Documenta
DocumentaKassel, Germany12JUNAll Day19SEP
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세계 최고 권위의 미술행사 #카셀도큐멘타(documentafifteen)가 오늘(18일) 공식 개막합니다.👏 1955년 창설된 카셀 도큐멘타는 독일의 중부 도시 카셀에서 5년에 한 번씩 열리는 현대미술제로, 베니스비엔날레보다는 더 학구적이고 덜 상업적인 작품들이 선보이는 것으로 유명한데요. 특히 이번 행사는 인도네시아의 비영리 예술 공동체 #루앙루파(ruangrupa)가 최초로 아시아 출신 총감독에 선임되어 화제를 모았죠. 올해는 인도네시아에서 공동 자원을 보관하는 장소인 ‘쌀 곳간’을 의미하는 ‘lumbung’이라는 단어를 주제로, 식민주의, 자본주의, 가부장제에서 비롯된 오늘날의 상처를 공동체로서 연대하며 치유하는 예술을 선보입니다.
지난 1월, 행사의 예술 감독팀이 반유대주의 운동 단체 BDS와 정치적 연관이 있다는 의혹이 불거진 바 있으나 논란을 딛고 어렵게 개최된 올해의 카셀 도큐멘타. 100일 동안 1500여 명에 이르는 다양한 배경의 참여 작가 및 컬렉티브의 작업이 도시 전역에 전시되어 백만 명 이상의 방문객을 유치할 전망입니다.
#documenta15, one of the world’s most prestigious contemporary art events, opens to the public today! Founded in 1955 and taking place every five years in the German city of Kassel, #documenta tends to exhibit more academic, less commercial works than those seen in #VeniceBiennale. The 2022 edition is curated by the Indonesian collective #ruangrupa, marking the first time the event is organized by a person or group from Asia. For this year’s event, the collective has introduced the Indonesian concept of 𝘭𝘶𝘮𝘣𝘶𝘯𝘨—directly translatable as “rice barn,” a collective accumulation system where crops are stored as a shared common resource—suggesting the motive of healing today’s wounds in solidarity as one community, especially the ones rooted in colonialism, capitalism, and patriarchy.
The road to this year’s documenta has not been smooth; in January, the organizers of the event were accused of connections to the anti-Semitic movement BDS. Opening under a cloud of controversy, documenta 15 will display works by more than 1500 participating artists and collectives of various backgrounds across the city, with more than one million visitors expected over the following 100 days.
📷
1-2) Dan Perjovschi, Generosity, Regeneration, Transparency, Independence, Sufficiency, Local Anchor and most of all Humor, 2022 / photo: nwefers
3) documenta fifteen, ruruHaus, Kassel, 2021 / courtesy of documenta fifteen, photo: Nicolas Wefers
세계 최고 권위의 미술행사 #카셀도큐멘타(documentafifteen)가 오늘(18일) 공식 개막합니다.👏 1955년 창설된 카셀 도큐멘타는 독일의 중부 도시 카셀에서 5년에 한 번씩 열리는 현대미술제로, 베니스비엔날레보다는 더 학구적이고 덜 상업적인 작품들이 선보이는 것으로 유명한데요. 특히 이번 행사는 인도네시아의 비영리 예술 공동체 #루앙루파(ruangrupa)가 최초로 아시아 출신 총감독에 선임되어 화제를 모았죠. 올해는 인도네시아에서 공동 자원을 보관하는 장소인 ‘쌀 곳간’을 의미하는 ‘lumbung’이라는 단어를 주제로, 식민주의, 자본주의, 가부장제에서 비롯된 오늘날의 상처를 공동체로서 연대하며 치유하는 예술을 선보입니다.
지난 1월, 행사의 예술 감독팀이 반유대주의 운동 단체 BDS와 정치적 연관이 있다는 의혹이 불거진 바 있으나 논란을 딛고 어렵게 개최된 올해의 카셀 도큐멘타. 100일 동안 1500여 명에 이르는 다양한 배경의 참여 작가 및 컬렉티브의 작업이 도시 전역에 전시되어 백만 명 이상의 방문객을 유치할 전망입니다.
#documenta15, one of the world’s most prestigious contemporary art events, opens to the public today! Founded in 1955 and taking place every five years in the German city of Kassel, #documenta tends to exhibit more academic, less commercial works than those seen in #VeniceBiennale. The 2022 edition is curated by the Indonesian collective #ruangrupa, marking the first time the event is organized by a person or group from Asia. For this year’s event, the collective has introduced the Indonesian concept of 𝘭𝘶𝘮𝘣𝘶𝘯𝘨—directly translatable as “rice barn,” a collective accumulation system where crops are stored as a shared common resource—suggesting the motive of healing today’s wounds in solidarity as one community, especially the ones rooted in colonialism, capitalism, and patriarchy.
The road to this year’s documenta has not been smooth; in January, the organizers of the event were accused of connections to the anti-Semitic movement BDS. Opening under a cloud of controversy, documenta 15 will display works by more than 1500 participating artists and collectives of various backgrounds across the city, with more than one million visitors expected over the following 100 days.
📷
1-2) Dan Perjovschi, Generosity, Regeneration, Transparency, Independence, Sufficiency, Local Anchor and most of all Humor, 2022 / photo: nwefers
3) documenta fifteen, ruruHaus, Kassel, 2021 / courtesy of documenta fifteen, photo: Nicolas Wefers
Steidl-Werk No.30: Kunsthaus Göttingen
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シンガポールのグラフィック雑誌「Werk」。本号は、2022年の「ドクメンタ」での展示の一環として制作されました。オフセット印刷の伝統を再定義するもので、自発性と破壊によって形作られています。この限定版では、一冊一冊が異なる色調を持ち、唯一無二の存在となっています。「機械や人間の介入を妨害することで、既存の考え方、技術、手順を機能不全にする」というマニフェストを掲げ、印刷のプロセスを分解して結果を高める手法で、それを本の形で実現しました。直感と偶然を受け入れ、通常は廃棄されるテストシートを製本に使用し、印刷機の水を止めて予測不可能なカラーパターンを作り、CMYKの標準色を蛍光色のバリエーションと交換しました。その結果、まったく新しい本の形が誕生しました。
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Shaped by spontaneity and subversion, STEIDL–WERK No.30: KUNSTHAUS GÖTTINGEN redefines the traditions of offset printing. Each book in this limited edition boasts a different range of colors and is thus unique. The publication is a collaboration between Theseus Chan, Gerhard Steidl and the art space Kunsthaus Göttingen, where Chan showed WERK No.30 in “printing futures” as part of documenta 15. The installation, which he added to daily, was Chan’s love letter to printed matter in all its forms (from paper sheets and printing plates to recycled packaging), and the book is both the documentation and final piece of this work. Chan and Steidl took up the manifest of WERK No.30—“to malfunction established mindsets, techniques, and procedures by sabotaging machines and human interventions”—and realized it in book form through what they call “reverse engineering,” deconstructing the processes of printing in order to enhance the results. Embracing intuition and chance, they retained normally discarded test sheets for binding, shut off water on press to create unpredictable color patterns, and exchanged standard CMYK colors for fluorescent variants. The outcome champions “printed anarchy” and is no less than a wholly new form of book.
