new artists .
.
She`s also an ATL native, who now lives and works in NYC. "For this show, Hughes takes a more pointed approach to the imaginative landscapes that have defined her practice for the past four years" - by zooming in on flowers, and the effect is brilliant. .
.
#risdi #sharahughes #racheluffner #racheluffnergallery #whitneybiennial #flowerpaintings #abstractpaintings #landscapepaintings #atlantaartist
🌈❤️🌈❤️🌈❤️
Repost from patrickmcmullan
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The gang`s all here at the Whitney Biennial whitneymuseum 🎨 Travis Miranda, Estelle Bailey-Babenzien, Minka Kelly, Flea, Shari Siadat, Melody Ehsani & Anthony Kiedis #whitneybiennial 📷seanzanni
🌈❤️🌈❤️🌈❤️
Repost from patrickmcmullan
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The gang`s all here at the Whitney Biennial whitneymuseum 🎨 Travis Miranda, Estelle Bailey-Babenzien, Minka Kelly, Flea, Shari Siadat, Melody Ehsani & Anthony Kiedis #whitneybiennial 📷seanzanni
Congratulations to Ellen Gallagher and Rick Lowe on being selected to participate in the Whitney Biennial 2022!
This year’s Biennial features dynamic contributions that take different forms over the course of the exhibition: artworks—even walls—change, and performance animates the galleries and objects. With an intergenerational roster of sixty-three artists and collectives at all points in their careers, many of whom work with an interdisciplinary perspective, the Biennial surveys and presents the art and ideas of our time. Follow the link in our bio to read more.
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#RickLowe #EllenGallagher #WhitneyBiennial #Gagosian rickloweofficial whitneymuseum davidcbreslin adynyc
(1) Rick Lowe. Photo: Brent Reaney; (2) Ellen Gallagher. Photo: Philippe Vogelenzang
Congratulations to Ellen Gallagher and Rick Lowe on being selected to participate in the Whitney Biennial 2022!
This year’s Biennial features dynamic contributions that take different forms over the course of the exhibition: artworks—even walls—change, and performance animates the galleries and objects. With an intergenerational roster of sixty-three artists and collectives at all points in their careers, many of whom work with an interdisciplinary perspective, the Biennial surveys and presents the art and ideas of our time. Follow the link in our bio to read more.
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#RickLowe #EllenGallagher #WhitneyBiennial #Gagosian rickloweofficial whitneymuseum davidcbreslin adynyc
(1) Rick Lowe. Photo: Brent Reaney; (2) Ellen Gallagher. Photo: Philippe Vogelenzang
Thank you benstoppable and artnet !
This is a truly thoughtful review of the Whitney Biennial. It’s refreshing to see someone summarize clearly without misunderstanding intentions or dancing around the meaning of the work. Thank you for taking the time, it is reflected in the review.
#whitneybiennial
Thank you benstoppable and artnet !
This is a truly thoughtful review of the Whitney Biennial. It’s refreshing to see someone summarize clearly without misunderstanding intentions or dancing around the meaning of the work. Thank you for taking the time, it is reflected in the review.
#whitneybiennial
Walking the Whitney 🚦#gansevoortsreet #edwardhopper #stairways #meatpackingdistrictnyc #thewhitneymuseumofamericanart #whitneymuseum #whitneybiennial #thewhitney #newyorkmuseum #luluvarona #embroidery #folkart #nygallery #charlesdemuth #americanartist #edwardhopperstyle #newyorkart #artgalleriesnyc #manhattan #americanart #twentiethcenturyart #neonlighting #architecturedesign #instagallery #whitneymuseumofart #meatpacking #industrialdesign #gertrudevanderbiltwhitney #hudsonriver #meatpackingdistrict thewhitneymuseum
Walking the Whitney 🚦#gansevoortsreet #edwardhopper #stairways #meatpackingdistrictnyc #thewhitneymuseumofamericanart #whitneymuseum #whitneybiennial #thewhitney #newyorkmuseum #luluvarona #embroidery #folkart #nygallery #charlesdemuth #americanartist #edwardhopperstyle #newyorkart #artgalleriesnyc #manhattan #americanart #twentiethcenturyart #neonlighting #architecturedesign #instagallery #whitneymuseumofart #meatpacking #industrialdesign #gertrudevanderbiltwhitney #hudsonriver #meatpackingdistrict thewhitneymuseum
The Whitney Biennial closes today, September 5, at the Whitney Museum of American Art (whitneymuseum). This year`s Biennial features dynamic contributions that take different forms over the course of the exhibition: artworks—even walls—change, and performance animates the galleries and objects. Works by Harold Ancart, Ellen Gallagher, and Rick Lowe (rickloweofficial) are featured in the exhibition. Follow the link in our bio to learn more.
