ADAA Art Show
ADAA Art ShowPark Avenue Armory, 643 Park Ave, New York, NY 1006501NOVAll Day05
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New works by Victoria Gitman will be on view with Garth Greenan Gallery at The Art Show hosted by the ADAA. ✨🪩
The small-scale paintings are loaded with nested paradoxes: they are astonishingly naturalistic yet compositionally abstract; analytical yet sensuous; prosaic yet ambitious. Each painting depicts a different sequined article of clothing. The compositions are tightly cropped, so that the brightly colored garments almost completely fill the picture plane—creating vivid, abstract patterns.
the_adaa garthgreenangallery victoriagitman #VictoriaGitman #TheArtShow
Victoria Gitman, Untitled, 2023., Oil on board, 9 x 7.75 inches
ID in alt text.
New works by Victoria Gitman will be on view with Garth Greenan Gallery at The Art Show hosted by the ADAA. ✨🪩
The small-scale paintings are loaded with nested paradoxes: they are astonishingly naturalistic yet compositionally abstract; analytical yet sensuous; prosaic yet ambitious. Each painting depicts a different sequined article of clothing. The compositions are tightly cropped, so that the brightly colored garments almost completely fill the picture plane—creating vivid, abstract patterns.
the_adaa garthgreenangallery victoriagitman #VictoriaGitman #TheArtShow
Victoria Gitman, Untitled, 2023., Oil on board, 9 x 7.75 inches
ID in alt text.
To create his nearly monochromatic, atmospheric canvases, John Zurier plays with the tone and dilution of his materials, explaining below:
"In getting a surface to work, scraping away material, removing color, I’m aiming for sensuality and the immaterial energy at the core of art. `For Mark (After Paul Celan)` is a double dedication: to my brother Mark and a reflection on a late untitled poem by Paul Celan. `Chisel off the bolts of light, / Dusk has the swimming word.`"
John Zurier’s solo show entitled “The Future of Ice,” includes new paintings and works on paper, and is on view through November 13.
Artwork: For Mark (After Paul Celan), 2020, glue-size tempera and oil on linen, 25 x 29 inches// #JohnZurier #TheFutureofIce #Peterblumgallery #adaa #downtowngalleries #lesgalleries #peterblum #peterblumeditions #paulcelan #theartshow
To create his nearly monochromatic, atmospheric canvases, John Zurier plays with the tone and dilution of his materials, explaining below:
"In getting a surface to work, scraping away material, removing color, I’m aiming for sensuality and the immaterial energy at the core of art. `For Mark (After Paul Celan)` is a double dedication: to my brother Mark and a reflection on a late untitled poem by Paul Celan. `Chisel off the bolts of light, / Dusk has the swimming word.`"
John Zurier’s solo show entitled “The Future of Ice,” includes new paintings and works on paper, and is on view through November 13.
Artwork: For Mark (After Paul Celan), 2020, glue-size tempera and oil on linen, 25 x 29 inches// #JohnZurier #TheFutureofIce #Peterblumgallery #adaa #downtowngalleries #lesgalleries #peterblum #peterblumeditions #paulcelan #theartshow
ADAA Art Show opening tonight! Lots of great work including these by Chakaia Booker, Kenneth Noland, Kim Tschang-Yeul and Minoru Niizuma, Richard Mayhew, Paul Waters, Dorothy Dehner, Sheila Hicks, Kiki Smith, Peter Saul.
the_adaa #theartshow #adaa #parkavenuearmory #chakaiabooker #kennethnoland #kimtschangyeul #minoruniizuma #richardmayhew #paulwaters #dorothydehner #sheilahicks peter.saul.official #petersaul #artfair #nycartfair #contemporaryart
#contemporarypaintings
#postwarart #modernart #20thcenturyart
#artexhibition
#lookatmoreart
ADAA Art Show opening tonight! Lots of great work including these by Chakaia Booker, Kenneth Noland, Kim Tschang-Yeul and Minoru Niizuma, Richard Mayhew, Paul Waters, Dorothy Dehner, Sheila Hicks, Kiki Smith, Peter Saul.