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Publisher: Steidl
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northeastshop.jp
northeastshop.com
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#design #graphicdesign #bookdesign #artbook #printing #werk #theseuschan #gerhardsteidl #kunsthausgöttingen #documenta #steidl #デザイン #グラフィックデザイン #ブックデザイン #アートブック #印刷 #ドクメンタ
Steidl-Werk No.30: Kunsthaus Göttingen
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シンガポールのグラフィック雑誌「Werk」。本号は、2022年の「ドクメンタ」での展示の一環として制作されました。オフセット印刷の伝統を再定義するもので、自発性と破壊によって形作られています。この限定版では、一冊一冊が異なる色調を持ち、唯一無二の存在となっています。「機械や人間の介入を妨害することで、既存の考え方、技術、手順を機能不全にする」というマニフェストを掲げ、印刷のプロセスを分解して結果を高める手法で、それを本の形で実現しました。直感と偶然を受け入れ、通常は廃棄されるテストシートを製本に使用し、印刷機の水を止めて予測不可能なカラーパターンを作り、CMYKの標準色を蛍光色のバリエーションと交換しました。その結果、まったく新しい本の形が誕生しました。
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Shaped by spontaneity and subversion, STEIDL–WERK No.30: KUNSTHAUS GÖTTINGEN redefines the traditions of offset printing. Each book in this limited edition boasts a different range of colors and is thus unique. The publication is a collaboration between Theseus Chan, Gerhard Steidl and the art space Kunsthaus Göttingen, where Chan showed WERK No.30 in “printing futures” as part of documenta 15. The installation, which he added to daily, was Chan’s love letter to printed matter in all its forms (from paper sheets and printing plates to recycled packaging), and the book is both the documentation and final piece of this work. Chan and Steidl took up the manifest of WERK No.30—“to malfunction established mindsets, techniques, and procedures by sabotaging machines and human interventions”—and realized it in book form through what they call “reverse engineering,” deconstructing the processes of printing in order to enhance the results. Embracing intuition and chance, they retained normally discarded test sheets for binding, shut off water on press to create unpredictable color patterns, and exchanged standard CMYK colors for fluorescent variants. The outcome champions “printed anarchy” and is no less than a wholly new form of book.
-
Publisher: Steidl
-
northeastshop.jp
northeastshop.com
-
#design #graphicdesign #bookdesign #artbook #printing #werk #theseuschan #gerhardsteidl #kunsthausgöttingen #documenta #steidl #デザイン #グラフィックデザイン #ブックデザイン #アートブック #印刷 #ドクメンタ
+++ UPDATE: Die heftig umstrittene großflächige Banner-Installation auf der documenta in Kassel wird abgebaut. Zuvor hatten mehrere Kulturpolitiker:innen des Bundes und des Landes die Verhüllung des Kunstwerks als nicht ausreichend kritisiert. +++
In der Antisemitismus-Debatte um die Kunstausstellung „documenta fifteen“ steht nun ein großformatiges Banner des Künstlerkollektivs Taring Padi auf dem Kasseler Friedrichsplatz in der Kritik. Es zeigt an einer Stelle einen Mann mit einer Art Hut mit SS-Runen. Er hat Schläfenlocken, blutunterlaufene Augen, spitze Zähne und eine gespaltene Zunge. Ein anderes Motiv bildet einen Soldaten mit Schweinsgesicht ab, er trägt ein Halstuch mit einem Davidstern und einen Helm mit der Aufschrift „Mossad“ – die Bezeichnung des israelischen Auslandsgeheimdiensts.
„Das ist aus meiner Sicht antisemitische Bildsprache“, sagte unter anderem die Kulturstaatsministerin der Bundesregierung, Claudia Roth (Grüne), und forderte am Montag von der documenta-Leitung „die notwendigen Konsequenzen“. Am Abend wurde das Banner schließlich nach weiterem massiven Protest komplett mit schwarzem Stoff verhüllt – ganz zum Unverständnis der Künstler:innen.
Das Werk stehe „in keiner Weise mit Antisemitismus in Verbindung“, wehrte sich Taring Padi in einer Stellungnahme. Die Figuren und Karikaturen auf dem erstmals 2002 ausgestellten Banner seien „kulturspezifisch auf unsere Erfahrungen“ während der Militärdiktatur in Indonesien bezogen. „Wir sind traurig darüber, dass Details dieses Banners anders verstanden werden als ihr ursprünglicher Zweck“, hieß es in der Mitteilung weiter. Den Grund für die entstandene Empörung sehen die Künstler:innen vor allem in der deutschen Vergangenheit.
#documenta #taringpadi #kunst #kassel #tagesschau
+++ UPDATE: Die heftig umstrittene großflächige Banner-Installation auf der documenta in Kassel wird abgebaut. Zuvor hatten mehrere Kulturpolitiker:innen des Bundes und des Landes die Verhüllung des Kunstwerks als nicht ausreichend kritisiert. +++
In der Antisemitismus-Debatte um die Kunstausstellung „documenta fifteen“ steht nun ein großformatiges Banner des Künstlerkollektivs Taring Padi auf dem Kasseler Friedrichsplatz in der Kritik. Es zeigt an einer Stelle einen Mann mit einer Art Hut mit SS-Runen. Er hat Schläfenlocken, blutunterlaufene Augen, spitze Zähne und eine gespaltene Zunge. Ein anderes Motiv bildet einen Soldaten mit Schweinsgesicht ab, er trägt ein Halstuch mit einem Davidstern und einen Helm mit der Aufschrift „Mossad“ – die Bezeichnung des israelischen Auslandsgeheimdiensts.
„Das ist aus meiner Sicht antisemitische Bildsprache“, sagte unter anderem die Kulturstaatsministerin der Bundesregierung, Claudia Roth (Grüne), und forderte am Montag von der documenta-Leitung „die notwendigen Konsequenzen“. Am Abend wurde das Banner schließlich nach weiterem massiven Protest komplett mit schwarzem Stoff verhüllt – ganz zum Unverständnis der Künstler:innen.
