Sharjah Biennial
Links
DORIS SALCEDO
Uprooted
2020-2022
804 dead trees and steel
650 x 3000 × 500 cm
Commissioned by Sharjah Art Foundation, with the generous support of Glenstone Museum, Potomac, Maryland Courtesy of the artist Known for her sociopolitical sculptural work, Doris Salcedo`s multidisciplinary practice centres around themes of memory, loss and violence as experienced by the exiled and traumatised.
The large-scale mixed media installation,
Uprooted (2020-2022) consists of 804 dead trees that are sculpted and assembled to depict a house. Structurally uninhabitable, the work symbolises the refugee`s predicament--a seemingly
permanent state of impermanence-and draws from the artist`s long term research on forms of violence experienced by migrants, displaced persons and refugees.
Attributing the cause of this forced movement of people to the capitalist destruction of the environment,
Salcedo positions Uprooted as a site of extreme contradiction at once immovable and rootless, violent and passive.
📷: via art_andallaboutit
DORIS SALCEDO
Uprooted
2020-2022
804 dead trees and steel
650 x 3000 × 500 cm
Commissioned by Sharjah Art Foundation, with the generous support of Glenstone Museum, Potomac, Maryland Courtesy of the artist Known for her sociopolitical sculptural work, Doris Salcedo`s multidisciplinary practice centres around themes of memory, loss and violence as experienced by the exiled and traumatised.
The large-scale mixed media installation,
Uprooted (2020-2022) consists of 804 dead trees that are sculpted and assembled to depict a house. Structurally uninhabitable, the work symbolises the refugee`s predicament--a seemingly
permanent state of impermanence-and draws from the artist`s long term research on forms of violence experienced by migrants, displaced persons and refugees.
Attributing the cause of this forced movement of people to the capitalist destruction of the environment,
Salcedo positions Uprooted as a site of extreme contradiction at once immovable and rootless, violent and passive.
📷: via art_andallaboutit
Sharjah Biennial 15 ‘Thinking Historically in the Present’. [part 2]
Thank you sharjahart for your great welcome and visit.
ARTtravel. Art Dubaï, Alserkal, Biennale de Sharjah & Abu Dhabi, du 27 février au 6 mars 2023
#sharjahbiennial #sharjahartfoundation #mariamagdalenacampospons #carolinacayedo #anjudodiya #dalanasser #vivansundaram #azizashadenova #biennial #installation #painting #performance #video #drawing #sculpture #contemporaryart #arabianteahouse #culturetrip #arttrip #arttravel #artvisit #loveart #artculturecotedazur
![Sharjah Biennial 15 ‘Thinking Historically in the Present’. [part 2]
Thank you sharjahart for your great welcome and visit.
ARTtravel. Art Dubaï, Alserkal, Biennale de Sharjah & Abu Dhabi, du 27 février au 6 mars 2023
#sharjahbiennial #sharjahartfoundation #mariamagdalenacampospons #carolinacayedo #anjudodiya #dalanasser #vivansundaram #azizashadenova #biennial #installation #painting #performance #video #drawing #sculpture #contemporaryart #arabianteahouse #culturetrip #arttrip #arttravel #artvisit #loveart #artculturecotedazur](https://scontent-bru2-1.cdninstagram.com/v/t51.29350-15/335625625_226448026604614_8875864482240295231_n.jpg?_nc_cat=108&ccb=1-7&_nc_sid=8ae9d6&_nc_ohc=DkUVRaduSK4AX-oDp2I&_nc_ht=scontent-bru2-1.cdninstagram.com&edm=APCawUEEAAAA&oh=00_AfC4zq95yttDy45Mn3pnWrY8Pd5-9sz0fXUg__45fyx7rg&oe=65168F51)
Sharjah Biennial 15 ‘Thinking Historically in the Present’. [part 2]
Thank you sharjahart for your great welcome and visit.