the_adaa #theartshow #adaa #parkavenuearmory #chakaiabooker #kennethnoland #kimtschangyeul #minoruniizuma #richardmayhew #paulwaters #dorothydehner #sheilahicks peter.saul.official #petersaul #artfair #nycartfair #contemporaryart
#contemporarypaintings
#postwarart #modernart #20thcenturyart
#artexhibition
#lookatmoreart
Seen at #TheArtShow #ADAA
1️⃣ chakaiabooker with new textile work and tire-tread sculpture davidnolangallery
2️⃣ r.jameson with “Morality’s Dust,” 2023
3️⃣ julie_heffernan_ hirschlandadlermodern
4️⃣ #ArvieSmith moniquemeloche
5️⃣ kathybutterly jamescohangallery
6️⃣ louisedespont nicellebeauchene
7️⃣ elcleonardo cristintierneygallery
8️⃣ annageestudio ppowgallery
9️⃣ tavaresstrachan mariangoodmangallery
Seen at #TheArtShow #ADAA
1️⃣ chakaiabooker with new textile work and tire-tread sculpture davidnolangallery
2️⃣ r.jameson with “Morality’s Dust,” 2023
3️⃣ julie_heffernan_ hirschlandadlermodern
4️⃣ #ArvieSmith moniquemeloche
5️⃣ kathybutterly jamescohangallery
6️⃣ louisedespont nicellebeauchene
7️⃣ elcleonardo cristintierneygallery
8️⃣ annageestudio ppowgallery
9️⃣ tavaresstrachan mariangoodmangallery
Opening Tonight - Susan Jane Walp at the ADAA - The Art Show at the Park Avenue Armory parkavearmory
the_adaa
📸: “Three Eggs in a Patterned Bowl with French Bay Leaves and Red Handled Knife” 2022
📸: “Cut-opened Melon with Bricks, Knife, Cork, and Wire” 2023
#susanjanewalp #adaa #theartshow
Opening Tonight - Susan Jane Walp at the ADAA - The Art Show at the Park Avenue Armory parkavearmory
the_adaa
📸: “Three Eggs in a Patterned Bowl with French Bay Leaves and Red Handled Knife” 2022
📸: “Cut-opened Melon with Bricks, Knife, Cork, and Wire” 2023
#susanjanewalp #adaa #theartshow
VERY pleased to see a strong support for female artists at the_adaa, with multiple booths dedicated to solo presentations that spotlight often-overlooked practices, such as weaving, pottery, and metal work. Highlights include: auerbachtoberfest at gavlakgallery; liza_lou_studio at lehmannmaupin; faith_wilding_official at anatebgigallery; and annageestudio at ppowgallery 🔥🔥🔥
—
#LisaAnneAuerbach #LizaLou #FaithWilding #AnnAgee #ADAA #TheArtShow #ContemporaryArt #NewYork
VERY pleased to see a strong support for female artists at the_adaa, with multiple booths dedicated to solo presentations that spotlight often-overlooked practices, such as weaving, pottery, and metal work. Highlights include: auerbachtoberfest at gavlakgallery; liza_lou_studio at lehmannmaupin; faith_wilding_official at anatebgigallery; and annageestudio at ppowgallery 🔥🔥🔥
—
#LisaAnneAuerbach #LizaLou #FaithWilding #AnnAgee #ADAA #TheArtShow #ContemporaryArt #NewYork
"Pain-in-the-ass gray is very hard to come by," laughs #RichardDiebenkorn one day in October 1985. He is working on an image in the CrownPointPress printmaking studio. Collaging changes to see whether he would like to move his ideas onto copper plates. Layering. Rotating. Over again. So thick the image becomes heavy in the center. Eventually, the artist abandons the image, leaving it unfinished for a time before returning to the collage and signing it "RD 85."
.
Check out our stories later today to watch a video by Crown Point Press`s Founding Director Kathan Brown. It documents Diebenkorn working in the studio on the abandoned project as well as two other images he completed during two weeks in January 1986. At moments in the process, the image turns upside down and on its side. "It`s a very complex activity, believe me, and I don`t enjoy it all the time," says #Diebenkorn.