Das Werk stehe „in keiner Weise mit Antisemitismus in Verbindung“, wehrte sich Taring Padi in einer Stellungnahme. Die Figuren und Karikaturen auf dem erstmals 2002 ausgestellten Banner seien „kulturspezifisch auf unsere Erfahrungen“ während der Militärdiktatur in Indonesien bezogen. „Wir sind traurig darüber, dass Details dieses Banners anders verstanden werden als ihr ursprünglicher Zweck“, hieß es in der Mitteilung weiter. Den Grund für die entstandene Empörung sehen die Künstler:innen vor allem in der deutschen Vergangenheit.
#documenta #taringpadi #kunst #kassel #tagesschau
[ART FAIR] #ArtFairAsiaFukuoka 2023, Japan
Booth: A04 (ART FRONT GALLERY)
Artists
Eko Nugroho / エコ・ヌグロホ
Takashi Kuribayashi / 栗林隆
For more information about works, please visit this link.
https://www.artfrontgallery.com/en/whatsnew/2023/art_fair_asia_fukuoka_2023.html
Date
September 22-24, 2023 (VIP View Sept.21, 22)
Venue
Marine Messe Fukuoka B (2-1 Okihama-cho, Hakata-ku, Fukuoka City, Fukuoka Prefecture)
アートフロントギャラリーは、9月22日（VIP View 9月21日）から24日まで福岡マリンメッセで行われるAFAF（Art Fair Asia Fukuoka） に初参加しています。
https://artfrontgallery.com/project/Gallery/gallerys_pick_up_for_the_month.html
pic: #栗林隆 / #takashikuribayashi takashikuri
今回のアートフェアでは、ドクメンタ15でも発表した栗林隆の「タンカー・プロジェクト」に関連する作品群を展示・販売します。
360度見渡す限り何もない大海原に、何十という大きなタンカーが座礁し捨てられていた。そんな現実とは思えない不思議な風景の中で「タンカーたちは、嵐や台風の影響でその場所を離れ、世界中の海を彷徨っている。渡り鳥は休むためにとまり、彼らが連れてきた生き物や植物が根を下ろし、やがて船全てを覆うほどの森となる。世界中の植物や生き物達がそのタンカーの上で育ち続け、一つの大きな生態系を作りタンカーの世界を作り上げる。」という栗林の妄想から始まったタンカー・プロジェクト。
インターネット上の仮想の海から始動し、実現に向けて活動する過程の一つ一つを現実世界の展覧会やプロジェクトに仕立てながら、地球のあらゆるエネルギーを載せ世界を自由に航海する本物のタンカー島の就航を目指しています。
artfairasia #AFAF2023 #fukuoka #artfair #contemporaryart #internationalartfair #福岡 #福岡アート #アートフェア #現代アート
#インドネシア #アートコレクション #アートコレクター #福岡 #ArtCollection #ArtCollector #Indonesia #fukuoka #ドクメンタ15 #タンカープロジェクト #documenta #tankerproject
![[ART FAIR] #ArtFairAsiaFukuoka 2023, Japan
Booth: A04 (ART FRONT GALLERY)
Artists
Eko Nugroho / エコ・ヌグロホ
Takashi Kuribayashi / 栗林隆
For more information about works, please visit this link.
https://www.artfrontgallery.com/en/whatsnew/2023/art_fair_asia_fukuoka_2023.html
Date
September 22-24, 2023 (VIP View Sept.21, 22)
Venue
Marine Messe Fukuoka B (2-1 Okihama-cho, Hakata-ku, Fukuoka City, Fukuoka Prefecture)
アートフロントギャラリーは、9月22日（VIP View 9月21日）から24日まで福岡マリンメッセで行われるAFAF（Art Fair Asia Fukuoka） に初参加しています。
https://artfrontgallery.com/project/Gallery/gallerys_pick_up_for_the_month.html
pic: #栗林隆 / #takashikuribayashi takashikuri
今回のアートフェアでは、ドクメンタ15でも発表した栗林隆の「タンカー・プロジェクト」に関連する作品群を展示・販売します。
360度見渡す限り何もない大海原に、何十という大きなタンカーが座礁し捨てられていた。そんな現実とは思えない不思議な風景の中で「タンカーたちは、嵐や台風の影響でその場所を離れ、世界中の海を彷徨っている。渡り鳥は休むためにとまり、彼らが連れてきた生き物や植物が根を下ろし、やがて船全てを覆うほどの森となる。世界中の植物や生き物達がそのタンカーの上で育ち続け、一つの大きな生態系を作りタンカーの世界を作り上げる。」という栗林の妄想から始まったタンカー・プロジェクト。
インターネット上の仮想の海から始動し、実現に向けて活動する過程の一つ一つを現実世界の展覧会やプロジェクトに仕立てながら、地球のあらゆるエネルギーを載せ世界を自由に航海する本物のタンカー島の就航を目指しています。
artfairasia #AFAF2023 #fukuoka #artfair #contemporaryart #internationalartfair #福岡 #福岡アート #アートフェア #現代アート
#インドネシア #アートコレクション #アートコレクター #福岡 #ArtCollection #ArtCollector #Indonesia #fukuoka #ドクメンタ15 #タンカープロジェクト #documenta #tankerproject](https://scontent-bru2-1.cdninstagram.com/v/t39.30808-6/380754969_815522543912990_7173756091569985409_n.jpg?_nc_cat=101&ccb=1-7&_nc_sid=8ae9d6&_nc_ohc=YD_QNSF5HwQAX_6zgEe&_nc_ht=scontent-bru2-1.cdninstagram.com&edm=APCawUEEAAAA&oh=00_AfALq_otpnVa4nuMI0_StgDBeftHILws80fSARHHeL-hWA&oe=6516376F)
[ART FAIR] #ArtFairAsiaFukuoka 2023, Japan
Booth: A04 (ART FRONT GALLERY)
Artists
Eko Nugroho / エコ・ヌグロホ
Takashi Kuribayashi / 栗林隆
For more information about works, please visit this link.
