Venice Biennale 2024
Venice Biennale 2024Giardini della Biennale, C. Giazzo, 30122 Venezia VE, Italy20APRAll Day24NOV
Details
04/24/2024 – 10/24/2024 Curated by Adriano Pedrosa
Organizers 60th Venice Biennale
Along with Miami Art Week, Venice Biennale is a top art fair held Bi-annually in the summer in Venice, Italy. The Art and architecture portion of the fair is held bi-anually and the other portions are held annually (theatre, music, and dance). Starting in 1895 and arguably the oldest art fair in the world will be taking place in Castello and in the halls of the Arsenale and Biennale Gardens.
Venice Biennale video tours
Venice Biennale 2022 tour: By Frieze
59th Venice Biennale in 2022, plus interviews wih curator, Cecilia Alemani where she discusses the main exhibition, ‘The Milk of Dreams’.
Plus presentations by Sonia Boyce, Simone Leigh, Alberta Whittle, Louise Lawler, Leonora Carrington, Remedios Varo, Carla Accardi, Zineb Sedira, Andra Ursuta, the Nordic pavilion and Russia’s non-event.
Anna Jermolaewa: Austria
Giardini
Organisers: Gabriele Spindler; Austrian Federal Ministry for Arts, Culture, the Civil Service and Sport
Artist: Anna Jermolaewa The Russia-born Vienna-based artist, who works mainly in lens-based media and installation, will be presenting new work based on different expressions of non-violent resistance. Previous artworks include an installation about famous carrier pigeons and hiring impersonators of Russian leaders—Lenin, Stalin, Gorbachev, and Putin—and filming them in public spaces for The Doubles (2021).
Kapwani Kiwanga: Canada
Giardini
Organisers: Gaëtane Verna; National Gallery of Canada
Artist: Kapwani Kiwanga: The Paris-based Canadian artist Kapwani Kiwanga’s work often tackles forgotten histories using a wealth of different media. The artist, who studied anthropology and comparative religion, “is interested in the role of art as a catalyst for revealing and addressing alternative and often silenced, marginalised socio-political narratives that are part of our shared histories,” according to the pavilion’s curator Gaëtane Verna.
Edith Karlson: Estonia
Organisers: Estonian Centre for Contemporary Art
Artist: Edith Karlson : The Tallinn-based sculptor Edith Karlson will create an immersive installation for the Estonian pavilion. The artist’s “evocative installations take the audience on an epic journey, through history, moods and myths,” says the curator Geir Haraldseth, who was part of the international selection committee for the pavilion. “Karlson’s belief in the power of art, and in particular sculpture, to affect us all, is sorely needed today.”
Julien Cruezet: France
Giardini
Organisers: Institut Français, French Ministry of Europe and Foreign Affairs, and the French Ministry of Culture
Artist: Julien Creuzet: The French artist Julien Creuzet grew up on the French-Caribbean island of Martinique and his “singular work and his gift for oral literature are informed by creolisation, bringing together a diversity of materials, stories, forms and gestures,” says the selection committee who voted unanimously for him to represent France. Recent exhibitions include Luma Arles and Camden Art Centre in London.
John Akomfrah: Great Britain
Giardini
Organisers: British Council
Artist: John Akomfrah: At the 2022 Biennale, Sonia Boyce’s presentation in the British pavilion won the Golden Lion prize for best national participation, so the pressure will be on for the film-maker John Akomfrah, representing the UK in 2024. The British-Ghanaian artist is best known for his searing video installations exploring issues such as climate change and post-colonialism. He says in a statement: “I’m grateful to be given a moment to explore the complex history and significance of this institution [the British Pavilion] and the nation it represents, as well as its architectural home in Venice, with all the stories it has told and will continue to.”
Pakui Hardware: Lithuania
Organisers: Valentinas Klimasauskas and Joao Laia; Lithuanian National Museum of Art, Lithuanian Council for Culture
Artists: Pakui Hardware (Neringa Cerniauskaite and Ugnius Gelguda) and Marija Teresė Rožanskaitė: The artist duo Pakui Hardware are planning an immersive installation for the Lithuania pavilion, which will feature paintings by the late Surrealist artist Marija Teresė Rožanskaitė. According to a press statement, the “exhibition will explore the inflammation of (post)human bodies under the current economic and social conditions.”
Guerreiro do Divino Amor: Switzerland
Artist: Guerreiro do Divino Amor
Giardini
Organisers: Andrea Bellini,; Swiss Arts Council Pro Helvetia:The Swiss-Brazilian artist Guerreiro do Divino Amor (whose name translates from Portuguese as warrior of divine love) will be creating an exhibition titled Super Superior Civilizations, which will explore nationalism and political mythologies. It will be the latest instalment in the artist’s long running project Superfictional World Atlas, which he began in 2005.
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Art and Architecture No: 28
Slide Mantra
Location: Miami, FL
Year: 1986
Artist: Isamu Noguchi
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Slide Mantra is a massive 29-ton sculpture carved from Carrara marble by the late Japanese-American artist Isamu Noguchi. This lyrical and playful work is more than ten-feet tall and functions as a slide with steps winding up the back which descend into a spiral.
Noguchi designed Bayfront Park in 1986 and created Slide Mantra that same year to represent the United States at its art pavilion in the 1986 Venice Biennale. In this plece, appropriately sited in a city park, Noguchi wished to show his long held belief that play could lead to a new appreciation of sculpture.
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How do you like the design of the Slide Mantra?
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Art and Architecture No: 28
Slide Mantra
Location: Miami, FL
Year: 1986
Artist: Isamu Noguchi
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Slide Mantra is a massive 29-ton sculpture carved from Carrara marble by the late Japanese-American artist Isamu Noguchi. This lyrical and playful work is more than ten-feet tall and functions as a slide with steps winding up the back which descend into a spiral.
Noguchi designed Bayfront Park in 1986 and created Slide Mantra that same year to represent the United States at its art pavilion in the 1986 Venice Biennale. In this plece, appropriately sited in a city park, Noguchi wished to show his long held belief that play could lead to a new appreciation of sculpture.
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How do you like the design of the Slide Mantra?