.
The collaged abstraction by Richard Diebenkorn is currently on view in New York at The_ADAA`s The Art Show, VanDorenWaxter Booth D16. November 2–6, 2022.
.
Untitled, 1985, collage with gouache and graphite on etching, 26 1/4 x 21 1/2 in. (66.7 x 54.6 cm), Collection of the Richard DiebenkornFoundation
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.
.
#DiebenkornDraws #VanDorenWaxter #TheArtShow #ParkAvenueArmory #Wednesday #drawingseries #DiebenkornInsights #create #culture #art #santamonica #losangeles #california #abstractart #oceanpark #arthistory #postwarart #gouachedrawing #collage #prints #etching #americanartist #worksonpaper #TheArtShowNYC #ADAAGalleries #HenryStreetSettlement
"Pain-in-the-ass gray is very hard to come by," laughs #RichardDiebenkorn one day in October 1985. He is working on an image in the CrownPointPress printmaking studio. Collaging changes to see whether he would like to move his ideas onto copper plates. Layering. Rotating. Over again. So thick the image becomes heavy in the center. Eventually, the artist abandons the image, leaving it unfinished for a time before returning to the collage and signing it "RD 85."
.
Check out our stories later today to watch a video by Crown Point Press`s Founding Director Kathan Brown. It documents Diebenkorn working in the studio on the abandoned project as well as two other images he completed during two weeks in January 1986. At moments in the process, the image turns upside down and on its side. "It`s a very complex activity, believe me, and I don`t enjoy it all the time," says #Diebenkorn.
.
The collaged abstraction by Richard Diebenkorn is currently on view in New York at The_ADAA`s The Art Show, VanDorenWaxter Booth D16. November 2–6, 2022.
.
Untitled, 1985, collage with gouache and graphite on etching, 26 1/4 x 21 1/2 in. (66.7 x 54.6 cm), Collection of the Richard DiebenkornFoundation
.
.
.
#DiebenkornDraws #VanDorenWaxter #TheArtShow #ParkAvenueArmory #Wednesday #drawingseries #DiebenkornInsights #create #culture #art #santamonica #losangeles #california #abstractart #oceanpark #arthistory #postwarart #gouachedrawing #collage #prints #etching #americanartist #worksonpaper #TheArtShowNYC #ADAAGalleries #HenryStreetSettlement
Honor: Harriet Tubman (Danielle)
Oil on panel
12 x 9 in
2021
davidkleingallery the_adaa The Art Show. Thank you danielle.eliska ❤❤ #parkavearmory #theartshow
Honor: Harriet Tubman (Danielle)
Oil on panel
12 x 9 in
2021
davidkleingallery the_adaa The Art Show. Thank you danielle.eliska ❤❤ #parkavearmory #theartshow
Hirschl & Adler is excited to announce our participation in the 2023 edition of The Art Show, organized by the ADAA!
We’ll be at Booth D6 in the Park Avenue Armory with a solo booth featuring the works of Julie Heffernan.
Pictured: Julie Heffernan,
`Self-Portrait as Throne,` 2022.
For more information, visit www.theartshow.org
#theartshow #adaa #julieheffernan #parkavearmory
Hirschl & Adler is excited to announce our participation in the 2023 edition of The Art Show, organized by the ADAA!
We’ll be at Booth D6 in the Park Avenue Armory with a solo booth featuring the works of Julie Heffernan.
Pictured: Julie Heffernan,
`Self-Portrait as Throne,` 2022.
For more information, visit www.theartshow.org
#theartshow #adaa #julieheffernan #parkavearmory
THE ART SHOW - Park Avenue Armory NYC. ADAA organized 70 + gallery booths for this years fair. I visited all the booths yesterday, seeing a high level of exhibitions. I chose 10 highlights to post. There were many more booths I didn’t photograph, including heavyweights - for example a De Kooning print and a large Alex Katz print, a Shiela Hicks installation sikkemajenkins and Sue Fuller luxembourg_co.