https://www.artfrontgallery.com/en/whatsnew/2023/art_fair_asia_fukuoka_2023.html
Date
September 22-24, 2023 (VIP View Sept.21, 22)
Venue
Marine Messe Fukuoka B (2-1 Okihama-cho, Hakata-ku, Fukuoka City, Fukuoka Prefecture)
アートフロントギャラリーは、9月22日（VIP View 9月21日）から24日まで福岡マリンメッセで行われるAFAF（Art Fair Asia Fukuoka） に初参加しています。
https://artfrontgallery.com/project/Gallery/gallerys_pick_up_for_the_month.html
pic: #栗林隆 / #takashikuribayashi takashikuri
今回のアートフェアでは、ドクメンタ15でも発表した栗林隆の「タンカー・プロジェクト」に関連する作品群を展示・販売します。
360度見渡す限り何もない大海原に、何十という大きなタンカーが座礁し捨てられていた。そんな現実とは思えない不思議な風景の中で「タンカーたちは、嵐や台風の影響でその場所を離れ、世界中の海を彷徨っている。渡り鳥は休むためにとまり、彼らが連れてきた生き物や植物が根を下ろし、やがて船全てを覆うほどの森となる。世界中の植物や生き物達がそのタンカーの上で育ち続け、一つの大きな生態系を作りタンカーの世界を作り上げる。」という栗林の妄想から始まったタンカー・プロジェクト。
インターネット上の仮想の海から始動し、実現に向けて活動する過程の一つ一つを現実世界の展覧会やプロジェクトに仕立てながら、地球のあらゆるエネルギーを載せ世界を自由に航海する本物のタンカー島の就航を目指しています。
artfairasia #AFAF2023 #fukuoka #artfair #contemporaryart #internationalartfair #福岡 #福岡アート #アートフェア #現代アート
#インドネシア #アートコレクション #アートコレクター #福岡 #ArtCollection #ArtCollector #Indonesia #fukuoka #ドクメンタ15 #タンカープロジェクト #documenta #tankerproject
TEMPLE OF ALTERNATIVE HISTORIES tonight staatstheaterkassel is this season´s final project conceived to run during the time of the Documenta. Intended to open the theatre to a wider and broader audience, this exuberant, 4 hour lasting evening is conceived as a processual work of art of all disciplines and is at its core a collaboration of the most diverse disciplines. For this special project I conceived a spacial approach by using existing materials of the theatre that I combined with newly produced elements on stage to a new, coherent scenography. This reflects the very idea of the project and its approach of conceivable future paths of narration. In the beginning of the reherarsals there was the musical score, and most of the final evening was conceived during the process, what brought the necessity for the scenography to be ultimately flexible. We questioned which spaces and forms of mediation could enhance a public, artistic, and also scientific debate? Can mythological narratives make an impact in this discussion? We were able to create an incredible abundance of images that filled the whole stage by combining the existent and new elements, thus also contributing to the idea of sustainability in the process of theatre making. Many thanks to the other scenographers who have been contributing to this process with parts of their work!
Many thanks to all the great Participants who shape, carry, rock and float the evening, and to all involved in making this happen!
Musical direction & Arrangement: mario.hartmuth
Director: Thorleifur Örn Arnarsson zorleif
Stage: Sebastian Hannak
Sound design & Arrangement: sam.slater.music
Costumes: karenbriem
Garnment sustainibilty designer: Andri Unnarson
DOP: Frank Lamm
Dramaturgy Laura Kohlmaier, Silke Meier-Brösicke, Teresa Martin, Katja Prussas #dance #actor #richardwagner #iceland #contemporaryart #set #stage #design #scenography #stagedesign #science #theater #theatrephotography #theatredesign #archihunter #setdesign #setdesigner #setdesigns #scenographer #performance #videography #opera #setdesigners #architecture_hunter #stagedesigner #documenta #documentafifteen #temple #templeofalternativehistories #arts
TEMPLE OF ALTERNATIVE HISTORIES tonight staatstheaterkassel is this season´s final project conceived to run during the time of the Documenta. Intended to open the theatre to a wider and broader audience, this exuberant, 4 hour lasting evening is conceived as a processual work of art of all disciplines and is at its core a collaboration of the most diverse disciplines. For this special project I conceived a spacial approach by using existing materials of the theatre that I combined with newly produced elements on stage to a new, coherent scenography. This reflects the very idea of the project and its approach of conceivable future paths of narration. In the beginning of the reherarsals there was the musical score, and most of the final evening was conceived during the process, what brought the necessity for the scenography to be ultimately flexible. We questioned which spaces and forms of mediation could enhance a public, artistic, and also scientific debate? Can mythological narratives make an impact in this discussion? We were able to create an incredible abundance of images that filled the whole stage by combining the existent and new elements, thus also contributing to the idea of sustainability in the process of theatre making. Many thanks to the other scenographers who have been contributing to this process with parts of their work!
Many thanks to all the great Participants who shape, carry, rock and float the evening, and to all involved in making this happen!
Musical direction & Arrangement: mario.hartmuth
Director: Thorleifur Örn Arnarsson zorleif
Stage: Sebastian Hannak
Sound design & Arrangement: sam.slater.music
Costumes: karenbriem
Garnment sustainibilty designer: Andri Unnarson
DOP: Frank Lamm
Dramaturgy Laura Kohlmaier, Silke Meier-Brösicke, Teresa Martin, Katja Prussas #dance #actor #richardwagner #iceland #contemporaryart #set #stage #design #scenography #stagedesign #science #theater #theatrephotography #theatredesign #archihunter #setdesign #setdesigner #setdesigns #scenographer #performance #videography #opera #setdesigners #architecture_hunter #stagedesigner #documenta #documentafifteen #temple #templeofalternativehistories #arts
UTE ROIM
www.eine-art-galerie.de
#interiordesign #kunst #abstractart #galleryart #eine_art_galerie #contemporaryart #interiordesign #artlovers #artcollect #artcollectors #artcollecting #kunstfreunde #artcurator #artcurators #fineart #art #artgallery #lyricalabstraction #contemporarypainting #heartart #galleries #art #artwork #interiordesign #interior #bestartineurope #blackandwhite #arcylicpainting #documenta #aschaffenburg
UTE ROIM
www.eine-art-galerie.de
#interiordesign #kunst #abstractart #galleryart #eine_art_galerie #contemporaryart #interiordesign #artlovers #artcollect #artcollectors #artcollecting #kunstfreunde #artcurator #artcurators #fineart #art #artgallery #lyricalabstraction #contemporarypainting #heartart #galleries #art #artwork #interiordesign #interior #bestartineurope #blackandwhite #arcylicpainting #documenta #aschaffenburg
《菠蘿核 : BOLOHOPE》謹訂於2023年2月18日在葵涌漢雅軒開幕，帶來廣州藝團「菠蘿核」攜手「閱覽室」最近參展「十五屆卡塞爾文獻展」的作品，並推進為香港特別準備的創作。
「菠蘿核」把漢雅軒改裝成「客廳」和港式「茶餐廳」，把作品嵌入於用餐場景，並透過多場「週末表演」去分享食物與餐飲記憶。
「菠蘿核」的創作包羅萬有，涉及繪畫、縫紉、情景喜劇、裝置和表演。廣州的藝術氛圍基本趨於務實與多元化，但菠蘿核不以展覽和「藝術體制」為終極目標，他們著眼日常生活中的實踐。日常生活有很多被低估的「藝術」，比如煮飯、種植、縫紉、家務和養育小孩。「菠蘿核」成員有廣府人、潮汕人和客家人，自小都將港台電視劇作為瞭解世界、想象未來的窗口。他們的創作正好體現了2000年代以來，粵港兩地大眾文化互動的經驗和結果。
Hanart TZ Gallery is pleased to present the experimental Guangzhou art collective BOLOHO, and their latest project BOLOHOPE (in collaboration with “Reading Room”), as featured in Documenta fifteen, and also introduce their new body of work.
