January 2023

Touchstones | Yevgeniya Baras, Hawkins Bolden, Christian Quin Newell, Laurence Pilon, Nickola Pottinger

06JANAll Day18FEBTouchstones | Yevgeniya Baras, Hawkins Bolden, Christian Quin Newell, Laurence Pilon, Nickola Pottinger

Date

January 6 (Friday) - February 18 (Saturday)

Touchstones Yevgeniya Baras, Hawkins Bolden, Christian Quin

Details

Sargent’s Daughters is pleased to present Touchstones, featuring works by Yevgeniya Baras, Hawkins Bolden, Christian Quin Newell, Laurence Pilon, and Nickola Pottinger.  Representing a variety of backgrounds and nationalities, several of these artists have chosen or been forced to leave their countries of birth for new homes, while others have radically reexamined the internal and external landscapes they inhabit.  Through nuanced abstractions and unconventional media, all of them consider themes of migration, translation, wayfinding, and landscape in their work.  Like a smooth stone carried in a traveler’s pocket, the assembled artworks represent what these artists have held close throughout their migrations, helping them to chart new courses through unfamiliar territories.

Sargent's Daughters NYC

917 463 3901 179 East Broadway, New York, NY 10002

Website

Nickola Pottinger

Nickola Pottinger was born in Jamaica, West Indies and earned her BFA from The Cooper Union. Her exhibition record includes Mrs. at The Armory, Sargent's Daughter, The New Museum, Chapter Gallery, Deanna Evans Projects in New York. Parker Gallery in Los Angeles, Galerie Julien Cadet in France and more.

Website

laurence pilon

Laurence Pilon’s pictorial and sculptural work offers a speculative visibility of paleo-ecological compositions in becoming, an imaginary space that they investigate from a queer-crip perspective. In their works, fragments of inter-species compositions compress through a slow process of accretion, decomposition and re-emergence. Throughout this stratigraphic process they seek fossilization and indetermination while paying particular attention to the agential force of the materials they use. This intuitive and taphonomic approach allows them to visualize entanglements that are at once underworldly and topographical, micro- and macroscopic, and in which various temporal and metaphorical dimensions intersect.

Website