The pictures selected were at these gallery booths -
derekellergallery -Jamison Green
tibordenagy - Susan Jane Walp
riccomaresca - Mark Laver
ppowgallery - Ann Agee
hirschlandadler - Julie Heffernan
dcmooregallery - Whitfield Lovell
moniquemeloche - Arvie
.
.
#adaagalleries #armory #theartshow
THE ART SHOW - Park Avenue Armory NYC. ADAA organized 70 + gallery booths for this years fair. I visited all the booths yesterday, seeing a high level of exhibitions. I chose 10 highlights to post. There were many more booths I didn’t photograph, including heavyweights - for example a De Kooning print and a large Alex Katz print, a Shiela Hicks installation sikkemajenkins and Sue Fuller luxembourg_co.
The pictures selected were at these gallery booths -
derekellergallery -Jamison Green
tibordenagy - Susan Jane Walp
riccomaresca - Mark Laver
ppowgallery - Ann Agee
hirschlandadler - Julie Heffernan
dcmooregallery - Whitfield Lovell
moniquemeloche - Arvie
.
.
#adaagalleries #armory #theartshow
The Art Show is now open to the public!
Join us for the first day of The Art Show in booth A9! We are excited to present a selection of exceptional prints from artists including Willem de Kooning, Richard Diebenkorn, Helen Frankenthaler, Edward Hopper, Donald Judd, Jasper Johns, Ellsworth Kelly, Brice Marden, Ed Ruscha, and Wayne Thiebaud.
To learn more about the works on view and other available prints, click on the link in our bio to see our new e-catalogue for the fair!
#TheArtShow #adaa #artfairs #artcollector #printmaking #prints
The Art Show is now open to the public!
Join us for the first day of The Art Show in booth A9! We are excited to present a selection of exceptional prints from artists including Willem de Kooning, Richard Diebenkorn, Helen Frankenthaler, Edward Hopper, Donald Judd, Jasper Johns, Ellsworth Kelly, Brice Marden, Ed Ruscha, and Wayne Thiebaud.
To learn more about the works on view and other available prints, click on the link in our bio to see our new e-catalogue for the fair!
#TheArtShow #adaa #artfairs #artcollector #printmaking #prints
Mitchell-Innes & Nash is pleased to announce co-representation of the estate of Antonio Henrique Amaral (1935-2015). We will begin our new partnership by presenting a solo booth of paintings and drawings at the forthcoming ADAA Art Show. Join us at Booth B5 from November 3–6! ☁
Amaral is a key figure in Brazilian and Latin American art. He developed his signature style during the second half of the 20th Century, coming of age under the rule of the coup d’état and subsequent military dictatorship installed in Brazil in 1964.
His visceral and allegorical works deal with erotic desire, political violence and existential discontent which directly address threats to humanity such as authoritarianism, deforestation and unchecked capitalism. Because his message is delivered through a clear and graphic Pop lens, Amaral succeeds in seducing the eye while critiquing systems of oppression.
For this year’s edition of The Art Show, Mitchell-Innes & Nash will feature a solo booth devoted to Amaral’s work from the 1990s. It was during this decade that the artist expanded and reconfigured his iconography into more surreal territory which very much continues to speak to current political and environmental situations globally.
Mitchell-Innes & Nash jointly represents Antonio Henrique Amaral together with Casa Triângulo, São Paulo, Brazil.
Antonio Henrique Amaral, `Casal de novo,` 1995, Oil on canvas, 70 7/8 by 70 7/8 in. 180 by 180 cm. © Instituto Antonio Henrique Amaral.
Antonio Henrique Amaral, `As Time Goes Bye,` 1993, Oil on canvas, 49 1/4 by 49 1/4 in. 125 by 125 cm. © Instituto Antonio Henrique Amaral.
#antoniohenriqueamaral #painting #theartshow #theadaa
Mitchell-Innes & Nash is pleased to announce co-representation of the estate of Antonio Henrique Amaral (1935-2015). We will begin our new partnership by presenting a solo booth of paintings and drawings at the forthcoming ADAA Art Show. Join us at Booth B5 from November 3–6! ☁
Amaral is a key figure in Brazilian and Latin American art. He developed his signature style during the second half of the 20th Century, coming of age under the rule of the coup d’état and subsequent military dictatorship installed in Brazil in 1964.