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Installing Isamu Noguchi`s `Slide Mantra` at the 1986 Venice Biennale
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#isamunoguchi #biennale #venice #venicebiennale #sculpture #sculpting #architecture
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Installing Isamu Noguchi`s `Slide Mantra` at the 1986 Venice Biennale
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#isamunoguchi #biennale #venice #venicebiennale #sculpture #sculpting #architecture
𝕀𝕗 𝕪𝕠𝕦 𝕥𝕙𝕚𝕟𝕜 𝕀 𝕙𝕒𝕧𝕖 𝕕𝕠𝕟𝕖 𝕡𝕠𝕤𝕥𝕚𝕟𝕘 𝕒𝕓𝕠𝕦𝕥 𝕥𝕙𝕚𝕤…
You are so goddamn wrong 😂💙
Thanks for this picture to nicolacavallofotografia 💙🙏
Makeup mariacristina_fidanza
Abito haberi.haute.couture emilyhaberi
Nails fridabeautylab
Hair cristiano.rocchi
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#stopmeifyoucan #venicebiennale #filmfestivals #veneziatoday #veneziaunica #venezia80 #redcarpetdress
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𝕀𝕗 𝕪𝕠𝕦 𝕥𝕙𝕚𝕟𝕜 𝕀 𝕙𝕒𝕧𝕖 𝕕𝕠𝕟𝕖 𝕡𝕠𝕤𝕥𝕚𝕟𝕘 𝕒𝕓𝕠𝕦𝕥 𝕥𝕙𝕚𝕤…
You are so goddamn wrong 😂💙
Thanks for this picture to nicolacavallofotografia 💙🙏
Makeup mariacristina_fidanza
Abito haberi.haute.couture emilyhaberi
Nails fridabeautylab
Hair cristiano.rocchi
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#stopmeifyoucan #venicebiennale #filmfestivals #veneziatoday #veneziaunica #venezia80 #redcarpetdress
It’s official! jeffrune is represent the US at the next venice.art.biennale He will fill the entire US pavilion with his work. Congrats to Jeffrey and curator nizhonigrrl
#jeffreygibson #venicebiennale #uspavillion #indigenousart #nativeamericanart #contemporaryart #artmatters #representationmatters #artmuseum
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It’s official! jeffrune is represent the US at the next venice.art.biennale He will fill the entire US pavilion with his work. Congrats to Jeffrey and curator nizhonigrrl
#jeffreygibson #venicebiennale #uspavillion #indigenousart #nativeamericanart #contemporaryart #artmatters #representationmatters #artmuseum
La Mostra del cinema di Venezia ci sta regalando tanti look iconoci e apparizioni memoriabili. Tra tutti, si è distinta Michèle Lamy (michele.lamy.muse), designer di origine francese, con uno stile audace e gotico, che mescola elementi provenienti da culture sciamaniche e tradizioni tribali. Scopriamo insieme di più su questa artista!
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#Freeda #MichèleLamy #Moda #MostraDelCinemaDiVenezia #BiennaleCinema2023 #VeniceFilmFestival #Venezia #Cinema #VeniceBiennale #RedCarpet #FilmFestival
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La Mostra del cinema di Venezia ci sta regalando tanti look iconoci e apparizioni memoriabili. Tra tutti, si è distinta Michèle Lamy (michele.lamy.muse), designer di origine francese, con uno stile audace e gotico, che mescola elementi provenienti da culture sciamaniche e tradizioni tribali. Scopriamo insieme di più su questa artista!
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#Freeda #MichèleLamy #Moda #MostraDelCinemaDiVenezia #BiennaleCinema2023 #VeniceFilmFestival #Venezia #Cinema #VeniceBiennale #RedCarpet #FilmFestival
Landscape Architecture No: 40
Sculpture Garden for the Venice Biennale
Location: Venice, Italy
Year: 1952
Architect: Carlo Scarpa
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In 1952, Carlo Scarpa designed the Sculpture Garden for the Venice Biennale within a patio of the Italian Pavilion, originally designed in 1932 by Duilio Torres. The little garden plays with light, shadow and water. Three heavy elliptical columns support a canopy roof which is shaped as if three circles would have been subtracted from a rectangle. The garden has not been in use for many years and only recently it has been completely restored.
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📸 Photos by Arnaud Tandt via
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How do you like the design of the Sculpture Garden at the Venice Biennale?
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Landscape Architecture No: 40
Sculpture Garden for the Venice Biennale
Location: Venice, Italy
Year: 1952
Architect: Carlo Scarpa
⠀
In 1952, Carlo Scarpa designed the Sculpture Garden for the Venice Biennale within a patio of the Italian Pavilion, originally designed in 1932 by Duilio Torres. The little garden plays with light, shadow and water. Three heavy elliptical columns support a canopy roof which is shaped as if three circles would have been subtracted from a rectangle. The garden has not been in use for many years and only recently it has been completely restored.
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📸 Photos by Arnaud Tandt via
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How do you like the design of the Sculpture Garden at the Venice Biennale?
Hai in programma un viaggio a Venezia per la labiennale e non sai che mostre visitare in città?
Con Artsupp è tutto più semplice! Acquistando l’Artsupp card potrai ricevere numerosi vantaggi e visitare con le riduzioni le mostre in corso.
Scopri quali al nostro link in bio 💣
#venezia #venice #veneziagram #biennaledivenezia #biennale #biennalevenezia #venicebiennale #biennalearchitettura2023 #mostre #mostreavenezia #museiavenezia #museiveneziani
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Hai in programma un viaggio a Venezia per la labiennale e non sai che mostre visitare in città?
Con Artsupp è tutto più semplice! Acquistando l’Artsupp card potrai ricevere numerosi vantaggi e visitare con le riduzioni le mostre in corso.
Scopri quali al nostro link in bio 💣
#venezia #venice #veneziagram #biennaledivenezia #biennale #biennalevenezia #venicebiennale #biennalearchitettura2023 #mostre #mostreavenezia #museiavenezia #museiveneziani
Sunday moments from Venice, Italy.
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#venezia #venice #veneziagram #veneziadavivere #venicebiennale #doorsofitaly #rialtobridge #italia #whatitalyis #browsingitaly #mytinyatlas #traveldeeper #fujifilm #fujifilmitalia #vsco #travelgram #iamatraveler #traveldeeper #italysegreta #italylikealocal #howitalyfeels #magnumphotos #streetphotography #spicollective #myfujifilmlegacy #italiainunoscatto
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Sunday moments from Venice, Italy.
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#venezia #venice #veneziagram #veneziadavivere #venicebiennale #doorsofitaly #rialtobridge #italia #whatitalyis #browsingitaly #mytinyatlas #traveldeeper #fujifilm #fujifilmitalia #vsco #travelgram #iamatraveler #traveldeeper #italysegreta #italylikealocal #howitalyfeels #magnumphotos #streetphotography #spicollective #myfujifilmlegacy #italiainunoscatto
The Venice Biennale of Architecture, titled Laboratory for the Future and curated by Lesley Lokko, is pivotal. “For the first time ever, the spotlight has fallen on Africa and the African Diaspora, that fluid and enmeshed culture of people of African descent that now straddles the globe. What do we wish to say? How will what we say change anything?” Lokko asks. The deed is done, architecture will never be the same. By gathering on the Biennale’s hallowed grounds many makers and thinkers that have been foregrounding this momentous transformation, Lokko has pushed the door wide open.