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#HaroldAncart #WhitneyBiennial #Gagosian
Harold Ancart, "The Guiding Light," 2021, installation view, "Whitney Biennial 2022: Quiet As It Kept," Whitney Museum of American Art, New York, April 6–September 5, 2022. Artwork © Harold Ancart. Photo: Ryan Lowry
The Whitney Biennial closes today, September 5, at the Whitney Museum of American Art (whitneymuseum). This year`s Biennial features dynamic contributions that take different forms over the course of the exhibition: artworks—even walls—change, and performance animates the galleries and objects. Works by Harold Ancart, Ellen Gallagher, and Rick Lowe (rickloweofficial) are featured in the exhibition. Follow the link in our bio to learn more.
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#HaroldAncart #WhitneyBiennial #Gagosian
Harold Ancart, "The Guiding Light," 2021, installation view, "Whitney Biennial 2022: Quiet As It Kept," Whitney Museum of American Art, New York, April 6–September 5, 2022. Artwork © Harold Ancart. Photo: Ryan Lowry
An abstract painting from Rick Lowe`s "Project Row Houses" series is included in the Whitney Biennial, which opened to the public today, April 6, at the Whitney Museum of American Art (whitneymuseum)!
Lowe (rickloweofficial) describes the painting, “Project Row Houses: If Artists Are Creative Why Can’t They Create Solutions,” as a reflective narrative of his contemplation of the question in the title—a challenge to make work that went beyond representation and symbolism. To create the piece, Lowe cut up and collaged his domino pattern drawings to create a kind of language. During this process, he attempted to identify letters in the collage that make up the question in the title.
“It took some time but I found the letters, and they’re embedded in the painting. It is a quiet secret in that it is difficult to find. That is a specific secret but beyond that, I think the bigger secret is embedded in the attempt to answer the question.” Follow the link in our bio to learn more.
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#RickLowe #WhitneyBiennial #Gagosian
Rick Lowe, "Project Row Houses: If Artists Are Creative Why Can’t They Create Solutions,” 2021 © Rick Lowe Studio
An abstract painting from Rick Lowe`s "Project Row Houses" series is included in the Whitney Biennial, which opened to the public today, April 6, at the Whitney Museum of American Art (whitneymuseum)!
Lowe (rickloweofficial) describes the painting, “Project Row Houses: If Artists Are Creative Why Can’t They Create Solutions,” as a reflective narrative of his contemplation of the question in the title—a challenge to make work that went beyond representation and symbolism. To create the piece, Lowe cut up and collaged his domino pattern drawings to create a kind of language. During this process, he attempted to identify letters in the collage that make up the question in the title.
“It took some time but I found the letters, and they’re embedded in the painting. It is a quiet secret in that it is difficult to find. That is a specific secret but beyond that, I think the bigger secret is embedded in the attempt to answer the question.” Follow the link in our bio to learn more.
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#RickLowe #WhitneyBiennial #Gagosian
Rick Lowe, "Project Row Houses: If Artists Are Creative Why Can’t They Create Solutions,” 2021 © Rick Lowe Studio
Rayyane Tabet in the whitneymuseum . The artist populated the museum with questions from the naturalization test. When I’d over hear Darrow tutoring folks, I was shocked by the questions that were asked. It’s not that easy to become an American.
#whitneybiennial #whitneymuseumofamericanart #rayyanetabet
Rayyane Tabet in the whitneymuseum . The artist populated the museum with questions from the naturalization test. When I’d over hear Darrow tutoring folks, I was shocked by the questions that were asked. It’s not that easy to become an American.
#whitneybiennial #whitneymuseumofamericanart #rayyanetabet
We started the semester in ARTE: 450 Art with the Disabled Learner with celestial_investments talk from the 2022 Whitney Biennial: Quiet as It’s Kept. (link in my bio) Emily Barker’s work is incredible. Their work is thoughtful, beautiful, and connected by the heavy gravity thread to Felix Gonzalez-Torres’ work (which made me weep two decades ago when I first saw Perfect Lovers).