BOLOHO will transform Hanart`s gallery space into a living room and Hong Kong-style cafe (cha chaan teng 茶餐廳), with an environment built from collectively produced paintings, texts, sewing, installation, and even a series of mini-sitcoms.
In its bright and cleverly managed chaos, BOLOHOPE reflects the cultural imagination of this generation of Guangzhou youth, which is interwoven with the memory of Hong Kong media and urban culture of the 2000s---the result of an early open policy between China and Hong Kong which privileged Guangdong before the opening of the rest of China.
---
開幕酒會 + 藝術家集體現場表演
Artist’s Reception + Site-specific Live Performance
18 / 2 / 2023
週六SAT 2-6 pm
展期Exhibition Period：18/2 – 6/4/2023
漢雅軒
葵涌 工業街17-21號 美安工業大廈2樓
Hanart TZ Gallery
2/F Mai On Ind. Bldg., 17-21 Kung Yip St., Kwai Chung
#Documenta #文獻展 #Kassel #documenta15 #Boloho #菠蘿核 #Cantoneseart #Guangzhou #ArtCollective
《菠蘿核 : BOLOHOPE》謹訂於2023年2月18日在葵涌漢雅軒開幕，帶來廣州藝團「菠蘿核」攜手「閱覽室」最近參展「十五屆卡塞爾文獻展」的作品，並推進為香港特別準備的創作。
「菠蘿核」把漢雅軒改裝成「客廳」和港式「茶餐廳」，把作品嵌入於用餐場景，並透過多場「週末表演」去分享食物與餐飲記憶。
「菠蘿核」的創作包羅萬有，涉及繪畫、縫紉、情景喜劇、裝置和表演。廣州的藝術氛圍基本趨於務實與多元化，但菠蘿核不以展覽和「藝術體制」為終極目標，他們著眼日常生活中的實踐。日常生活有很多被低估的「藝術」，比如煮飯、種植、縫紉、家務和養育小孩。「菠蘿核」成員有廣府人、潮汕人和客家人，自小都將港台電視劇作為瞭解世界、想象未來的窗口。他們的創作正好體現了2000年代以來，粵港兩地大眾文化互動的經驗和結果。
Hanart TZ Gallery is pleased to present the experimental Guangzhou art collective BOLOHO, and their latest project BOLOHOPE (in collaboration with “Reading Room”), as featured in Documenta fifteen, and also introduce their new body of work.
BOLOHO will transform Hanart`s gallery space into a living room and Hong Kong-style cafe (cha chaan teng 茶餐廳), with an environment built from collectively produced paintings, texts, sewing, installation, and even a series of mini-sitcoms.
In its bright and cleverly managed chaos, BOLOHOPE reflects the cultural imagination of this generation of Guangzhou youth, which is interwoven with the memory of Hong Kong media and urban culture of the 2000s---the result of an early open policy between China and Hong Kong which privileged Guangdong before the opening of the rest of China.
---
開幕酒會 + 藝術家集體現場表演
Artist’s Reception + Site-specific Live Performance
18 / 2 / 2023
週六SAT 2-6 pm
展期Exhibition Period：18/2 – 6/4/2023
漢雅軒
葵涌 工業街17-21號 美安工業大廈2樓
Hanart TZ Gallery
2/F Mai On Ind. Bldg., 17-21 Kung Yip St., Kwai Chung
#Documenta #文獻展 #Kassel #documenta15 #Boloho #菠蘿核 #Cantoneseart #Guangzhou #ArtCollective
MILA VELJAC’A
www.eine-art-galerie.de
#kunst #kunstgalerie #kunstwerk #kunstkaufen #zeitgenössischekunst #badems #koblenz #inneneinrichtung #designinspiration #kunstausstellung #vernissage #eine_art_galerie #modernekunst #abstraktekunst #malerei #innenarchitektur #künstler #wanddeko #galerie #onlineshop #onlineartgallery #documenta #wandgestaltung #bildergalerie #artfair #expositionphoto #mila_veljaca_plaickner
MILA VELJAC’A
www.eine-art-galerie.de
#kunst #kunstgalerie #kunstwerk #kunstkaufen #zeitgenössischekunst #badems #koblenz #inneneinrichtung #designinspiration #kunstausstellung #vernissage #eine_art_galerie #modernekunst #abstraktekunst #malerei #innenarchitektur #künstler #wanddeko #galerie #onlineshop #onlineartgallery #documenta #wandgestaltung #bildergalerie #artfair #expositionphoto #mila_veljaca_plaickner
UTE ROIM
www.eine-art-galerie.de
#interiordesign #kunst #abstractart #galleryart #eine_art_galerie #contemporaryart #interiordesign #artlovers #artcollect #artcollectors #artcollecting #kunstfreunde #artcurator #artcurators #fineart #art #artgallery #lyricalabstraction #contemporarypainting #heartart #galleries #art #artwork #interiordesign #interior #bestartineurope #blackandwhite #arcylicpainting #documenta #aschaffenburg
UTE ROIM
www.eine-art-galerie.de
#interiordesign #kunst #abstractart #galleryart #eine_art_galerie #contemporaryart #interiordesign #artlovers #artcollect #artcollectors #artcollecting #kunstfreunde #artcurator #artcurators #fineart #art #artgallery #lyricalabstraction #contemporarypainting #heartart #galleries #art #artwork #interiordesign #interior #bestartineurope #blackandwhite #arcylicpainting #documenta #aschaffenburg
haleymellin haley mellin is the max beckmann distinguished visitor jointly of the neuenationalgalerie nationalgalerie and the american academy in 2023.
mellin’s practice is twofold: while an accomplished painter she also works in environmental practice, transforming inches of paintings into acres of conserved wilderness and forests, advising galleries and museums in how to calculate emissions, and become more sustainable and hosting conversations and workshops to give the art community a lower carbon footprint.