ARTtravel. Art Dubaï, Alserkal, Biennale de Sharjah & Abu Dhabi, du 27 février au 6 mars 2023
#sharjahbiennial #sharjahartfoundation #mariamagdalenacampospons #carolinacayedo #anjudodiya #dalanasser #vivansundaram #azizashadenova #biennial #installation #painting #performance #video #drawing #sculpture #contemporaryart #arabianteahouse #culturetrip #arttrip #arttravel #artvisit #loveart #artculturecotedazur
Natasha Ginwala (natasha_ginwala ), artistic director of COLOMBOSCOPE (colomboscope ), Colombo and associate curator at large at Gropius Bau, Berlin has been appointed as curator for the sixteenth edition of the Sharjah Biennial which will be held in February 2025.
Ginwala will curate the Biennial along with Amal Khalaf, Zeynep Öz, Alia Swastika and Megan Tamati-Quennell. According to Sheikha Hoor Al Qasimi, President and Director of the Sharjah Art Foundation, the idea is that the exhibitions will be ‘intentionally expansive and decentralised in its approach’.
In the past, Ginwala has worked as artistic director of the Gwangju Biennale (2021) and has also been part of the curatorial teams for Contour Biennale 8 (2017), documenta 14 (2017), 8th Berlin Biennale for Contemporary Art (2014) and 8th Taipei Biennial (2012).
📸 sharjahart #indiaartfair #newspost #natashaginwala #sharjahbiennial
Natasha Ginwala (natasha_ginwala ), artistic director of COLOMBOSCOPE (colomboscope ), Colombo and associate curator at large at Gropius Bau, Berlin has been appointed as curator for the sixteenth edition of the Sharjah Biennial which will be held in February 2025.
Ginwala will curate the Biennial along with Amal Khalaf, Zeynep Öz, Alia Swastika and Megan Tamati-Quennell. According to Sheikha Hoor Al Qasimi, President and Director of the Sharjah Art Foundation, the idea is that the exhibitions will be ‘intentionally expansive and decentralised in its approach’.
In the past, Ginwala has worked as artistic director of the Gwangju Biennale (2021) and has also been part of the curatorial teams for Contour Biennale 8 (2017), documenta 14 (2017), 8th Berlin Biennale for Contemporary Art (2014) and 8th Taipei Biennial (2012).
📸 sharjahart #indiaartfair #newspost #natashaginwala #sharjahbiennial
Posted withregram • cindygreenenyc The late Amal Kenawy`s “Non-Stop Conversation,” an installation & performance commissioned for the 2007 Sharjah Biennial.
Photo via bae_aulenti
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#amalkenawy #sharjah #sharjahbiennial #installationart #contemporaryart #wallart #abstractartwork #abstractart #artoftheday #art #artwork #artofinstagram #pink #pinkpinkpink #thinkpink #pinkaesthetic #femaleartist #uae #unitedarabemirates #artblogger #architectural #museumlover #artwatchers #quilt #quilting #quiltlove #quiltsofinstagram #quiltersofinstagram #arthistory #sharjahart
Posted withregram • cindygreenenyc The late Amal Kenawy`s “Non-Stop Conversation,” an installation & performance commissioned for the 2007 Sharjah Biennial.
Photo via bae_aulenti
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#amalkenawy #sharjah #sharjahbiennial #installationart #contemporaryart #wallart #abstractartwork #abstractart #artoftheday #art #artwork #artofinstagram #pink #pinkpinkpink #thinkpink #pinkaesthetic #femaleartist #uae #unitedarabemirates #artblogger #architectural #museumlover #artwatchers #quilt #quilting #quiltlove #quiltsofinstagram #quiltersofinstagram #arthistory #sharjahart
Yinka Shonibare’s ‘Decolonised Structures’ have been unveiled!
Commissioned by sharjahart for Sharjah Biennial 15: Thinking Historically in the Present.
‘This new series recreates seven public statues of British imperialists that currently shape the cityscape and very fabric of London.
The figures are stripped of the authority of bronze and marble and instead shrouded in the colonial legacy of Dutch wax patterns. Yinka Shonibare CBE thus reveals the ties between places and powers through this fabric design, which originated in Indonesia, mass-produced by the Dutch and sold to Britain’s West African colonies.