Barker’s work “Untitled (Kitchen)” stood out in the show and has continued to remain present in my mind as I navigate the daily built environment. Yesterday, my mom called to tell me she’d been able to take her first unassisted trip out of the house to the neighborhood park since 2019 because she finally received her power wheelchair after months of fighting with her insurance company. This morning, I walked to campus in the rain, across jagged brick sidewalks riddled with tree roots.
As I traversed the wet, precarious mile between my apartment and campus, I realized there was no reason to wait for a later point in the semester to share this video. We can’t make meaningful changes in education, policy, or the lived experience of people with disabilities if we wait for the conversation to be comfortable or convenient. I was so excited about the thoughtful discussion we had afterwards.
As thejellydoughnut pointed out, the audience questions at the end of the video are a little tangential, but Emily Barker repeatedly responded to the questions in a way that answered them while also pointing to their message of disability justice. The answer to many questions is, after all, disability justice.
#disability #artist #artistactivist #disabilityarts #whitneybiennial #art #conceptualart #queerart #disabilityjustice #arteducation
We started the semester in ARTE: 450 Art with the Disabled Learner with celestial_investments talk from the 2022 Whitney Biennial: Quiet as It’s Kept. (link in my bio) Emily Barker’s work is incredible. Their work is thoughtful, beautiful, and connected by the heavy gravity thread to Felix Gonzalez-Torres’ work (which made me weep two decades ago when I first saw Perfect Lovers).
Barker’s work “Untitled (Kitchen)” stood out in the show and has continued to remain present in my mind as I navigate the daily built environment. Yesterday, my mom called to tell me she’d been able to take her first unassisted trip out of the house to the neighborhood park since 2019 because she finally received her power wheelchair after months of fighting with her insurance company. This morning, I walked to campus in the rain, across jagged brick sidewalks riddled with tree roots.
As I traversed the wet, precarious mile between my apartment and campus, I realized there was no reason to wait for a later point in the semester to share this video. We can’t make meaningful changes in education, policy, or the lived experience of people with disabilities if we wait for the conversation to be comfortable or convenient. I was so excited about the thoughtful discussion we had afterwards.
As thejellydoughnut pointed out, the audience questions at the end of the video are a little tangential, but Emily Barker repeatedly responded to the questions in a way that answered them while also pointing to their message of disability justice. The answer to many questions is, after all, disability justice.
#disability #artist #artistactivist #disabilityarts #whitneybiennial #art #conceptualart #queerart #disabilityjustice #arteducation
Jessica Silverman congratulates Woody De Othello for his forthcoming participation in the 2022 Whitney Biennial. The Biennial`s 80th edition is co-curated by David Breslin and Adrienne Edwards, with Gabriel Almeida Baroja and Margaret Kross. Titled "Quiet As It’s Kept," the exhibition will present works by 63 artists, and will be held from April 6 to September 5 at the Whitney Museum of American Art in New York.
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Read the New York Times article on the Biennial with the link in bio.
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#WhitneyBiennial #2022 #NewYork #Congratulations #WoodyDeOthello #BayArea #QuietAsItsKept #exhibition #proud
Jessica Silverman congratulates Woody De Othello for his forthcoming participation in the 2022 Whitney Biennial. The Biennial`s 80th edition is co-curated by David Breslin and Adrienne Edwards, with Gabriel Almeida Baroja and Margaret Kross. Titled "Quiet As It’s Kept," the exhibition will present works by 63 artists, and will be held from April 6 to September 5 at the Whitney Museum of American Art in New York.
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Read the New York Times article on the Biennial with the link in bio.
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#WhitneyBiennial #2022 #NewYork #Congratulations #WoodyDeOthello #BayArea #QuietAsItsKept #exhibition #proud
Matt Connors, I / Fell / Off (after M.S), 2021. Oil, acrylic, pencil on canvas. #WhitneyBiennial whitneymuseum
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#mattconnors #whitneymuseum #americanart
Matt Connors, I / Fell / Off (after M.S), 2021. Oil, acrylic, pencil on canvas. #WhitneyBiennial whitneymuseum
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#mattconnors #whitneymuseum #americanart
👏🏼 Eddie Arroyo and Antonia Wright are featured in "Sinking Feeling", an exhibition curated by Heather Diack (heatherdiack) at Or Gallery (orgallery), Vancouver, Canada.
