Outsider Art Fair NYC

Outsider Art Fair NYCMetropolitan Pavilion, 125 W 18th St, New York, NY 1001102MARAll Day05

Outsider Art Fair NYC

Date

(Thursday March 2nd, 2023) - (Sunday March 5th, 2023)

Details

Press Release

Dates / Times

VIP & Press Preview:
Thursday, March 2nd: 12–6pm
Vernissage:
Thursday, March 2nd: 6-9pm
Open to the Public:
Friday, March 3rd: 11am-8pm
Saturday, March 4th: 11am-8pm
Sunday, March 5th: 11am-6pm

Tickets

1 day pass $44
Run of Fair $75
Vernissage $65



Outsider Art Fair Video Tour in HD

Outsider Art Fair 2022 at Metropolitan Pavilion in Manhattan featuring 64 fantastic exhibitors from 28 cities in 8 countries, with 12 first-time exhibitors.

Thank you @Nycgalleryopenings

YouTube video



Outsider Art Fair NYC 2022 @ Metropolitan Pavilion

Outsider Art Fair NYC 2022 tour by Stefan, Zhuldyz, and Matt Reekie.

YouTube video


more

Top Posts

#TBT ✌️ Installation view of Mose Tolliver’s work at shrine.nyc's booth at the 2018 #OutsiderArtFair // Credit Artists Rights Society (ARS), New York; Adam Reich

#TBT ✌️ Installation view of Mose Tolliver’s work at shrine.nyc`s booth at the 2018 #OutsiderArtFair // Credit Artists Rights Society (ARS), New York; Adam Reich ...

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It’s hard to make a case that any single person has had more of an impact on increasing the recognition and respect for Outsider Art than Roberta Smith. robertasmithnyt 
⁠
In her coverage of exhibitions at galleries, museums, and the Outsider Art Fair, she has written insightful, and at times, exuberant articles about self-taught artists who had been historically underappreciated. We extend our deepest gratitude and wish her the best for this new phase of her life….and we look forward to seeing her around!⁠
⁠
Image: Roberta Smith with Melvin Way. ⁠
Outsider Art Fair, 2019.⁠
⁠
#outsiderartfair #robertasmith #nytimes

It’s hard to make a case that any single person has had more of an impact on increasing the recognition and respect for Outsider Art than Roberta Smith. robertasmithnyt

In her coverage of exhibitions at galleries, museums, and the Outsider Art Fair, she has written insightful, and at times, exuberant articles about self-taught artists who had been historically underappreciated. We extend our deepest gratitude and wish her the best for this new phase of her life….and we look forward to seeing her around!⁠

Image: Roberta Smith with Melvin Way. ⁠
Outsider Art Fair, 2019.⁠

#outsiderartfair #robertasmith #nytimes
...

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What a ONCE IN A LIFETIME experience! That’s a wrap on this year’s outsiderartfair 🤩 We had a blast seeing old friends and making new ones (like davidbyrneofficial, who stopped by to pose with his portrait by coolcchris)! Thanks for having us, New York!🗽
•
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Image: David Byrne holding his portrait by Chris Cody.
•
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#SAGEStudioATX #OutsiderArtFair #DavidByrne #TalkingHeads #ChrisCodyArt #Portrait #SelfTaughtArtist

What a ONCE IN A LIFETIME experience! That’s a wrap on this year’s outsiderartfair 🤩 We had a blast seeing old friends and making new ones (like davidbyrneofficial, who stopped by to pose with his portrait by coolcchris)! Thanks for having us, New York!🗽



Image: David Byrne holding his portrait by Chris Cody.



#SAGEStudioATX #OutsiderArtFair #DavidByrne #TalkingHeads #ChrisCodyArt #Portrait #SelfTaughtArtist
...

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Xeroderma pigmentosu à l’ombre des arbres à feuilles caduques. 

Acrylique sur papier - 21x29,7cm

#enfantdelalune 
#protege
#cache
#outsiderartfair 
#outsiderart 
#rawartist 
#contemporarypainting 
#artonpaper
#artistlaboratorycall

Xeroderma pigmentosu à l’ombre des arbres à feuilles caduques.

Acrylique sur papier - 21x29,7cm

#enfantdelalune
#protege
#cache
#outsiderartfair
#outsiderart
#rawartist
#contemporarypainting
#artonpaper
#artistlaboratorycall
...

853 57
William Hawkins
“Alligator and Lovers-2” 1985
Paint and Mixed Media on Wood
48” x 60” (Sold) Copyright William Hawkins Estate

William Hawkins
“Alligator and Lovers-2” 1985
Paint and Mixed Media on Wood
48” x 60” (Sold) Copyright William Hawkins Estate
...