she co-founded with me in 2020 the MOCA environmental council, the inaugural environmental council for a museum in the united states.
while on her residency in berlin, mellin hosted a workshop at neue nationalgalerie with dirk messner, president of the german environment agency, artists like tino sehgal, katharina grosse, olafur eliasson, simon denny and colleagues. she learned from the staff of neue nationalgalerie about our daily practice and is now co-hosting a constituting launch for the new GCC Berlin non-profit.
brava haley, we are so grateful to have you as an artist in residence.
haleymellin
neuenationalgalerie americanacademyinberlin
prof_dr_d.messner
tsehgal76
lisa_botti_
berlinmodern
herzogdemeuron
katharina_grosse studioolafureliasson kkraczon tobias_timm sden023 stiftung_st.matthaeus #moritzwesseler #martinfokken #documenta #fridericianum #herzogdemeuron #ķunstgewerbemuseumberlin
haleymellin haley mellin is the max beckmann distinguished visitor jointly of the neuenationalgalerie nationalgalerie and the american academy in 2023.
mellin’s practice is twofold: while an accomplished painter she also works in environmental practice, transforming inches of paintings into acres of conserved wilderness and forests, advising galleries and museums in how to calculate emissions, and become more sustainable and hosting conversations and workshops to give the art community a lower carbon footprint.
she co-founded with me in 2020 the MOCA environmental council, the inaugural environmental council for a museum in the united states.
while on her residency in berlin, mellin hosted a workshop at neue nationalgalerie with dirk messner, president of the german environment agency, artists like tino sehgal, katharina grosse, olafur eliasson, simon denny and colleagues. she learned from the staff of neue nationalgalerie about our daily practice and is now co-hosting a constituting launch for the new GCC Berlin non-profit.
brava haley, we are so grateful to have you as an artist in residence.
haleymellin
neuenationalgalerie americanacademyinberlin
prof_dr_d.messner
tsehgal76
lisa_botti_
berlinmodern
herzogdemeuron
katharina_grosse studioolafureliasson kkraczon tobias_timm sden023 stiftung_st.matthaeus #moritzwesseler #martinfokken #documenta #fridericianum #herzogdemeuron #ķunstgewerbemuseumberlin
•
Fourteen Parrots and one Frog, 2022, hand embroidery on canvas, 425 × 470 mm
•
My inspiration for this work was the popular animation "38 Parrots", the symbolism of Oriental wisdom and Russian fairy tales, as well as the art of Andy Warhol. I was interested in breaking the repetition, the principle of pop art. In this work a travelling frog accompanies parrots on a journey to a warm country. Parrots are a symbol of intelligence and a long happy life, and 14 is my favourite number. May this combination bring health and joy, and a long-awaited peace to all of us!
•
Четырнадцать попугаев и одна лягушка, 2022, канва, ручная вышивка, 425 × 470 мм
•
Источником вдохновения для этой работы послужил всем известный мультфильм "38 попугаев", символика восточной мудрости и русских сказок, а также искусство Энди Уорхолла. Мне интересно было нарушить повторяемость, принцип поп-арта. В моей работе лягушка-путешественница сопровождает попугаев в странствии в теплые страны. Попугаи — это символ ума и долгой счастливой жизни, а 14 — мое любимое число. Пусть это сочетание принесет вам здоровье и радость, и всем нам долгожданный мир!
•
#lovekulik #lyubovkulik #любовькулик
•
Fourteen Parrots and one Frog, 2022, hand embroidery on canvas, 425 × 470 mm
•
My inspiration for this work was the popular animation "38 Parrots", the symbolism of Oriental wisdom and Russian fairy tales, as well as the art of Andy Warhol. I was interested in breaking the repetition, the principle of pop art. In this work a travelling frog accompanies parrots on a journey to a warm country. Parrots are a symbol of intelligence and a long happy life, and 14 is my favourite number. May this combination bring health and joy, and a long-awaited peace to all of us!
•
Четырнадцать попугаев и одна лягушка, 2022, канва, ручная вышивка, 425 × 470 мм
•
Источником вдохновения для этой работы послужил всем известный мультфильм "38 попугаев", символика восточной мудрости и русских сказок, а также искусство Энди Уорхолла. Мне интересно было нарушить повторяемость, принцип поп-арта. В моей работе лягушка-путешественница сопровождает попугаев в странствии в теплые страны. Попугаи — это символ ума и долгой счастливой жизни, а 14 — мое любимое число. Пусть это сочетание принесет вам здоровье и радость, и всем нам долгожданный мир!
•
#lovekulik #lyubovkulik #любовькулик
Posted withregram • alumniuchile 📲👨🏻💻Revisa en alumni.uchile.cl la entrevista que nos concedió Cecilia Vicuña (ceciliavicuna ), poeta, pintora y cineasta egresada de la Facultad de Artes ( artesuchile) de la Universidad de Chile.
🙌🏻 La destacada artista visual está en la mejor etapa de su carrera. En abril de 2022 se convirtió en la primera latinoamericana en ganar el León de Oro a la Trayectoria de la Bienal de Venecia, el galardón de arte contemporáneo más importante a nivel mundial. Un mes después, expuso en el prestigioso Museo Guggenheim de Nueva York. Y en febrero de este año fue nombrada Miembro Honorario Extranjero de la Academia de Artes y Letras de Estados Unidos, país donde reside desde 1980.
⬅️Desliza la imagen y conoce un poco más a Cecilia Vicuña con el cuestionario alumni
#ceciliavicuña #ceciliavicuña #documenta #leondeoro #soñarelagua #museonacionalbellasartes #poesia #poesiachilena #arte #artefeminista #emergenciaclimatica
Posted withregram • alumniuchile 📲👨🏻💻Revisa en alumni.uchile.cl la entrevista que nos concedió Cecilia Vicuña (ceciliavicuna ), poeta, pintora y cineasta egresada de la Facultad de Artes ( artesuchile) de la Universidad de Chile.
🙌🏻 La destacada artista visual está en la mejor etapa de su carrera. En abril de 2022 se convirtió en la primera latinoamericana en ganar el León de Oro a la Trayectoria de la Bienal de Venecia, el galardón de arte contemporáneo más importante a nivel mundial. Un mes después, expuso en el prestigioso Museo Guggenheim de Nueva York. Y en febrero de este año fue nombrada Miembro Honorario Extranjero de la Academia de Artes y Letras de Estados Unidos, país donde reside desde 1980.