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🌊 In sync with rising sea-levels artists have become increasingly attuned to the sinking feeling of catastrophe. Designated within North America as “Ground Zero” for the impending peril it faces from warming waters and flooding, water surrounding the metropolis of Miami is projected to surge two feet in less than forty years. [...] Combining references to the transformational role water plays in our survival and potential demise, the works in "Sinking Feeling" are as much about immersion and reflection as creating a rising tide of interconnected awareness and environmental justice.
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🗓 March 2 – April 29, 2023
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📍Or Gallery
236 E Pender St,
Vancouver, Canada
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#antoniawright #miamiartist #prints #plannedparenthood #isupportplannedparenthood #fundrasier #eddiearroyo #painting #landscapepainting #gentrification #littlehaitimiami #acrylicpainting #protestpainting #artgallery #artexhibit #artcollector #miamiartist #spinelloprojects #whitneybiennial #contemporaryart #museum #whitneymuseum #pamm #icamiami
![👏🏼 Eddie Arroyo and Antonia Wright are featured in "Sinking Feeling", an exhibition curated by Heather Diack (heatherdiack) at Or Gallery (orgallery), Vancouver, Canada.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
🌊 In sync with rising sea-levels artists have become increasingly attuned to the sinking feeling of catastrophe. Designated within North America as “Ground Zero” for the impending peril it faces from warming waters and flooding, water surrounding the metropolis of Miami is projected to surge two feet in less than forty years. [...] Combining references to the transformational role water plays in our survival and potential demise, the works in "Sinking Feeling" are as much about immersion and reflection as creating a rising tide of interconnected awareness and environmental justice.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
🗓 March 2 – April 29, 2023
⠀⠀⠀⠀⠀⠀⠀⠀⠀
📍Or Gallery
236 E Pender St,
Vancouver, Canada
⠀⠀⠀⠀⠀⠀⠀⠀⠀
#antoniawright #miamiartist #prints #plannedparenthood #isupportplannedparenthood #fundrasier #eddiearroyo #painting #landscapepainting #gentrification #littlehaitimiami #acrylicpainting #protestpainting #artgallery #artexhibit #artcollector #miamiartist #spinelloprojects #whitneybiennial #contemporaryart #museum #whitneymuseum #pamm #icamiami](https://xzib.com/art/sb-instagram-feed-images/333644742_143336851657180_6465649872916831829_nfull.jpg)
👏🏼 Eddie Arroyo and Antonia Wright are featured in "Sinking Feeling", an exhibition curated by Heather Diack (heatherdiack) at Or Gallery (orgallery), Vancouver, Canada.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
🌊 In sync with rising sea-levels artists have become increasingly attuned to the sinking feeling of catastrophe. Designated within North America as “Ground Zero” for the impending peril it faces from warming waters and flooding, water surrounding the metropolis of Miami is projected to surge two feet in less than forty years. [...] Combining references to the transformational role water plays in our survival and potential demise, the works in "Sinking Feeling" are as much about immersion and reflection as creating a rising tide of interconnected awareness and environmental justice.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
🗓 March 2 – April 29, 2023
⠀⠀⠀⠀⠀⠀⠀⠀⠀
📍Or Gallery
236 E Pender St,
Vancouver, Canada
⠀⠀⠀⠀⠀⠀⠀⠀⠀
#antoniawright #miamiartist #prints #plannedparenthood #isupportplannedparenthood #fundrasier #eddiearroyo #painting #landscapepainting #gentrification #littlehaitimiami #acrylicpainting #protestpainting #artgallery #artexhibit #artcollector #miamiartist #spinelloprojects #whitneybiennial #contemporaryart #museum #whitneymuseum #pamm #icamiami
Favorites whitneymuseum Biennial 2022: Quiet as It’s Kept, from Rebecca Belmore’s haunting sculpture “ishkode (fire)” (2021), and celestial_investments’ immersive ruminations on disability “Kitchen” (2019) and “Death by 7,865 Paper Cuts” (2019), to awildasterling’s colorful dance-drawings “…blindfolded” (2020-) 🎨
Favorites whitneymuseum Biennial 2022: Quiet as It’s Kept, from Rebecca Belmore’s haunting sculpture “ishkode (fire)” (2021), and celestial_investments’ immersive ruminations on disability “Kitchen” (2019) and “Death by 7,865 Paper Cuts” (2019), to awildasterling’s colorful dance-drawings “…blindfolded” (2020-) 🎨