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William Hawkins (1895-1990)
“Tasmanian Tiger 3” 1989
Oil and Mixed Media on Plywood 48”x48” Collection of the Columbus museum of Art columbusmuseum
Copyright William Hawkins Estate

William Hawkins (1895-1990)
“Tasmanian Tiger 3” 1989
Oil and Mixed Media on Plywood 48”x48” Collection of the Columbus museum of Art columbusmuseum
Copyright William Hawkins Estate
...

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Morris Hirshfield (1872-194)
“Angora Cat” (1937-1939)
Oil on Canvas 22.2” x 27.25”
Collection of the Museum of Modern Art

(From Jennifer Borum’s Essay for The Outsider Art Fair website )
Morris Hirshfield was a classic American Outsider Artist, whose vivid, formally inventive paintings earned him unprecedented notoriety in America in the late 1930s. Born in Poland in 1872, Hirshfield was known to have carved a sculpture for his synagogue, the only record of his art activity before he emigrated to the United States at the age of 18. He settled in New York City, and worked in a women’s coat factory before going into business with his brother. They initially designed and manufactured women’s coats, but would go on to become a leading manufacturers of women’s slippers. Hirshfield retired in 1935, as a result of increasing health problems.
Not one to remain idle, Hirshfield began to paint, favoring oil on canvas. He devoted most of his attention to painting young women, portraying them in domestic, or otherwise intimate settings. He also painted both wild and domestic animals. His monumental figures typically occupy the center of each composition, and although hauntingly static, also radiate an uncanny visual energy. Hirshfield’s women are often presented in meticulously styled dresses, and when depicted nude, they are foregrounded by richly layered backdrop, or inventive framing devices. His animals loom in quasi-natural settings that dissolve into abstraction. Although by his own admission, the artist intended to paint common themes, the results were inevitably fantastical.
Hirshfield’s self-taught penchant for abstract figuration and radically flattened compositions soon drew the attention of modern art aficionados. New York dealer and curator Sidney Janis was instrumental in bringing Hirshfield to the attention of the artworld. MOMA included two of his paintings in a group show in1939, and honored him with a solo show in 1943. Loved by modernists for his self-taught innovation, he might best be remembered as the American Henri Rousseau.

- Jenifer P. Borum

Morris Hirshfield (1872-194)
“Angora Cat” (1937-1939)
Oil on Canvas 22.2” x 27.25”
Collection of the Museum of Modern Art

(From Jennifer Borum’s Essay for The Outsider Art Fair website )
Morris Hirshfield was a classic American Outsider Artist, whose vivid, formally inventive paintings earned him unprecedented notoriety in America in the late 1930s. Born in Poland in 1872, Hirshfield was known to have carved a sculpture for his synagogue, the only record of his art activity before he emigrated to the United States at the age of 18. He settled in New York City, and worked in a women’s coat factory before going into business with his brother. They initially designed and manufactured women’s coats, but would go on to become a leading manufacturers of women’s slippers. Hirshfield retired in 1935, as a result of increasing health problems.
Not one to remain idle, Hirshfield began to paint, favoring oil on canvas. He devoted most of his attention to painting young women, portraying them in domestic, or otherwise intimate settings. He also painted both wild and domestic animals. His monumental figures typically occupy the center of each composition, and although hauntingly static, also radiate an uncanny visual energy. Hirshfield’s women are often presented in meticulously styled dresses, and when depicted nude, they are foregrounded by richly layered backdrop, or inventive framing devices. His animals loom in quasi-natural settings that dissolve into abstraction. Although by his own admission, the artist intended to paint common themes, the results were inevitably fantastical.
Hirshfield’s self-taught penchant for abstract figuration and radically flattened compositions soon drew the attention of modern art aficionados. New York dealer and curator Sidney Janis was instrumental in bringing Hirshfield to the attention of the artworld. MOMA included two of his paintings in a group show in1939, and honored him with a solo show in 1943. Loved by modernists for his self-taught innovation, he might best be remembered as the American Henri Rousseau.

- Jenifer P. Borum
...

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John A. Adams, Sand Bottle Painting, 1933, naturally colored sand in glass, norman_brosterman OutsiderArtFair, New York, March 2–5.⁠
⁠
#JohnAAdams⁠
#NormanBrosterman⁠
#OutsiderArtFair

John A. Adams, Sand Bottle Painting, 1933, naturally colored sand in glass, norman_brosterman OutsiderArtFair, New York, March 2–5.⁠

#JohnAAdams⁠
#NormanBrosterman⁠
#OutsiderArtFair
...

929 3
DREAM TIGERS! Opens today arthousedesigns with live jazz at 5pm featuring the Steve Bently Quartet! 
My work looks AMAZING professionally framed by Susie the expert framer! #olympiaartswalk #olyarts #olyartist #artswalk #outsiderartfair #dreamtigers #arthouse olympiawashington

DREAM TIGERS! Opens today arthousedesigns with live jazz at 5pm featuring the Steve Bently Quartet!
My work looks AMAZING professionally framed by Susie the expert framer! #olympiaartswalk #olyarts #olyartist #artswalk #outsiderartfair #dreamtigers #arthouse olympiawashington
...