By decontextualising these monuments, Shonibare highlights the political realities that gave rise to them and demonstrates how their presence in public spaces evokes pressing discussions around Britain’s relationship with its past and the institutional racism it conceived.
SB15 was conceived by the late Okwui Enwezor and curated by Hoor Al Qasimi. Themes surrounding postcolonial subjectivity, the body as a repository of memories, processes of creolisation, hybridisation and the restitution of objects are explored throughout the Biennial. Shonibare’s works are on view at the Old Al Diwan Al Amiri.’
shonibarestudio
#yinkashonibare #yinkashonibarecbe #decolonisedstructures #sharjahbiennial15 #sharjahbiennial curated by hooralq #sharjah #okwuienwezor #hooralqasimi
Yinka Shonibare’s ‘Decolonised Structures’ have been unveiled!
Commissioned by sharjahart for Sharjah Biennial 15: Thinking Historically in the Present.
‘This new series recreates seven public statues of British imperialists that currently shape the cityscape and very fabric of London.
The figures are stripped of the authority of bronze and marble and instead shrouded in the colonial legacy of Dutch wax patterns. Yinka Shonibare CBE thus reveals the ties between places and powers through this fabric design, which originated in Indonesia, mass-produced by the Dutch and sold to Britain’s West African colonies.
By decontextualising these monuments, Shonibare highlights the political realities that gave rise to them and demonstrates how their presence in public spaces evokes pressing discussions around Britain’s relationship with its past and the institutional racism it conceived.
SB15 was conceived by the late Okwui Enwezor and curated by Hoor Al Qasimi. Themes surrounding postcolonial subjectivity, the body as a repository of memories, processes of creolisation, hybridisation and the restitution of objects are explored throughout the Biennial. Shonibare’s works are on view at the Old Al Diwan Al Amiri.’
shonibarestudio
#yinkashonibare #yinkashonibarecbe #decolonisedstructures #sharjahbiennial15 #sharjahbiennial curated by hooralq #sharjah #okwuienwezor #hooralqasimi
More from #SharjahBiennial15 💥 1) Friends walking through sharjahart; 2) An installation at the abandoned Kalba Kindergarten; 3) Glowing neons by Iftikhar + Elizabeth Dadi installed in a retired fruit + vegetable market; 4) A pixelated landscape embedded with QR codes by Joiri Manaya; 5) An snippet of an unforgettable dance performance by compagnie.niya; 6) Paintings by the Afghanistan artist Saddam Jumaily; 7) An immersive installation by marysibande; 8) The gorgeous coral rock walls found within sharjahart; 9) Innumerable shoes outside of Al-Daleel Mosque during prayer time; 10) A traditional nighttime celebration in Al Dhaid desert. 🏜️✨ #UAE
More from #SharjahBiennial15 💥 1) Friends walking through sharjahart; 2) An installation at the abandoned Kalba Kindergarten; 3) Glowing neons by Iftikhar + Elizabeth Dadi installed in a retired fruit + vegetable market; 4) A pixelated landscape embedded with QR codes by Joiri Manaya; 5) An snippet of an unforgettable dance performance by compagnie.niya; 6) Paintings by the Afghanistan artist Saddam Jumaily; 7) An immersive installation by marysibande; 8) The gorgeous coral rock walls found within sharjahart; 9) Innumerable shoes outside of Al-Daleel Mosque during prayer time; 10) A traditional nighttime celebration in Al Dhaid desert. 🏜️✨ #UAE
We are honoured by the presence of His Highness Sheikh Dr Sultan bin Mohammed Al Qasimi, Member of the Federal Supreme Council and Ruler of Sharjah, along with Sheikha Hoor bint Sultan Al Qasimi, President and Director of Sharjah Art Foundation, to mark the opening of Kalba Ice Factory for Day 2 of Sharjah Biennial 15’s opening week programme.
Designed by 51-1 Arquitectos, the renovation transforms the former industrial site into exhibition space and cultural centre. Explore the space throughout #SB15.