The statistics are telling: “The Laboratory of the Future … includes 89 participants, over half of whom are from Africa or the African Diaspora,” writes Lokko. “The gender balance is 50/50, and the average age of all participants is 43, dropping to 37 in the Curator’s Special Projects, where the youngest is 24. 46% of participants count education as a form of practice, and, for the first time ever, nearly half of participants are from sole or individual practices of five people or less.”
Figures aside, it was a treat to listen to Lokko explain the narrative of a show full of poetry and emotion, and centered on imagination. After a bath in blue twilight, evoking melancholy and hope, poet Rhael Lionheart Cape’s words and images are a portal into the Arsenale, today’s focus. The generous presence of immaterial contributions and the reuse of the previous Biennale’s structure (by Formafantasma) speak of the attention to footprint, while frequent spaces of pause within the exhibition––dark, quiet, comfortable––speak to the need for languid concentration.
More to come in future posts.
Images (Paola Antonelli)
Lesley Lokko by Gloria Cabral and Sammy Baloji’s work; Rhael “Lionheart” Cape; Ana Maria Duran Calisto and the Association of Waorani Women; MMA Design Studio; Arinjoi Sen; ZAO/Standardarchitecture; Kate Otten Architects; AD/WO
Please watch Alice’s interview with Lesley in our IG video channel. More official detail at https://shorturl.at/jwAMR
#designemergency #architecturebiennale #biennaledivenezia #biennalearchitettura #lesleylokko #venicebiennale #design #architecture
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The Venice Biennale of Architecture, titled Laboratory for the Future and curated by Lesley Lokko, is pivotal. “For the first time ever, the spotlight has fallen on Africa and the African Diaspora, that fluid and enmeshed culture of people of African descent that now straddles the globe. What do we wish to say? How will what we say change anything?” Lokko asks. The deed is done, architecture will never be the same. By gathering on the Biennale’s hallowed grounds many makers and thinkers that have been foregrounding this momentous transformation, Lokko has pushed the door wide open.
The statistics are telling: “The Laboratory of the Future … includes 89 participants, over half of whom are from Africa or the African Diaspora,” writes Lokko. “The gender balance is 50/50, and the average age of all participants is 43, dropping to 37 in the Curator’s Special Projects, where the youngest is 24. 46% of participants count education as a form of practice, and, for the first time ever, nearly half of participants are from sole or individual practices of five people or less.”
Figures aside, it was a treat to listen to Lokko explain the narrative of a show full of poetry and emotion, and centered on imagination. After a bath in blue twilight, evoking melancholy and hope, poet Rhael Lionheart Cape’s words and images are a portal into the Arsenale, today’s focus. The generous presence of immaterial contributions and the reuse of the previous Biennale’s structure (by Formafantasma) speak of the attention to footprint, while frequent spaces of pause within the exhibition––dark, quiet, comfortable––speak to the need for languid concentration.
More to come in future posts.
Images (Paola Antonelli)
Lesley Lokko by Gloria Cabral and Sammy Baloji’s work; Rhael “Lionheart” Cape; Ana Maria Duran Calisto and the Association of Waorani Women; MMA Design Studio; Arinjoi Sen; ZAO/Standardarchitecture; Kate Otten Architects; AD/WO
Please watch Alice’s interview with Lesley in our IG video channel. More official detail at https://shorturl.at/jwAMR
#designemergency #architecturebiennale #biennaledivenezia #biennalearchitettura #lesleylokko #venicebiennale #design #architecture
Venice De Light
Imagine beautifully lit inflatables in the city that floats
#aidesign #midjourneyai #aiart #aiartwork #aiartgallery #augenerated #ai #installation #installationart #midjourney #installationartwork #inflatables #inflatableart #venicebiennale #fantasyart
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Venice De Light
Imagine beautifully lit inflatables in the city that floats
#aidesign #midjourneyai #aiart #aiartwork #aiartgallery #augenerated #ai #installation #installationart #midjourney #installationartwork #inflatables #inflatableart #venicebiennale #fantasyart
Maryam Aljomairi maryamaljomairi (DDes `25) was the co-curator and co-designer of Bahrain`s National Participation culturebah at the Venice Architecture Biennale alongside Latifa Alkhayat line.tifa.
"Sweating Assets" is an adaptive means of resource management that works with existing cooling systems rather than starting anew. The research considers our built environments, infrastructure, and relationships as a complex, resource-rich landscape currently subject to over-consumption. By no means encouraging wasteful usage of air conditioners, it uncovers the possibilities (rather than solutions) made through their inevitable use.
In this space, the glass volume is an emblem of the constantly cooled living enclosures. Within it resides four case studies; a house, museum, market, and hotel - each unveiling the intricate infrastructure that transforms buildings into livable shelters. The exhibition’s microenvironment is a choreography of temperature, humidity, and condensation. Supplementing the import of the climate is a call for the collection and rerouting of the incidental condensate reserves towards wetlands and agricultural regions in need of replenishment. A landscape sits adjacent to a cold condensing volume, demonstrating the dichotomy of industrial systems against transient ecological grounds.
📸: gerda_studio
#HarvardGSD #BiennaleArchitettura2023 #LaBiennaleDiVenezia #VeniceBiennale #Architecture
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Maryam Aljomairi maryamaljomairi (DDes `25) was the co-curator and co-designer of Bahrain`s National Participation culturebah at the Venice Architecture Biennale alongside Latifa Alkhayat line.tifa.
"Sweating Assets" is an adaptive means of resource management that works with existing cooling systems rather than starting anew. The research considers our built environments, infrastructure, and relationships as a complex, resource-rich landscape currently subject to over-consumption. By no means encouraging wasteful usage of air conditioners, it uncovers the possibilities (rather than solutions) made through their inevitable use.
In this space, the glass volume is an emblem of the constantly cooled living enclosures. Within it resides four case studies; a house, museum, market, and hotel - each unveiling the intricate infrastructure that transforms buildings into livable shelters. The exhibition’s microenvironment is a choreography of temperature, humidity, and condensation. Supplementing the import of the climate is a call for the collection and rerouting of the incidental condensate reserves towards wetlands and agricultural regions in need of replenishment. A landscape sits adjacent to a cold condensing volume, demonstrating the dichotomy of industrial systems against transient ecological grounds.
📸: gerda_studio
#HarvardGSD #BiennaleArchitettura2023 #LaBiennaleDiVenezia #VeniceBiennale #Architecture
Keith Haring working on a painting for an international show of emerging artists titled "Aperto 84" at the Venice Biennale at the Magazzini del Sale in 1984.
Photos by Graziano Arici
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#keithharing #popart #1984 #keithharingart #80sart
#venicebiennale #artbiennale #bienallearte #1980s #biennaleartevenzia #grazianoarici #michaeljackson #stefanocastronovo #aperto84 #magazzinidelsale #fondamentadellezattere
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Keith Haring working on a painting for an international show of emerging artists titled "Aperto 84" at the Venice Biennale at the Magazzini del Sale in 1984.