⬅️Desliza la imagen y conoce un poco más a Cecilia Vicuña con el cuestionario alumni
#ceciliavicuña #ceciliavicuña #documenta #leondeoro #soñarelagua #museonacionalbellasartes #poesia #poesiachilena #arte #artefeminista #emergenciaclimatica
EVENT / Join fairemondes and ICF for an online talk on Monday 27 February 6pm GMT with Sonia Boyce, Christopher Cozier, Versia Harris and Jessica Taylor, moderated by Allison Thompson
Titled Hold the Door, this talk aims to make space to collectively imagine Caribbean representation in mega exhibitions.
We have invited a group of distinguished artists and curators to talk about their recent participation in the 2022 Biennale de Venezia and documenta 15. Both events, which take place in Europe and have long histories of shaping international discourses on contemporary art, attempted in 2022 to rethink and reconfigure ‘traditional’ templates of exhibition making. The participating speakers will share their experiences of the Venice Biennale and documenta, and reflect on strategies or possibilities for Caribbean participation in these arenas.
The event will take place online and you can register to attend via the link in our bio.
soniaboyceartist ccozier50 versia_abeda jessicataylor___ allisonbarbados
Image: Versia Harris - They Say You Can Dream a Thing More Than Once (2013), video still. Courtesy the artist.
#documenta #VeniceBiennale #SoniaBoyce #ChristopherCozier #VersiaHarris #JessicaTaylor #AllisonThompson #FaireMondes #ICF #CaribbeanArt #Exhibition #Artist #Curator
EVENT / Join fairemondes and ICF for an online talk on Monday 27 February 6pm GMT with Sonia Boyce, Christopher Cozier, Versia Harris and Jessica Taylor, moderated by Allison Thompson
Titled Hold the Door, this talk aims to make space to collectively imagine Caribbean representation in mega exhibitions.
We have invited a group of distinguished artists and curators to talk about their recent participation in the 2022 Biennale de Venezia and documenta 15. Both events, which take place in Europe and have long histories of shaping international discourses on contemporary art, attempted in 2022 to rethink and reconfigure ‘traditional’ templates of exhibition making. The participating speakers will share their experiences of the Venice Biennale and documenta, and reflect on strategies or possibilities for Caribbean participation in these arenas.
The event will take place online and you can register to attend via the link in our bio.
soniaboyceartist ccozier50 versia_abeda jessicataylor___ allisonbarbados
Image: Versia Harris - They Say You Can Dream a Thing More Than Once (2013), video still. Courtesy the artist.
#documenta #VeniceBiennale #SoniaBoyce #ChristopherCozier #VersiaHarris #JessicaTaylor #AllisonThompson #FaireMondes #ICF #CaribbeanArt #Exhibition #Artist #Curator
NILS PETERS
new @ eine art galerie
#popart #streetartist #kunst #kunstgalerie #kunstwerk #kunstkaufen #zeitgenössischekunst #badems #koblenz #inneneinrichtung #designinspiration #kunstausstellung #vernissage #eine_art_galerie #modernekunst #abstraktekunst #malerei #innenarchitektur #künstler #wanddeko #galerie #onlineshop #onlineartgallery #documenta #wandgestaltung #bildergalerie #artfair #expositionphoto #nilspetersart
NILS PETERS
new @ eine art galerie
#popart #streetartist #kunst #kunstgalerie #kunstwerk #kunstkaufen #zeitgenössischekunst #badems #koblenz #inneneinrichtung #designinspiration #kunstausstellung #vernissage #eine_art_galerie #modernekunst #abstraktekunst #malerei #innenarchitektur #künstler #wanddeko #galerie #onlineshop #onlineartgallery #documenta #wandgestaltung #bildergalerie #artfair #expositionphoto #nilspetersart
Probably the best-known exhibition of modern art is the Documenta in Kassel. I just ignore the press and visit them every time. Documenta 16 will take place from June 12 to September 19, 2027. If you don`t want to wait that long, I recommend Art Basel from June 15 to June 18, 2023. #documenta #documenta15 #kassel #art #artphotography
Probably the best-known exhibition of modern art is the Documenta in Kassel. I just ignore the press and visit them every time. Documenta 16 will take place from June 12 to September 19, 2027. If you don`t want to wait that long, I recommend Art Basel from June 15 to June 18, 2023. #documenta #documenta15 #kassel #art #artphotography
MILA VELJAC’A
www.eine-art-galerie.de
#kunst #kunstgalerie #kunstwerk #kunstkaufen #zeitgenössischekunst #badems #koblenz #inneneinrichtung #designinspiration #kunstausstellung #vernissage #eine_art_galerie #modernekunst #abstraktekunst #malerei #innenarchitektur #künstler #wanddeko #galerie #onlineshop #onlineartgallery #documenta #wandgestaltung #bildergalerie #artfair #expositionphoto #mila_veljaca_plaickner
MILA VELJAC’A
www.eine-art-galerie.de
#kunst #kunstgalerie #kunstwerk #kunstkaufen #zeitgenössischekunst #badems #koblenz #inneneinrichtung #designinspiration #kunstausstellung #vernissage #eine_art_galerie #modernekunst #abstraktekunst #malerei #innenarchitektur #künstler #wanddeko #galerie #onlineshop #onlineartgallery #documenta #wandgestaltung #bildergalerie #artfair #expositionphoto #mila_veljaca_plaickner
I am happy to share today that I am one of documentafifteen lumbung artists!
Humbled and still at times incredulous to be working amongst so many talented, generous, funny and thorough creators and to be a part of this attempt at doing and thinking art (exhibitions) differently.
I’ve been taking my time to think and discuss about ways to use this space for myself and the ecosystems I live and make work in. Several different projects with amazing collaborators are in the making, I/we will share more as soon as things take more palpable shape 🕸
.
Slide 1: screenshot of documentafifteen web site, including a portait by mauimitc
Slide 2: visual recording of last month’s majelis akhbar or general assembly, where ~140 people came together, by Jazael Olguin Zapata of craterinvertido and arts_collab
Slide 3: Fred and Ayse of the artistic team after a long work day by the river Fulda
Slide 4: translates to « unfortunately, the museum is closed »
Slide 5: view from Stadthotel Kassel’s breakfast room onto Olu Oguibe’s obelisk
Slide 6: a shot by Fernando Arias of masartemasaccion during site visits gaertnerei_fuldaaue back in June
.
.
.
#documenta #documentafifteen #lumbung #kassel #2022 #ninobulling
I am happy to share today that I am one of documentafifteen lumbung artists!
Humbled and still at times incredulous to be working amongst so many talented, generous, funny and thorough creators and to be a part of this attempt at doing and thinking art (exhibitions) differently.
I’ve been taking my time to think and discuss about ways to use this space for myself and the ecosystems I live and make work in. Several different projects with amazing collaborators are in the making, I/we will share more as soon as things take more palpable shape 🕸
.