His visceral and allegorical works deal with erotic desire, political violence and existential discontent which directly address threats to humanity such as authoritarianism, deforestation and unchecked capitalism. Because his message is delivered through a clear and graphic Pop lens, Amaral succeeds in seducing the eye while critiquing systems of oppression.
For this year’s edition of The Art Show, Mitchell-Innes & Nash will feature a solo booth devoted to Amaral’s work from the 1990s. It was during this decade that the artist expanded and reconfigured his iconography into more surreal territory which very much continues to speak to current political and environmental situations globally.
Mitchell-Innes & Nash jointly represents Antonio Henrique Amaral together with Casa Triângulo, São Paulo, Brazil.
Antonio Henrique Amaral, `Casal de novo,` 1995, Oil on canvas, 70 7/8 by 70 7/8 in. 180 by 180 cm. © Instituto Antonio Henrique Amaral.
Antonio Henrique Amaral, `As Time Goes Bye,` 1993, Oil on canvas, 49 1/4 by 49 1/4 in. 125 by 125 cm. © Instituto Antonio Henrique Amaral.
#antoniohenriqueamaral #painting #theartshow #theadaa
diebenkornfoundatio
.
The collaged abstraction by Richard Diebenkorn is currently on view in New York at The_ADAA`s The Art Show, VanDorenWaxter Booth D16. November 2–6, 2022.
.
Untitled, 1985, collage with gouache and graphite on etching, 26 1/4 x 21 1/2 in. (66.7 x 54.6 cm), Collection of the Richard DiebenkornFoundation
.
.
.
#DiebenkornDraws #VanDorenWaxter #TheArtShow #ParkAvenueArmory #Wednesday #drawingseries #DiebenkornInsights #create #culture #art #santamonica #losangele #worksonpaper #TheArtShowNYC #ADAAGalleries #HenryStreetSettlement
_______ #collage ___ #composition __#digitalcollage _______ #analoguecollage __ #readymades _____________ #modification _____ #hybrid _______ #assemblage ____ #aiart ______ #codeart _____ #paperwork __ #opticalillusion ____ #photomontage theassemblyline___ lisaroberts.artist
diebenkornfoundatio
.
The collaged abstraction by Richard Diebenkorn is currently on view in New York at The_ADAA`s The Art Show, VanDorenWaxter Booth D16. November 2–6, 2022.
.
Untitled, 1985, collage with gouache and graphite on etching, 26 1/4 x 21 1/2 in. (66.7 x 54.6 cm), Collection of the Richard DiebenkornFoundation
.
.
.
#DiebenkornDraws #VanDorenWaxter #TheArtShow #ParkAvenueArmory #Wednesday #drawingseries #DiebenkornInsights #create #culture #art #santamonica #losangele #worksonpaper #TheArtShowNYC #ADAAGalleries #HenryStreetSettlement
_______ #collage ___ #composition __#digitalcollage _______ #analoguecollage __ #readymades _____________ #modification _____ #hybrid _______ #assemblage ____ #aiart ______ #codeart _____ #paperwork __ #opticalillusion ____ #photomontage theassemblyline___ lisaroberts.artist
OPEN TONIGHT FOR BENEFIT PREVIEW | ADAA: The Art Show - Booth D13 | November 1–5 • Eric Firestone Gallery is delighted to participate in the 2023 edition of the ADAA Show. The presentation includes the work of Anderson Pigatt (1928–2009), Ellsworth Ausby (1942–2001), Joe Overstreet (1933–2019), Thomas Sills (1914–2000), and Paul Waters (b. 1936). These artists were included in the following three historic exhibitions: “Afro-American Artists, New York and Boston” (The Museum of Fine Arts, Boston, May–June 1970); “New Black Artists” (The Brooklyn Museum and Columbia University, New York, August–December 1969); “Black Artists: Two Generations” (Newark Museum, May–September 1971).