Photos by Graziano Arici
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#keithharing #popart #1984 #keithharingart #80sart
#venicebiennale #artbiennale #bienallearte #1980s #biennaleartevenzia #grazianoarici #michaeljackson #stefanocastronovo #aperto84 #magazzinidelsale #fondamentadellezattere
Sculpture Garden at Venice Biennale by Carlo Scarpa, completed in 1952 #venicebiennale #carloscarpa #carloscarpaarchitecture #venicearchitecture #architecture #arcgitecturephotography #architecturephotographer #architecturephoto #archiphoto #architecturedaily #archidaily #architecture_greatshots #architecture_best #archdaily #architecture_hunter #architecture_magazine #architecture_lovers #archi_focus_on #archi_unlimited #architecturelovers #archlovers #archilovers #archilover #architecturedesign #archidesign #travel_photography #travel_capture #travel_magazine #travelphotos #travelphotography📷
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Sculpture Garden at Venice Biennale by Carlo Scarpa, completed in 1952 #venicebiennale #carloscarpa #carloscarpaarchitecture #venicearchitecture #architecture #arcgitecturephotography #architecturephotographer #architecturephoto #archiphoto #architecturedaily #archidaily #architecture_greatshots #architecture_best #archdaily #architecture_hunter #architecture_magazine #architecture_lovers #archi_focus_on #archi_unlimited #architecturelovers #archlovers #archilovers #archilover #architecturedesign #archidesign #travel_photography #travel_capture #travel_magazine #travelphotos #travelphotography📷
The depths of the ocean have always been surrounded by the most varied stories and tales, the unknown of the deep waters filled the collective imagination with strange and mysterious animals. In the stories these unknown animals took the form of monsters, dangerous to those who went near the ocean. The Kraken is the manifestation of this animal turned monster, translated, from different cultures, into a humanized product of tremendous size, with a reputation for ramming ships and dragging them to the bottom of the sea.
The monstrosity of sea animals has marked the way we relate marine animals, associating them with an imagination full of implicit violence and heroic narratives. But if we try other ways of understanding these creatures and change the narrative, we can approach them through understanding and complicity. What if, rather than sinking ships, the octopus is capable of showing the infinite other forms of knowledge and diversity that live in the wondrous depths?
From Flesh to Data: Non-human Intelligence and Artificial Stupidity is our participation in this year`s Spanish Pavilion: Foodscapes foodscapes2023, Architecture Biennale of Venice Biennale labiennale 2023, curated by Eduardo Castillo-Vinuesa castillo_vinuesa and Manuel Ocaña fastfuriousoffice.
#venicebiennale #spanishpavillon #foodscapes #instituteforpostnaturalstudies #octopusfarm #octopus #pulpo #kraken #mythology #ips
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The depths of the ocean have always been surrounded by the most varied stories and tales, the unknown of the deep waters filled the collective imagination with strange and mysterious animals. In the stories these unknown animals took the form of monsters, dangerous to those who went near the ocean. The Kraken is the manifestation of this animal turned monster, translated, from different cultures, into a humanized product of tremendous size, with a reputation for ramming ships and dragging them to the bottom of the sea.
The monstrosity of sea animals has marked the way we relate marine animals, associating them with an imagination full of implicit violence and heroic narratives. But if we try other ways of understanding these creatures and change the narrative, we can approach them through understanding and complicity. What if, rather than sinking ships, the octopus is capable of showing the infinite other forms of knowledge and diversity that live in the wondrous depths?
From Flesh to Data: Non-human Intelligence and Artificial Stupidity is our participation in this year`s Spanish Pavilion: Foodscapes foodscapes2023, Architecture Biennale of Venice Biennale labiennale 2023, curated by Eduardo Castillo-Vinuesa castillo_vinuesa and Manuel Ocaña fastfuriousoffice.
#venicebiennale #spanishpavillon #foodscapes #instituteforpostnaturalstudies #octopusfarm #octopus #pulpo #kraken #mythology #ips
『Skymusik』UNKNOWN ASIA 2023 終了しました。
https://unknownasia.net/
ブース G-05
Uspace gallery
協力
川田画廊
出展アーティスト一覧：https://unknownasia.net/artist/
Uspace Gallery in UNKNOWN ASIA 2023!
（9/15-9/17 in Osaka）
We will be exhibiting the
distinct styles of three contemporary Japanese artists.
[ Booth No. G-05 )
uspace_gallery
■Concept
:「對我來說藝術有如莫札特的音樂。莫札特的音樂超越搖滾樂。如果莫札特的創作是為了連結天地，那麼期待以我的畫作來傳揚。我的作品常受到當地文化和氛圍的啟發，我能感受獨特的空氣以及土地能量和氣候的意識，使其具體為畫作。巴哈是古典音樂的經典。 如果貝多芬作曲超越哲理，那麼期待用我的畫作給予他們一個形狀。」
「常在藝術創作中使用聯想,在腦海中充滿跳舞的鮮豔彩球 」除了繪畫以外，音樂也是渋田的興趣，渋田的多件壓克力顏料作品中也彷彿是躍然於紙上的各式音符。
～uspaceart.com
#unknownasia
#uspacegallery
#kawatagallery
#kaorushibuta
#artbasel #venicebiennale #momaps1 #saatchiartcollector #gagosiangallery #abstractpainting #britishartfair #operagallery #artforthehome #abstractlovers #contemporaryarts #abstractpaintings #abstractexpression #moderngallery #abstractpaint #abstract_art #artcurators #emergingart #emergingartists #美術手帖 #vogueparis #アートフェア東京
#focuslondon #現代美術館 #focusartfair
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『Skymusik』UNKNOWN ASIA 2023 終了しました。
https://unknownasia.net/
ブース G-05
Uspace gallery
協力
川田画廊
出展アーティスト一覧：https://unknownasia.net/artist/
Uspace Gallery in UNKNOWN ASIA 2023!
（9/15-9/17 in Osaka）
We will be exhibiting the
distinct styles of three contemporary Japanese artists.