Don’t miss the exciting opening week programme for #SB15, running from 7–12 February 2023. Live performances, talks and film screenings will take place throughout the opening week. Register now through the link in our bio.
#SharjahBiennial #Sharjah #VisitSharjah #KalbaIceFactory
بحضور صاحب السمو الشيخ الدكتور سلطان بن محمد القاسمي، عضو المجلس الأعلى، حاكم الشارقة، والشيخة حور بنت سلطان القاسمي، رئيس مؤسسة الشارقة للفنون، افتتح اليوم مصنع كلباء للثلج بالتزامن مع الدورة الخامسة عشرة من بينالي الشارقة.
صمم المبنى المجدد شركة «أركيتكتوس 51-1»، بغية تحويل هذا الموقع الصناعي سابقاً إلى مركز ثقافي ومساحة لإقامة المعارض الفنية. استكشفوا مواقعنا طوال بينالي الشارقة 15.
لا تفوّتوا جدول برنامج فعاليات الأسبوع الافتتاحي لبينالي الشارقة 15، والذي يُقام بين 7 و12 فبراير 2023، ويضم
مجموعة من العروض الأدائية والجلسات الحوارية وعروض الأفلام. الدخول مجاني ومتاح للجميع.
سجلوا الآن من خلال الرابط الموجود في البايو.
We are honoured by the presence of His Highness Sheikh Dr Sultan bin Mohammed Al Qasimi, Member of the Federal Supreme Council and Ruler of Sharjah, along with Sheikha Hoor bint Sultan Al Qasimi, President and Director of Sharjah Art Foundation, to mark the opening of Kalba Ice Factory for Day 2 of Sharjah Biennial 15’s opening week programme.
Designed by 51-1 Arquitectos, the renovation transforms the former industrial site into exhibition space and cultural centre. Explore the space throughout #SB15.
Don’t miss the exciting opening week programme for #SB15, running from 7–12 February 2023. Live performances, talks and film screenings will take place throughout the opening week. Register now through the link in our bio.
#SharjahBiennial #Sharjah #VisitSharjah #KalbaIceFactory
بحضور صاحب السمو الشيخ الدكتور سلطان بن محمد القاسمي، عضو المجلس الأعلى، حاكم الشارقة، والشيخة حور بنت سلطان القاسمي، رئيس مؤسسة الشارقة للفنون، افتتح اليوم مصنع كلباء للثلج بالتزامن مع الدورة الخامسة عشرة من بينالي الشارقة.
صمم المبنى المجدد شركة «أركيتكتوس 51-1»، بغية تحويل هذا الموقع الصناعي سابقاً إلى مركز ثقافي ومساحة لإقامة المعارض الفنية. استكشفوا مواقعنا طوال بينالي الشارقة 15.
لا تفوّتوا جدول برنامج فعاليات الأسبوع الافتتاحي لبينالي الشارقة 15، والذي يُقام بين 7 و12 فبراير 2023، ويضم
مجموعة من العروض الأدائية والجلسات الحوارية وعروض الأفلام. الدخول مجاني ومتاح للجميع.
سجلوا الآن من خلال الرابط الموجود في البايو.
Sharjah Biennial 15 opens in a month!
Opening on 7 February, Sharjah Art Foundation brings together over 150 artists and collectives from more than 70 countries for the 15th edition and 30-year anniversary of the Sharjah Biennial.
Conceived by the late Okwui Enwezor and curated by the Foundation’s Director Hoor Al Qasimi, Sharjah Biennial 15: ‘Thinking Historically in the Present’ builds on Enwezor’s proposal to critically centre the past within the contemporary moment.
More than 300 artworks—including 70 new works and major commissions— as well as a wide-ranging programme of performance, music and film, activate more than 19 venues in 5 cities and towns across the emirate of Sharjah.
The Biennial is free and open to the public, with opening week events taking place from 7 February to 12 February.
Plan your visit now through the link in our bio.
