Using traditionally craft materials, repetitive processes, and domestic objects, Mojo negotiates functional objects and their relationship to women’s work. The pieces are often made from materials that leave evidence of the hand, confronting sculpture and craft, fine art and design, and the nuanced concepts within.
Concerned with the image of function as the armature for material exploration and installation, ideas consider the gendered experience in the everyday. They often offer material as content and hold an intimate relationship to the body. Objects like vessels, lamps, tools, bikes, and furniture are realized from materials that leave evidence of the hand. This becomes an artifact of production; a record of time spent. The work is of time and labor, an investigation into the practices of gendered work.