[ Booth No. G-05 )
uspace_gallery
■Concept
:「對我來說藝術有如莫札特的音樂。莫札特的音樂超越搖滾樂。如果莫札特的創作是為了連結天地，那麼期待以我的畫作來傳揚。我的作品常受到當地文化和氛圍的啟發，我能感受獨特的空氣以及土地能量和氣候的意識，使其具體為畫作。巴哈是古典音樂的經典。 如果貝多芬作曲超越哲理，那麼期待用我的畫作給予他們一個形狀。」
「常在藝術創作中使用聯想,在腦海中充滿跳舞的鮮豔彩球 」除了繪畫以外，音樂也是渋田的興趣，渋田的多件壓克力顏料作品中也彷彿是躍然於紙上的各式音符。
～uspaceart.com
#unknownasia
#uspacegallery
#kawatagallery
#kaorushibuta
#artbasel #venicebiennale #momaps1 #saatchiartcollector #gagosiangallery #abstractpainting #britishartfair #operagallery #artforthehome #abstractlovers #contemporaryarts #abstractpaintings #abstractexpression #moderngallery #abstractpaint #abstract_art #artcurators #emergingart #emergingartists #美術手帖 #vogueparis #アートフェア東京
#focuslondon #現代美術館 #focusartfair
Two Dancing Figures VI - 1955
#lynnchadwick #abstraktekunst #britishartist #britishart #sculptureart #sculptures #bronzesculpture #escultura #skulptur #skulptura #skulpturen #kunstwerk #sculptor #tatebritain #artesplasticas #modernist #tatemodern #tatemodernlondon #museumofmodernart #venicebiennale #biennaledivenezia #biennalevenezia #moma #centrepompidou #geometryoffear
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Two Dancing Figures VI - 1955
#lynnchadwick #abstraktekunst #britishartist #britishart #sculptureart #sculptures #bronzesculpture #escultura #skulptur #skulptura #skulpturen #kunstwerk #sculptor #tatebritain #artesplasticas #modernist #tatemodern #tatemodernlondon #museumofmodernart #venicebiennale #biennaledivenezia #biennalevenezia #moma #centrepompidou #geometryoffear
The Piper in Blue, oil on canvas, circa 1917. Madeline Emily Green (English, 1884-1947).
#thepiperinblue #madelinegreen #englishartists #britishartists #womenartists #britishwomenartists #englishwomenartists #forgottenwomenartists #madelineemilygreen #selfportrait #selfportraits #selfportraitsofinstagram #royalacademyschools #royalacademyofart #royalglasgowinstitute #parissalon #venicebiennale #royalhibernianacademy #societyofwomenartists #societyofgraphicart #ealingartguild #ealingartsclub #artistsofealing #ealingartists #20thcenturybritishart #20thcenturywomenartists
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The Piper in Blue, oil on canvas, circa 1917. Madeline Emily Green (English, 1884-1947).
#thepiperinblue #madelinegreen #englishartists #britishartists #womenartists #britishwomenartists #englishwomenartists #forgottenwomenartists #madelineemilygreen #selfportrait #selfportraits #selfportraitsofinstagram #royalacademyschools #royalacademyofart #royalglasgowinstitute #parissalon #venicebiennale #royalhibernianacademy #societyofwomenartists #societyofgraphicart #ealingartguild #ealingartsclub #artistsofealing #ealingartists #20thcenturybritishart #20thcenturywomenartists
Mifune getting ready to accept his Volpi Cup. #ToshiroMifune #MifuneToshiro #MifuneTheLastSamurai #三船敏郎 #Japan #JapaneseCinema #1961 #1960s #Yojimbo #KuwabatakeSanjuro #Sanjuro #VeniceFilmFestival #VeniceBiennale #Venezia #VolpiCup #kimono #welldeserved #genuinesurprise #legend #imakethislookgood #japanesekingofcool #mifunemonday
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Mifune getting ready to accept his Volpi Cup. #ToshiroMifune #MifuneToshiro #MifuneTheLastSamurai #三船敏郎 #Japan #JapaneseCinema #1961 #1960s #Yojimbo #KuwabatakeSanjuro #Sanjuro #VeniceFilmFestival #VeniceBiennale #Venezia #VolpiCup #kimono #welldeserved #genuinesurprise #legend #imakethislookgood #japanesekingofcool #mifunemonday
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Art and Architecture No: 28
Slide Mantra
Location: Miami, FL
Year: 1986
Artist: Isamu Noguchi
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Slide Mantra is a massive 29-ton sculpture carved from Carrara marble by the late Japanese-American artist Isamu Noguchi. This lyrical and playful work is more than ten-feet tall and functions as a slide with steps winding up the back which descend into a spiral.
Noguchi designed Bayfront Park in 1986 and created Slide Mantra that same year to represent the United States at its art pavilion in the 1986 Venice Biennale. In this plece, appropriately sited in a city park, Noguchi wished to show his long held belief that play could lead to a new appreciation of sculpture.
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How do you like the design of the Slide Mantra?
Art and Architecture No: 28
Slide Mantra
Location: Miami, FL
Year: 1986
Artist: Isamu Noguchi
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Slide Mantra is a massive 29-ton sculpture carved from Carrara marble by the late Japanese-American artist Isamu Noguchi. This lyrical and playful work is more than ten-feet tall and functions as a slide with steps winding up the back which descend into a spiral.
Noguchi designed Bayfront Park in 1986 and created Slide Mantra that same year to represent the United States at its art pavilion in the 1986 Venice Biennale. In this plece, appropriately sited in a city park, Noguchi wished to show his long held belief that play could lead to a new appreciation of sculpture.
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How do you like the design of the Slide Mantra?
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Installing Isamu Noguchi`s `Slide Mantra` at the 1986 Venice Biennale
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#isamunoguchi #biennale #venice #venicebiennale #sculpture #sculpting #architecture
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Installing Isamu Noguchi`s `Slide Mantra` at the 1986 Venice Biennale
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#isamunoguchi #biennale #venice #venicebiennale #sculpture #sculpting #architecture
𝕀𝕗 𝕪𝕠𝕦 𝕥𝕙𝕚𝕟𝕜 𝕀 𝕙𝕒𝕧𝕖 𝕕𝕠𝕟𝕖 𝕡𝕠𝕤𝕥𝕚𝕟𝕘 𝕒𝕓𝕠𝕦𝕥 𝕥𝕙𝕚𝕤…
You are so goddamn wrong 😂💙
Thanks for this picture to nicolacavallofotografia 💙🙏
Makeup mariacristina_fidanza
Abito haberi.haute.couture emilyhaberi
Nails fridabeautylab
Hair cristiano.rocchi
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#stopmeifyoucan #venicebiennale #filmfestivals #veneziatoday #veneziaunica #venezia80 #redcarpetdress
𝕀𝕗 𝕪𝕠𝕦 𝕥𝕙𝕚𝕟𝕜 𝕀 𝕙𝕒𝕧𝕖 𝕕𝕠𝕟𝕖 𝕡𝕠𝕤𝕥𝕚𝕟𝕘 𝕒𝕓𝕠𝕦𝕥 𝕥𝕙𝕚𝕤…
You are so goddamn wrong 😂💙
Thanks for this picture to nicolacavallofotografia 💙🙏
Makeup mariacristina_fidanza
Abito haberi.haute.couture emilyhaberi
Nails fridabeautylab
Hair cristiano.rocchi
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#stopmeifyoucan #venicebiennale #filmfestivals #veneziatoday #veneziaunica #venezia80 #redcarpetdress
It’s official! jeffrune is represent the US at the next venice.art.biennale He will fill the entire US pavilion with his work. Congrats to Jeffrey and curator nizhonigrrl
#jeffreygibson #venicebiennale #uspavillion #indigenousart #nativeamericanart #contemporaryart #artmatters #representationmatters #artmuseum
It’s official! jeffrune is represent the US at the next venice.art.biennale He will fill the entire US pavilion with his work. Congrats to Jeffrey and curator nizhonigrrl
#jeffreygibson #venicebiennale #uspavillion #indigenousart #nativeamericanart #contemporaryart #artmatters #representationmatters #artmuseum
La Mostra del cinema di Venezia ci sta regalando tanti look iconoci e apparizioni memoriabili. Tra tutti, si è distinta Michèle Lamy (michele.lamy.muse), designer di origine francese, con uno stile audace e gotico, che mescola elementi provenienti da culture sciamaniche e tradizioni tribali. Scopriamo insieme di più su questa artista!