#SB15 #biennial #SharjahBiennial
تنطلق النسخة الخامسة عشرة من بينالي الشارقة بتاريخ 7 فبراير 2023، وتجمع أكثر من 150 فناناً ومجموعة فنية من 70 دولة، احتفاءً بمرور ثلاثين عاماً على النسخة الأولى من البينالي.
يأتي "بينالي الشارقة 15: التاريخ حاضراً" الذي تقيّمه حور القاسمي رئيس مؤسسة الشارقة للفنون، تجسيداً لرؤية الباحث والناقد الراحل أوكوي إينوزور، وما أحدثته أفكاره وتصوّراته من أثرٍ هائل على الفن المعاصر، حيث تستدعي القاسمي مفهوم "التاريخ" وفقاً لما طرحه إينوزور وتعيد صياغته من جديد، في مسعى منها إلى وضع الماضي في سياق اللحظة المعاصرة.
تحتضن هذه النسخة أكثر من 300 عمل فني بما فيها 70 عملاً وتكليفاً جديداً، بالإضافة إلى برامج متنوعة في فنون الأداء والموسيقى والأفلام، التي تقام في أكثر من 19 موقعاً في خمس مدن على امتداد إمارة الشارقة.
جميع فعاليات البينالي مجانية ومتاحة للجميع، وسيقام برنامج الأسبوع الافتتاحي في الفترة من 7 وحتى 12 فبراير 2022.
خططوا لزيارتكم عبر الرابط الموجود في البايو.
#بينالي_الشارقة_15
Sharjah Biennial 15 opens in a month!
Opening on 7 February, Sharjah Art Foundation brings together over 150 artists and collectives from more than 70 countries for the 15th edition and 30-year anniversary of the Sharjah Biennial.
Conceived by the late Okwui Enwezor and curated by the Foundation’s Director Hoor Al Qasimi, Sharjah Biennial 15: ‘Thinking Historically in the Present’ builds on Enwezor’s proposal to critically centre the past within the contemporary moment.
More than 300 artworks—including 70 new works and major commissions— as well as a wide-ranging programme of performance, music and film, activate more than 19 venues in 5 cities and towns across the emirate of Sharjah.
The Biennial is free and open to the public, with opening week events taking place from 7 February to 12 February.
Plan your visit now through the link in our bio.
#SB15 #biennial #SharjahBiennial
تنطلق النسخة الخامسة عشرة من بينالي الشارقة بتاريخ 7 فبراير 2023، وتجمع أكثر من 150 فناناً ومجموعة فنية من 70 دولة، احتفاءً بمرور ثلاثين عاماً على النسخة الأولى من البينالي.
يأتي "بينالي الشارقة 15: التاريخ حاضراً" الذي تقيّمه حور القاسمي رئيس مؤسسة الشارقة للفنون، تجسيداً لرؤية الباحث والناقد الراحل أوكوي إينوزور، وما أحدثته أفكاره وتصوّراته من أثرٍ هائل على الفن المعاصر، حيث تستدعي القاسمي مفهوم "التاريخ" وفقاً لما طرحه إينوزور وتعيد صياغته من جديد، في مسعى منها إلى وضع الماضي في سياق اللحظة المعاصرة.
تحتضن هذه النسخة أكثر من 300 عمل فني بما فيها 70 عملاً وتكليفاً جديداً، بالإضافة إلى برامج متنوعة في فنون الأداء والموسيقى والأفلام، التي تقام في أكثر من 19 موقعاً في خمس مدن على امتداد إمارة الشارقة.
جميع فعاليات البينالي مجانية ومتاحة للجميع، وسيقام برنامج الأسبوع الافتتاحي في الفترة من 7 وحتى 12 فبراير 2022.
خططوا لزيارتكم عبر الرابط الموجود في البايو.