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ヘイジューン
今年の1月からジメジメと作ってたzine、やっと3冊目が完成した
重さが嬉しい
・
・
・
#zine #sketch #graffiti #drawing #artwork #scrapbooking #collage #instadraw
#artbookinchina #OutsiderArtFair #artbookfair #落書き #ペン #コラージュ #sketch

ヘイジューン
今年の1月からジメジメと作ってたzine、やっと3冊目が完成した
重さが嬉しい



#zine #sketch #graffiti #drawing #artwork #scrapbooking #collage #instadraw
#artbookinchina #OutsiderArtFair #artbookfair #落書き #ペン #コラージュ #sketch
...

577 5
Fred Webster (1911-1998)
“ Jacob’s Dream” 
Carved and Painted Wood
Have a great day!

Fred Webster (1911-1998)
“ Jacob’s Dream”
Carved and Painted Wood
Have a great day!
...

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Little information on the author of this drawing, Rudolf Heinrichshofen,  in the Prinzhorn’s collection, except that he was interned for senile dementia in a health institution in Hildburghausen, Saxe-Meiningen, Germany
I first saw this drawing in the exhibition “la beauté insensée” Palais des Beaux-arts de Charleroi in 1995, accompanied by an exceptional catalogue of 440 pages. (ISBN 90-72893-17-4 )

Prinzhorn  was basically interested in “spontaneously created” and “pure” pieces, such as paintings, sculptures, textiles, texts and collages. He collected and filed more than 5,000 objects and published the results in his 1922 book Bildnerei der Geisteskranken (Artistry of the Mentally Ill). At the same time, he completed his doctorate in medicine. Prinzhorn rejected the diagnostic gaze that seeks to associate certain artistic features with particular disorders.The richly illustrated book was the first to make this type of art known to the German public. It was well-received by the art scene and inspired artists such as Alfred Kubin, Paul Klee and Max Ernst.
Prinzhorn left Heidelberg in 1921, worked at several other clinics (e.g., at Zurich University Hospital) and began his own psychotherapy practice in Frankfurt in 1925. His second book, Bildnerei der Gefangenen (The Aristry of Prisoners), was published in 1926. Hans Prinzhorn died of typhus in 1933, at age 47. Text from BIAPSY, Biographical Archive of Psychiatry.

#hansprinzhorn#prinzhorncollection#prinzhornsammlung#hansprinzhorncollection#hansprinzhorn#hansprinzhornsammlung#artbrut#outsiderartfair#rawvisionmagazine#arbrut#heidelberguniversity#heidelberguniversität
#heildelberg #alfredkubin #paulklee#maxernst #prinzhorn#rudolfheinrichshofen #surrealism#surréalisme #outsiderartfair
#palaisdesbeauxartscharleroi

Little information on the author of this drawing, Rudolf Heinrichshofen, in the Prinzhorn’s collection, except that he was interned for senile dementia in a health institution in Hildburghausen, Saxe-Meiningen, Germany
I first saw this drawing in the exhibition “la beauté insensée” Palais des Beaux-arts de Charleroi in 1995, accompanied by an exceptional catalogue of 440 pages. (ISBN 90-72893-17-4 )

Prinzhorn was basically interested in “spontaneously created” and “pure” pieces, such as paintings, sculptures, textiles, texts and collages. He collected and filed more than 5,000 objects and published the results in his 1922 book Bildnerei der Geisteskranken (Artistry of the Mentally Ill). At the same time, he completed his doctorate in medicine. Prinzhorn rejected the diagnostic gaze that seeks to associate certain artistic features with particular disorders.The richly illustrated book was the first to make this type of art known to the German public. It was well-received by the art scene and inspired artists such as Alfred Kubin, Paul Klee and Max Ernst.
Prinzhorn left Heidelberg in 1921, worked at several other clinics (e.g., at Zurich University Hospital) and began his own psychotherapy practice in Frankfurt in 1925. His second book, Bildnerei der Gefangenen (The Aristry of Prisoners), was published in 1926. Hans Prinzhorn died of typhus in 1933, at age 47. Text from BIAPSY, Biographical Archive of Psychiatry.

#hansprinzhorn#prinzhorncollection#prinzhornsammlung#hansprinzhorncollection#hansprinzhorn#hansprinzhornsammlung#artbrut#outsiderartfair#rawvisionmagazine#arbrut#heidelberguniversity#heidelberguniversität
#heildelberg #alfredkubin #paulklee#maxernst #prinzhorn#rudolfheinrichshofen #surrealism#surréalisme #outsiderartfair
#palaisdesbeauxartscharleroi
...

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