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#Freeda #MichèleLamy #Moda #MostraDelCinemaDiVenezia #BiennaleCinema2023 #VeniceFilmFestival #Venezia #Cinema #VeniceBiennale #RedCarpet #FilmFestival
La Mostra del cinema di Venezia ci sta regalando tanti look iconoci e apparizioni memoriabili. Tra tutti, si è distinta Michèle Lamy (michele.lamy.muse), designer di origine francese, con uno stile audace e gotico, che mescola elementi provenienti da culture sciamaniche e tradizioni tribali. Scopriamo insieme di più su questa artista!
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#Freeda #MichèleLamy #Moda #MostraDelCinemaDiVenezia #BiennaleCinema2023 #VeniceFilmFestival #Venezia #Cinema #VeniceBiennale #RedCarpet #FilmFestival
Landscape Architecture No: 40
Sculpture Garden for the Venice Biennale
Location: Venice, Italy
Year: 1952
Architect: Carlo Scarpa
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In 1952, Carlo Scarpa designed the Sculpture Garden for the Venice Biennale within a patio of the Italian Pavilion, originally designed in 1932 by Duilio Torres. The little garden plays with light, shadow and water. Three heavy elliptical columns support a canopy roof which is shaped as if three circles would have been subtracted from a rectangle. The garden has not been in use for many years and only recently it has been completely restored.
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📸 Photos by Arnaud Tandt via
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How do you like the design of the Sculpture Garden at the Venice Biennale?
Landscape Architecture No: 40
Sculpture Garden for the Venice Biennale
Location: Venice, Italy
Year: 1952
Architect: Carlo Scarpa
⠀
In 1952, Carlo Scarpa designed the Sculpture Garden for the Venice Biennale within a patio of the Italian Pavilion, originally designed in 1932 by Duilio Torres. The little garden plays with light, shadow and water. Three heavy elliptical columns support a canopy roof which is shaped as if three circles would have been subtracted from a rectangle. The garden has not been in use for many years and only recently it has been completely restored.
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📸 Photos by Arnaud Tandt via
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How do you like the design of the Sculpture Garden at the Venice Biennale?
Hai in programma un viaggio a Venezia per la labiennale e non sai che mostre visitare in città?
Con Artsupp è tutto più semplice! Acquistando l’Artsupp card potrai ricevere numerosi vantaggi e visitare con le riduzioni le mostre in corso.
Scopri quali al nostro link in bio 💣
#venezia #venice #veneziagram #biennaledivenezia #biennale #biennalevenezia #venicebiennale #biennalearchitettura2023 #mostre #mostreavenezia #museiavenezia #museiveneziani
Hai in programma un viaggio a Venezia per la labiennale e non sai che mostre visitare in città?
Con Artsupp è tutto più semplice! Acquistando l’Artsupp card potrai ricevere numerosi vantaggi e visitare con le riduzioni le mostre in corso.
Scopri quali al nostro link in bio 💣
#venezia #venice #veneziagram #biennaledivenezia #biennale #biennalevenezia #venicebiennale #biennalearchitettura2023 #mostre #mostreavenezia #museiavenezia #museiveneziani
Sunday moments from Venice, Italy.
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#venezia #venice #veneziagram #veneziadavivere #venicebiennale #doorsofitaly #rialtobridge #italia #whatitalyis #browsingitaly #mytinyatlas #traveldeeper #fujifilm #fujifilmitalia #vsco #travelgram #iamatraveler #traveldeeper #italysegreta #italylikealocal #howitalyfeels #magnumphotos #streetphotography #spicollective #myfujifilmlegacy #italiainunoscatto
Sunday moments from Venice, Italy.
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#venezia #venice #veneziagram #veneziadavivere #venicebiennale #doorsofitaly #rialtobridge #italia #whatitalyis #browsingitaly #mytinyatlas #traveldeeper #fujifilm #fujifilmitalia #vsco #travelgram #iamatraveler #traveldeeper #italysegreta #italylikealocal #howitalyfeels #magnumphotos #streetphotography #spicollective #myfujifilmlegacy #italiainunoscatto
The Venice Biennale of Architecture, titled Laboratory for the Future and curated by Lesley Lokko, is pivotal. “For the first time ever, the spotlight has fallen on Africa and the African Diaspora, that fluid and enmeshed culture of people of African descent that now straddles the globe. What do we wish to say? How will what we say change anything?” Lokko asks. The deed is done, architecture will never be the same. By gathering on the Biennale’s hallowed grounds many makers and thinkers that have been foregrounding this momentous transformation, Lokko has pushed the door wide open.
The statistics are telling: “The Laboratory of the Future … includes 89 participants, over half of whom are from Africa or the African Diaspora,” writes Lokko. “The gender balance is 50/50, and the average age of all participants is 43, dropping to 37 in the Curator’s Special Projects, where the youngest is 24. 46% of participants count education as a form of practice, and, for the first time ever, nearly half of participants are from sole or individual practices of five people or less.”
Figures aside, it was a treat to listen to Lokko explain the narrative of a show full of poetry and emotion, and centered on imagination. After a bath in blue twilight, evoking melancholy and hope, poet Rhael Lionheart Cape’s words and images are a portal into the Arsenale, today’s focus. The generous presence of immaterial contributions and the reuse of the previous Biennale’s structure (by Formafantasma) speak of the attention to footprint, while frequent spaces of pause within the exhibition––dark, quiet, comfortable––speak to the need for languid concentration.
More to come in future posts.