#بينالي_الشارقة_15
Beautiful encounters at the 15th Sharjah Art Biennial (and beyond) 💚
#sharjahartfoundation #sharjahbiennial #thinkinghistoricallyinthepresent #okwuienwezor #globalsouth #postcolonialtheory #pluriversality #pablobartholomew #nariward #hooralqasimi #roknihaerizadeh #umerbutt #greynoisedubai #jochenlempert #michaelrackowitz #dirkluckow #foerderkreisdeichtorhallen
Beautiful encounters at the 15th Sharjah Art Biennial (and beyond) 💚
#sharjahartfoundation #sharjahbiennial #thinkinghistoricallyinthepresent #okwuienwezor #globalsouth #postcolonialtheory #pluriversality #pablobartholomew #nariward #hooralqasimi #roknihaerizadeh #umerbutt #greynoisedubai #jochenlempert #michaelrackowitz #dirkluckow #foerderkreisdeichtorhallen
Sharjah Biennial 15, “Thinking Historically in the Present”, conceived by Okwui Enwezor, curatorial team led by Hoor al Qasimi. Some excellent new work by Carrie Mae Weems, Isaac Julien, Brook Andrew. And walking around with the inimitable (and now completed supervisee) Dr Jason Waite! #sharjahbiennial #okwuienwezor #carriemaeweems #isaacjulien #brookandrew
Sharjah Biennial 15, “Thinking Historically in the Present”, conceived by Okwui Enwezor, curatorial team led by Hoor al Qasimi. Some excellent new work by Carrie Mae Weems, Isaac Julien, Brook Andrew. And walking around with the inimitable (and now completed supervisee) Dr Jason Waite! #sharjahbiennial #okwuienwezor #carriemaeweems #isaacjulien #brookandrew
Whilst the disaster in Turkiye and Syria continues to unfold the poignancy of life continuing as normal did not pass me by.
I spent a beautiful few days in Sharjah at the Biennale with my beautiful bashibozuk and wejdanhmr 💕
This edition of sharjahart as usual was fascinating, the devolved format across multiple venues and the focus on artists whose work explored post-nationalist identities through liminal places and forgotten histories. Artists and works explored cultural traditions, values, systems and histories holistically, as part of a global whole. It felt to me like a hopeful and positive projection of what social connection and the shape of an individual could be in the future 💕
The biennale showed the work of many artists from the global south and in diaspora whose use of textiles and materials associated with “indigenous” aesthetics was notable. We really enjoyed this installation of embroidery, crochet and medicinal plants by annalee.devere and yoeriguepin
Thank you hooralq and to the late Okwui Enwezor for such an illuminating perspective.
🤍
#sharjah #sharjahbiennial #annaleedevere #textiles #textileartist #crochet #gardenlove #medicinalplants #seedbank #contemporaryart #contemporaryartist #contemporaryartists #greatwomenartists
Whilst the disaster in Turkiye and Syria continues to unfold the poignancy of life continuing as normal did not pass me by.
I spent a beautiful few days in Sharjah at the Biennale with my beautiful bashibozuk and wejdanhmr 💕
This edition of sharjahart as usual was fascinating, the devolved format across multiple venues and the focus on artists whose work explored post-nationalist identities through liminal places and forgotten histories. Artists and works explored cultural traditions, values, systems and histories holistically, as part of a global whole. It felt to me like a hopeful and positive projection of what social connection and the shape of an individual could be in the future 💕
The biennale showed the work of many artists from the global south and in diaspora whose use of textiles and materials associated with “indigenous” aesthetics was notable. We really enjoyed this installation of embroidery, crochet and medicinal plants by annalee.devere and yoeriguepin
Thank you hooralq and to the late Okwui Enwezor for such an illuminating perspective.
🤍
#sharjah #sharjahbiennial #annaleedevere #textiles #textileartist #crochet #gardenlove #medicinalplants #seedbank #contemporaryart #contemporaryartist #contemporaryartists #greatwomenartists
Reposted from hankwillisthomas I`m proud to be presenting work in Sharjah Biennial 15 conceived by the late Okwui Enwezor & curated by hooralq "Thinking Historically in the Present," alongside so many amazing artists.
