Burnaway our #12 ranked publication was established in 2008. BURNAWAY focuses on contemporary art and culture in the American South, highlighting regional artists, exhibitions, and critical discourse. Its home office is located in Atlanta, Georgia, USA. Burnaway explores the work of emerging and established artists, curators, and arts professionals through in-depth articles, interviews, and reviews. Its team is committed to fostering a community of artists and art lovers and providing a space for discussion around the issues and ideas shaping the South's art scene. With its cutting-edge coverage, Burnaway is a must-read for anyone interested in the dynamic artistic landscape of the American South.
Our monthly round of opportunities includes an artist-in-residence program focused on healthcare and healing in Charlotte, an open call to Palm Beach County artists for a 2025 Biennial, and an
Amina Daugherty visits the studio of Atlanta-based artist Chechi Udumah, speaking on the her layered creative process, surrealism, and the weight of proverbs.
Isabella Marie Garcia reviews the distillations of nature and visual ekphrasis located throughout the installations in Of what surrounds me at The Patricia and Phillip Frost Art Museum at Florida
May Howard reviews Designing Motherhood, a timely exhibition on the material history of human reproduction at Houston Center of Contemporary Craft, Houston.
Colony Little reviews how Processing Systems: Numbers by Sherrill Roland, the artist's latest exhibition, offers a unique take on portraiture and compels viewers to crack the code at the Nasher
Lauren Stroh speaks with New Orleans-based artist Meg Turner on using antiquated photographic practices to document transient communities and compelling subjects.
Robert Alan Grand, Editor at Large for the Carolinas, reviews Carly Owens Weiss’s debut solo show in her hometown at Tracey Morgan Gallery, Asheville.
Whitney Washington reviews the playful juxtaposition of artist Erin Dailey's compositions against Frank Lloyd Wright's architecture in Abstractions at Play at The Rosenbaum House, Florence.
Zahrah Butler visits the Houston studio of cultural practitioner Nathaniel Donnett to discuss music, locality, and abstractions of the Black experience.
Claire Dempster reviews the materially rich rainbow and re-contextualization of garments in Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation at Zuckerman