Images (Paola Antonelli)
Lesley Lokko by Gloria Cabral and Sammy Baloji’s work; Rhael “Lionheart” Cape; Ana Maria Duran Calisto and the Association of Waorani Women; MMA Design Studio; Arinjoi Sen; ZAO/Standardarchitecture; Kate Otten Architects; AD/WO
Please watch Alice’s interview with Lesley in our IG video channel. More official detail at https://shorturl.at/jwAMR
#designemergency #architecturebiennale #biennaledivenezia #biennalearchitettura #lesleylokko #venicebiennale #design #architecture
The Venice Biennale of Architecture, titled Laboratory for the Future and curated by Lesley Lokko, is pivotal. “For the first time ever, the spotlight has fallen on Africa and the African Diaspora, that fluid and enmeshed culture of people of African descent that now straddles the globe. What do we wish to say? How will what we say change anything?” Lokko asks. The deed is done, architecture will never be the same. By gathering on the Biennale’s hallowed grounds many makers and thinkers that have been foregrounding this momentous transformation, Lokko has pushed the door wide open.
The statistics are telling: “The Laboratory of the Future … includes 89 participants, over half of whom are from Africa or the African Diaspora,” writes Lokko. “The gender balance is 50/50, and the average age of all participants is 43, dropping to 37 in the Curator’s Special Projects, where the youngest is 24. 46% of participants count education as a form of practice, and, for the first time ever, nearly half of participants are from sole or individual practices of five people or less.”
Figures aside, it was a treat to listen to Lokko explain the narrative of a show full of poetry and emotion, and centered on imagination. After a bath in blue twilight, evoking melancholy and hope, poet Rhael Lionheart Cape’s words and images are a portal into the Arsenale, today’s focus. The generous presence of immaterial contributions and the reuse of the previous Biennale’s structure (by Formafantasma) speak of the attention to footprint, while frequent spaces of pause within the exhibition––dark, quiet, comfortable––speak to the need for languid concentration.
More to come in future posts.
Images (Paola Antonelli)
Lesley Lokko by Gloria Cabral and Sammy Baloji’s work; Rhael “Lionheart” Cape; Ana Maria Duran Calisto and the Association of Waorani Women; MMA Design Studio; Arinjoi Sen; ZAO/Standardarchitecture; Kate Otten Architects; AD/WO
Please watch Alice’s interview with Lesley in our IG video channel. More official detail at https://shorturl.at/jwAMR
#designemergency #architecturebiennale #biennaledivenezia #biennalearchitettura #lesleylokko #venicebiennale #design #architecture
Venice De Light
Imagine beautifully lit inflatables in the city that floats
#aidesign #midjourneyai #aiart #aiartwork #aiartgallery #augenerated #ai #installation #installationart #midjourney #installationartwork #inflatables #inflatableart #venicebiennale #fantasyart
Venice De Light
Imagine beautifully lit inflatables in the city that floats
#aidesign #midjourneyai #aiart #aiartwork #aiartgallery #augenerated #ai #installation #installationart #midjourney #installationartwork #inflatables #inflatableart #venicebiennale #fantasyart
Maryam Aljomairi maryamaljomairi (DDes `25) was the co-curator and co-designer of Bahrain`s National Participation culturebah at the Venice Architecture Biennale alongside Latifa Alkhayat line.tifa.
"Sweating Assets" is an adaptive means of resource management that works with existing cooling systems rather than starting anew. The research considers our built environments, infrastructure, and relationships as a complex, resource-rich landscape currently subject to over-consumption. By no means encouraging wasteful usage of air conditioners, it uncovers the possibilities (rather than solutions) made through their inevitable use.
In this space, the glass volume is an emblem of the constantly cooled living enclosures. Within it resides four case studies; a house, museum, market, and hotel - each unveiling the intricate infrastructure that transforms buildings into livable shelters. The exhibition’s microenvironment is a choreography of temperature, humidity, and condensation. Supplementing the import of the climate is a call for the collection and rerouting of the incidental condensate reserves towards wetlands and agricultural regions in need of replenishment. A landscape sits adjacent to a cold condensing volume, demonstrating the dichotomy of industrial systems against transient ecological grounds.
📸: gerda_studio
#HarvardGSD #BiennaleArchitettura2023 #LaBiennaleDiVenezia #VeniceBiennale #Architecture
Maryam Aljomairi maryamaljomairi (DDes `25) was the co-curator and co-designer of Bahrain`s National Participation culturebah at the Venice Architecture Biennale alongside Latifa Alkhayat line.tifa.
"Sweating Assets" is an adaptive means of resource management that works with existing cooling systems rather than starting anew. The research considers our built environments, infrastructure, and relationships as a complex, resource-rich landscape currently subject to over-consumption. By no means encouraging wasteful usage of air conditioners, it uncovers the possibilities (rather than solutions) made through their inevitable use.
In this space, the glass volume is an emblem of the constantly cooled living enclosures. Within it resides four case studies; a house, museum, market, and hotel - each unveiling the intricate infrastructure that transforms buildings into livable shelters. The exhibition’s microenvironment is a choreography of temperature, humidity, and condensation. Supplementing the import of the climate is a call for the collection and rerouting of the incidental condensate reserves towards wetlands and agricultural regions in need of replenishment. A landscape sits adjacent to a cold condensing volume, demonstrating the dichotomy of industrial systems against transient ecological grounds.
📸: gerda_studio
#HarvardGSD #BiennaleArchitettura2023 #LaBiennaleDiVenezia #VeniceBiennale #Architecture
Keith Haring working on a painting for an international show of emerging artists titled "Aperto 84" at the Venice Biennale at the Magazzini del Sale in 1984.
Photos by Graziano Arici
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#keithharing #popart #1984 #keithharingart #80sart
#venicebiennale #artbiennale #bienallearte #1980s #biennaleartevenzia #grazianoarici #michaeljackson #stefanocastronovo #aperto84 #magazzinidelsale #fondamentadellezattere
Keith Haring working on a painting for an international show of emerging artists titled "Aperto 84" at the Venice Biennale at the Magazzini del Sale in 1984.
Photos by Graziano Arici
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#keithharing #popart #1984 #keithharingart #80sart
#venicebiennale #artbiennale #bienallearte #1980s #biennaleartevenzia #grazianoarici #michaeljackson #stefanocastronovo #aperto84 #magazzinidelsale #fondamentadellezattere
Sculpture Garden at Venice Biennale by Carlo Scarpa, completed in 1952 #venicebiennale #carloscarpa #carloscarpaarchitecture #venicearchitecture #architecture #arcgitecturephotography #architecturephotographer #architecturephoto #archiphoto #architecturedaily #archidaily #architecture_greatshots #architecture_best #archdaily #architecture_hunter #architecture_magazine #architecture_lovers #archi_focus_on #archi_unlimited #architecturelovers #archlovers #archilovers #archilover #architecturedesign #archidesign #travel_photography #travel_capture #travel_magazine #travelphotos #travelphotography📷
Sculpture Garden at Venice Biennale by Carlo Scarpa, completed in 1952 #venicebiennale #carloscarpa #carloscarpaarchitecture #venicearchitecture #architecture #arcgitecturephotography #architecturephotographer #architecturephoto #archiphoto #architecturedaily #archidaily #architecture_greatshots #architecture_best #archdaily #architecture_hunter #architecture_magazine #architecture_lovers #archi_focus_on #archi_unlimited #architecturelovers #archlovers #archilovers #archilover #architecturedesign #archidesign #travel_photography #travel_capture #travel_magazine #travelphotos #travelphotography📷
The depths of the ocean have always been surrounded by the most varied stories and tales, the unknown of the deep waters filled the collective imagination with strange and mysterious animals. In the stories these unknown animals took the form of monsters, dangerous to those who went near the ocean. The Kraken is the manifestation of this animal turned monster, translated, from different cultures, into a humanized product of tremendous size, with a reputation for ramming ships and dragging them to the bottom of the sea.