Slide 1: screenshot of documentafifteen web site, including a portait by mauimitc
Slide 2: visual recording of last month’s majelis akhbar or general assembly, where ~140 people came together, by Jazael Olguin Zapata of craterinvertido and arts_collab
Slide 3: Fred and Ayse of the artistic team after a long work day by the river Fulda
Slide 4: translates to « unfortunately, the museum is closed »
Slide 5: view from Stadthotel Kassel’s breakfast room onto Olu Oguibe’s obelisk
Slide 6: a shot by Fernando Arias of masartemasaccion during site visits gaertnerei_fuldaaue back in June
.
.
.
#documenta #documentafifteen #lumbung #kassel #2022 #ninobulling
🟣Design360° no.102 | 藝術機構的視覺形象
Visual Identities for Art Institutions
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卡塞爾文獻展：打破統一的機構視覺形象
卡塞爾文獻展讓我們看到另一種重要的、在當下較為常見的藝術機構視覺形象的策略——不使用固定的視覺形象。作為世界著名的藝術展覽之一，從1955年舉辦的第一屆至今，卡塞爾文獻展以每屆重塑視覺形象的方式打造其藝術機構品牌。甚至在2017年，第14屆卡塞爾文獻展的策展人沒有提出創作需求，並邀請了4組平面設計師在沒有相互交流的情況下，按照各自的想法來一同完成此屆的視覺形象。這不僅沒有讓卡塞爾文獻展的品牌難以被公眾識別，反而使其在人們心中留下深刻的印象。實際上，這種重塑形象的做法象徵著其展覽內容的不斷變化，並展現其追求和鼓勵創新的當代使命。
Kassel documenta: Breaking the Unified Corporate Identity
documentafifteen documenta14 documenta.archiv
The Kassel documenta shows us another important strategy for the visual identity for art institutions that is more commonly used to�day — not using a fixed visual identity. As one of the world’s most famous art exhibitions, since its first edition in 1955, the Kassel documenta has created its institutional brand by reshaping its visu�al identity for each edition. Even in 2017, the curator of the Kassel documenta 14 did not give any design guidance and instead invited four groups of graphic designers to independently create the visual identity for that edition without communicating with each other. Rather than making the Kassel documenta brand difficult to recog�nize, it left a deep impression on the public. In fact, this approach of reshaping the identity symbolizes the constantly changing exhibition content and demonstrates its contemporary mission of pursing and encouraging innovation.
🟣Design360° no.102 | 藝術機構的視覺形象
Visual Identities for Art Institutions
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卡塞爾文獻展：打破統一的機構視覺形象
卡塞爾文獻展讓我們看到另一種重要的、在當下較為常見的藝術機構視覺形象的策略——不使用固定的視覺形象。作為世界著名的藝術展覽之一，從1955年舉辦的第一屆至今，卡塞爾文獻展以每屆重塑視覺形象的方式打造其藝術機構品牌。甚至在2017年，第14屆卡塞爾文獻展的策展人沒有提出創作需求，並邀請了4組平面設計師在沒有相互交流的情況下，按照各自的想法來一同完成此屆的視覺形象。這不僅沒有讓卡塞爾文獻展的品牌難以被公眾識別，反而使其在人們心中留下深刻的印象。實際上，這種重塑形象的做法象徵著其展覽內容的不斷變化，並展現其追求和鼓勵創新的當代使命。
Kassel documenta: Breaking the Unified Corporate Identity
documentafifteen documenta14 documenta.archiv
The Kassel documenta shows us another important strategy for the visual identity for art institutions that is more commonly used to�day — not using a fixed visual identity. As one of the world’s most famous art exhibitions, since its first edition in 1955, the Kassel documenta has created its institutional brand by reshaping its visu�al identity for each edition. Even in 2017, the curator of the Kassel documenta 14 did not give any design guidance and instead invited four groups of graphic designers to independently create the visual identity for that edition without communicating with each other. Rather than making the Kassel documenta brand difficult to recog�nize, it left a deep impression on the public. In fact, this approach of reshaping the identity symbolizes the constantly changing exhibition content and demonstrates its contemporary mission of pursing and encouraging innovation.
Probably the best-known exhibition of modern art is the Documenta in Kassel. I just ignore the press and visit them every time. Documenta 16 will take place from June 12 to September 19, 2027. If you don`t want to wait that long, I recommend Art Basel from June 15 to June 18, 2023. #documenta #documenta15 #kassel #art #artphotography
Probably the best-known exhibition of modern art is the Documenta in Kassel. I just ignore the press and visit them every time. Documenta 16 will take place from June 12 to September 19, 2027. If you don`t want to wait that long, I recommend Art Basel from June 15 to June 18, 2023. #documenta #documenta15 #kassel #art #artphotography
Doug Ashford, Julie Ault, Group Material, AIDS Timeline(dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 032), 2011
Available
In 1989, the members of Group Material—Doug Ashford, Julie Ault, Felix Gonzalez-Torres, and Karen Ramspacher—were invited by the MATRIX Gallery at the Berkeley University Art Museum to deal with the subject of AIDS. The artists assembled their research into an overview, structured by year, of the circumstances under which the epidemic had turned into a national crisis. Among the objects of investigation were events in the fields of medicine, politics, and statistics, representations of AIDS in the media, and artistic responses. The AIDS Timeline, which is reprinted in this notebook, supplies background information on the widespread stigmatization of people with AIDS, documents the impact that homophobia and racism had on the formation of public policy, and places these structures in a larger sociopolitical context.
#dougashford#julieault#groupmaterial#documenta#christophedavietthery#bookstagram#independentbookseller#bookadvsiser#bookadviser_by_dt
Doug Ashford, Julie Ault, Group Material, AIDS Timeline(dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 032), 2011
Available
In 1989, the members of Group Material—Doug Ashford, Julie Ault, Felix Gonzalez-Torres, and Karen Ramspacher—were invited by the MATRIX Gallery at the Berkeley University Art Museum to deal with the subject of AIDS. The artists assembled their research into an overview, structured by year, of the circumstances under which the epidemic had turned into a national crisis. Among the objects of investigation were events in the fields of medicine, politics, and statistics, representations of AIDS in the media, and artistic responses. The AIDS Timeline, which is reprinted in this notebook, supplies background information on the widespread stigmatization of people with AIDS, documents the impact that homophobia and racism had on the formation of public policy, and places these structures in a larger sociopolitical context.
#dougashford#julieault#groupmaterial#documenta#christophedavietthery#bookstagram#independentbookseller#bookadvsiser#bookadviser_by_dt