Our world is more interconnected than it ever has been, yet the legacies of colonialism are still deeply rooted in our present. George Orwell once wrote, "Who controls the past controls the future: who controls the present controls the past." It is likely that European Modernism is primarily an extension of African thought. Art history, like all history, is subjective. It services the storyteller. In fact, no history is singular or complete. The effects of political, cultural, and technological developments spread and influence the lives of other nations. My hope is that weaving these histories together will help us to consider the ramifications of colonialism and the origins of present day challenges by illuminating the cause and effect of past events, cultural exchanges, and power dynamics.
#sharjahbiennial #sb15 #colonialism #congo
Reposted from hankwillisthomas I`m proud to be presenting work in Sharjah Biennial 15 conceived by the late Okwui Enwezor & curated by hooralq "Thinking Historically in the Present," alongside so many amazing artists.
Our world is more interconnected than it ever has been, yet the legacies of colonialism are still deeply rooted in our present. George Orwell once wrote, "Who controls the past controls the future: who controls the present controls the past." It is likely that European Modernism is primarily an extension of African thought. Art history, like all history, is subjective. It services the storyteller. In fact, no history is singular or complete. The effects of political, cultural, and technological developments spread and influence the lives of other nations. My hope is that weaving these histories together will help us to consider the ramifications of colonialism and the origins of present day challenges by illuminating the cause and effect of past events, cultural exchanges, and power dynamics.
#sharjahbiennial #sb15 #colonialism #congo
Exile is a hard job #Turkishimmigrants #geçmişolsuntürkiye #instapic #instamoment #instagood #instatravel #EAU #sb15 #nilyalter #enstrangement #thinkinghistoricallyinthepresent #sharjahbiennial #sharjahbiennal15 #emiratsarabesunis #sharjahuae #culture #art #turkey sharjahart sharjahheritage #sharjah #Biennale #unitedarabemirates #unitedarabemirates🇦🇪 #carpediem #instantsarebeautiful✨
Exile is a hard job #Turkishimmigrants #geçmişolsuntürkiye #instapic #instamoment #instagood #instatravel #EAU #sb15 #nilyalter #enstrangement #thinkinghistoricallyinthepresent #sharjahbiennial #sharjahbiennal15 #emiratsarabesunis #sharjahuae #culture #art #turkey sharjahart sharjahheritage #sharjah #Biennale #unitedarabemirates #unitedarabemirates🇦🇪 #carpediem #instantsarebeautiful✨
Don’t miss HUM’s latest publication in which curator Megan Tamati-Quennell writes about the work of Aotearoa artists Robyn Kahukiwa and Kahurangiariki Smith in the Sharjah Biennial 15, and how they revise incorrect narratives.
Read “Thinking Historically in the Present” at the link in bio.
Images:
1. Robyn Kahukiwa, `Tihe Mauri Ora`, 1990. Fletcher Trust Collection, Tāmaki Makaurau Auckland. (left); and `Taniwha Wounded but Not Dead`, 1990. Collection of the Ethnologisches Museum, Staatliche Museen zu Berlin (right). Both from Haeata Māori Women’s Collective, Ko Te Hineteiwaiwa Te Whare, 1990. Installation view: Sharjah Biennial 15, Sharjah Art Museum, 2023. Photograph: Shanavas Jamaluddin. Courtesy of Sharjah Art Foundation.
2. Kahurangiariki Smith, `MāoriGrl`, 2022. Supported by Sharjah Art Foundation. Installation view: Sharjah Biennial 15, Bait Al Serkal, 2023. Photograph: Danko Stjepanovic. Courtesy of Sharjah Art Foundation.
3. Kahurangiariki Smith, `He Tangi Aroha - Mama Don’t Cry` (video still), 2019. Image courtesy of the artist.
maoriartcurator kahurangiariki rnkkahukiwa seasonaotearoa fmcwhannell sharjahart tautai_ blueoysteraotearoa te_papa govettbrewster maoriworldwide toi_maori_aotearoa teaomaorinews
#MaoriArt #IndigenousArt #SharjahBiennial #RobynKahukiwa #kahurangiarikismith
Don’t miss HUM’s latest publication in which curator Megan Tamati-Quennell writes about the work of Aotearoa artists Robyn Kahukiwa and Kahurangiariki Smith in the Sharjah Biennial 15, and how they revise incorrect narratives.