The monstrosity of sea animals has marked the way we relate marine animals, associating them with an imagination full of implicit violence and heroic narratives. But if we try other ways of understanding these creatures and change the narrative, we can approach them through understanding and complicity. What if, rather than sinking ships, the octopus is capable of showing the infinite other forms of knowledge and diversity that live in the wondrous depths?
From Flesh to Data: Non-human Intelligence and Artificial Stupidity is our participation in this year`s Spanish Pavilion: Foodscapes foodscapes2023, Architecture Biennale of Venice Biennale labiennale 2023, curated by Eduardo Castillo-Vinuesa castillo_vinuesa and Manuel Ocaña fastfuriousoffice.
#venicebiennale #spanishpavillon #foodscapes #instituteforpostnaturalstudies #octopusfarm #octopus #pulpo #kraken #mythology #ips
The depths of the ocean have always been surrounded by the most varied stories and tales, the unknown of the deep waters filled the collective imagination with strange and mysterious animals. In the stories these unknown animals took the form of monsters, dangerous to those who went near the ocean. The Kraken is the manifestation of this animal turned monster, translated, from different cultures, into a humanized product of tremendous size, with a reputation for ramming ships and dragging them to the bottom of the sea.
The monstrosity of sea animals has marked the way we relate marine animals, associating them with an imagination full of implicit violence and heroic narratives. But if we try other ways of understanding these creatures and change the narrative, we can approach them through understanding and complicity. What if, rather than sinking ships, the octopus is capable of showing the infinite other forms of knowledge and diversity that live in the wondrous depths?
From Flesh to Data: Non-human Intelligence and Artificial Stupidity is our participation in this year`s Spanish Pavilion: Foodscapes foodscapes2023, Architecture Biennale of Venice Biennale labiennale 2023, curated by Eduardo Castillo-Vinuesa castillo_vinuesa and Manuel Ocaña fastfuriousoffice.
#venicebiennale #spanishpavillon #foodscapes #instituteforpostnaturalstudies #octopusfarm #octopus #pulpo #kraken #mythology #ips
『Skymusik』UNKNOWN ASIA 2023 終了しました。
https://unknownasia.net/
ブース G-05
Uspace gallery
協力
川田画廊
出展アーティスト一覧：https://unknownasia.net/artist/
Uspace Gallery in UNKNOWN ASIA 2023!
（9/15-9/17 in Osaka）
We will be exhibiting the
distinct styles of three contemporary Japanese artists.
[ Booth No. G-05 )
uspace_gallery
■Concept
:「對我來說藝術有如莫札特的音樂。莫札特的音樂超越搖滾樂。如果莫札特的創作是為了連結天地，那麼期待以我的畫作來傳揚。我的作品常受到當地文化和氛圍的啟發，我能感受獨特的空氣以及土地能量和氣候的意識，使其具體為畫作。巴哈是古典音樂的經典。 如果貝多芬作曲超越哲理，那麼期待用我的畫作給予他們一個形狀。」
「常在藝術創作中使用聯想,在腦海中充滿跳舞的鮮豔彩球 」除了繪畫以外，音樂也是渋田的興趣，渋田的多件壓克力顏料作品中也彷彿是躍然於紙上的各式音符。
～uspaceart.com
#unknownasia
#uspacegallery
#kawatagallery
#kaorushibuta
#artbasel #venicebiennale #momaps1 #saatchiartcollector #gagosiangallery #abstractpainting #britishartfair #operagallery #artforthehome #abstractlovers #contemporaryarts #abstractpaintings #abstractexpression #moderngallery #abstractpaint #abstract_art #artcurators #emergingart #emergingartists #美術手帖 #vogueparis #アートフェア東京
#focuslondon #現代美術館 #focusartfair
『Skymusik』UNKNOWN ASIA 2023 終了しました。
https://unknownasia.net/
ブース G-05
Uspace gallery
協力
川田画廊
出展アーティスト一覧：https://unknownasia.net/artist/
Uspace Gallery in UNKNOWN ASIA 2023!
（9/15-9/17 in Osaka）
We will be exhibiting the
distinct styles of three contemporary Japanese artists.
[ Booth No. G-05 )
uspace_gallery
■Concept
:「對我來說藝術有如莫札特的音樂。莫札特的音樂超越搖滾樂。如果莫札特的創作是為了連結天地，那麼期待以我的畫作來傳揚。我的作品常受到當地文化和氛圍的啟發，我能感受獨特的空氣以及土地能量和氣候的意識，使其具體為畫作。巴哈是古典音樂的經典。 如果貝多芬作曲超越哲理，那麼期待用我的畫作給予他們一個形狀。」
「常在藝術創作中使用聯想,在腦海中充滿跳舞的鮮豔彩球 」除了繪畫以外，音樂也是渋田的興趣，渋田的多件壓克力顏料作品中也彷彿是躍然於紙上的各式音符。
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Two Dancing Figures VI - 1955
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Two Dancing Figures VI - 1955
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The Piper in Blue, oil on canvas, circa 1917. Madeline Emily Green (English, 1884-1947).
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The Piper in Blue, oil on canvas, circa 1917. Madeline Emily Green (English, 1884-1947).
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Mifune getting ready to accept his Volpi Cup. #ToshiroMifune #MifuneToshiro #MifuneTheLastSamurai #三船敏郎 #Japan #JapaneseCinema #1961 #1960s #Yojimbo #KuwabatakeSanjuro #Sanjuro #VeniceFilmFestival #VeniceBiennale #Venezia #VolpiCup #kimono #welldeserved #genuinesurprise #legend #imakethislookgood #japanesekingofcool #mifunemonday
Mifune getting ready to accept his Volpi Cup. #ToshiroMifune #MifuneToshiro #MifuneTheLastSamurai #三船敏郎 #Japan #JapaneseCinema #1961 #1960s #Yojimbo #KuwabatakeSanjuro #Sanjuro #VeniceFilmFestival #VeniceBiennale #Venezia #VolpiCup #kimono #welldeserved #genuinesurprise #legend #imakethislookgood #japanesekingofcool #mifunemonday