Read “Thinking Historically in the Present” at the link in bio.
Images:
1. Robyn Kahukiwa, `Tihe Mauri Ora`, 1990. Fletcher Trust Collection, Tāmaki Makaurau Auckland. (left); and `Taniwha Wounded but Not Dead`, 1990. Collection of the Ethnologisches Museum, Staatliche Museen zu Berlin (right). Both from Haeata Māori Women’s Collective, Ko Te Hineteiwaiwa Te Whare, 1990. Installation view: Sharjah Biennial 15, Sharjah Art Museum, 2023. Photograph: Shanavas Jamaluddin. Courtesy of Sharjah Art Foundation.
2. Kahurangiariki Smith, `MāoriGrl`, 2022. Supported by Sharjah Art Foundation. Installation view: Sharjah Biennial 15, Bait Al Serkal, 2023. Photograph: Danko Stjepanovic. Courtesy of Sharjah Art Foundation.
3. Kahurangiariki Smith, `He Tangi Aroha - Mama Don’t Cry` (video still), 2019. Image courtesy of the artist.
maoriartcurator kahurangiariki rnkkahukiwa seasonaotearoa fmcwhannell sharjahart tautai_ blueoysteraotearoa te_papa govettbrewster maoriworldwide toi_maori_aotearoa teaomaorinews
#MaoriArt #IndigenousArt #SharjahBiennial #RobynKahukiwa #kahurangiarikismith
For their Summer 2023 New Talent Issue, artinamerica invited me to share a few things, leading up to counterpublic 2023, that were sources of inspiration. I’m so grateful for the space to highlight incredibly talented artists, architects, musicians, authors, and filmmakers. ✨
Photo by rana.young
(p.s. il Duomo is in Milano, not Firenze as mentioned and María Magdalena Campos-Pons is curator of the Tennessee Triennial).
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#artinamerica
#contemporaryart
#shabazzpalaces
#nepsidhu
#collaboration
#music
#sonichistories
#architecture
#ilduomodimilano
#dillatime
#pruittigoemyth
#stlouis
#sharjahbiennial
#tennesseetriennial
#mariamagdalenacampospons
#riosintermitentes
#blackconstellation
#counterpublic2023
#biennials
#triennials
#publicart
#collectivity
#collaboration
#gratitude
For their Summer 2023 New Talent Issue, artinamerica invited me to share a few things, leading up to counterpublic 2023, that were sources of inspiration. I’m so grateful for the space to highlight incredibly talented artists, architects, musicians, authors, and filmmakers. ✨
Photo by rana.young
(p.s. il Duomo is in Milano, not Firenze as mentioned and María Magdalena Campos-Pons is curator of the Tennessee Triennial).
.
.
.
#artinamerica
#contemporaryart
#shabazzpalaces
#nepsidhu
#collaboration
#music
#sonichistories
#architecture
#ilduomodimilano
#dillatime
#pruittigoemyth
#stlouis
#sharjahbiennial
#tennesseetriennial
#mariamagdalenacampospons
#riosintermitentes
#blackconstellation
#counterpublic2023
#biennials
#triennials
#publicart
#collectivity
#collaboration
#gratitude
804 dead trees woven together, representing the refugee predicament: a permanent state of impermanence, reaching for life amidst the trapped purgatory of thicket. | Doris Salcedo’s Uprooted for sharjahart
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#dorissalcedo #sharjahbiennial #sharjahbiennial15 #sharjahart #kalba #installation #installationart #uprooted #kalbaicefactory #sharjah #uaeart #🇦🇪 #🪵 #sb15 #artoftheday
804 dead trees woven together, representing the refugee predicament: a permanent state of impermanence, reaching for life amidst the trapped purgatory of thicket. | Doris Salcedo’s Uprooted for sharjahart
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#dorissalcedo #sharjahbiennial #sharjahbiennial15 #sharjahart #kalba #installation #installationart #uprooted #kalbaicefactory #sharjah #uaeart #🇦🇪 #🪵 #sb15 #artoftheday