Edmund Gaither, the founding Director of the NCAAA Museum in Boston, and curator of Afro-American Artists, New York, and Boston, wrote that the exhibition “presents a rich, high-quality selection of works representing all of the directions that Afro-American artists are exploring.” He defined three categories: 1) artists belonging to the body of mainstream American art; 2) “Black art,” which is didactic, political work; and 3) Neo Africanism, which is rooted in the study of traditional African art. Among the participating artists were Ellsworth Ausby, Joe Overstreet, Thomas Sills, and Paul Waters.
THE ART SHOW
November 1–5, 2023
Eric Firestone Gallery | Booth D13
Park Avenue Armory
#EricFirestoneGallery #AndersonPigatt #TheArtShow
OPEN TONIGHT FOR BENEFIT PREVIEW | ADAA: The Art Show - Booth D13 | November 1–5 • Eric Firestone Gallery is delighted to participate in the 2023 edition of the ADAA Show. The presentation includes the work of Anderson Pigatt (1928–2009), Ellsworth Ausby (1942–2001), Joe Overstreet (1933–2019), Thomas Sills (1914–2000), and Paul Waters (b. 1936). These artists were included in the following three historic exhibitions: “Afro-American Artists, New York and Boston” (The Museum of Fine Arts, Boston, May–June 1970); “New Black Artists” (The Brooklyn Museum and Columbia University, New York, August–December 1969); “Black Artists: Two Generations” (Newark Museum, May–September 1971).
Edmund Gaither, the founding Director of the NCAAA Museum in Boston, and curator of Afro-American Artists, New York, and Boston, wrote that the exhibition “presents a rich, high-quality selection of works representing all of the directions that Afro-American artists are exploring.” He defined three categories: 1) artists belonging to the body of mainstream American art; 2) “Black art,” which is didactic, political work; and 3) Neo Africanism, which is rooted in the study of traditional African art. Among the participating artists were Ellsworth Ausby, Joe Overstreet, Thomas Sills, and Paul Waters.
THE ART SHOW
November 1–5, 2023
Eric Firestone Gallery | Booth D13
Park Avenue Armory
#EricFirestoneGallery #AndersonPigatt #TheArtShow
Some highlights from last night’s opening reception of the_adaa The Art Show benefiting henrystreetsettlement at parkavearmory The event was absolutely packed making it difficult to get clear photos of much of the work. This is another banner year for the fair with strong galleries and presentations. I’m looking forward to returning again this weekend for a more quiet look. Thanks to my pal amylouise_snyder for the invite!
Pictured:
1: #WhitfieldLovell at dcmooregallery
2: #JoeOverstreet at ericfirestonegallery
3: juttahaeckel at hosfeltgallery
4: #JosefSudek at gittermangallery
5: j.o.h.n.mcallister at james_fuentes_llc
6: peter.saul.official at ??
7: #RichardEstes at schoelkopfgallery
8: dianaalhadid at kasmingallery
9: #AdolfGottlieb at Yares Art
#theartshow #adaa #theartshow35 #henrystreetsettlement
Some highlights from last night’s opening reception of the_adaa The Art Show benefiting henrystreetsettlement at parkavearmory The event was absolutely packed making it difficult to get clear photos of much of the work. This is another banner year for the fair with strong galleries and presentations. I’m looking forward to returning again this weekend for a more quiet look. Thanks to my pal amylouise_snyder for the invite!
Pictured:
1: #WhitfieldLovell at dcmooregallery
2: #JoeOverstreet at ericfirestonegallery
3: juttahaeckel at hosfeltgallery
4: #JosefSudek at gittermangallery
5: j.o.h.n.mcallister at james_fuentes_llc
6: peter.saul.official at ??
7: #RichardEstes at schoelkopfgallery
8: dianaalhadid at kasmingallery
9: #AdolfGottlieb at Yares Art
#theartshow #adaa #theartshow35 #henrystreetsettlement
FEAUTURED IN NEW YORK TIMES | ADAA: The Art Show - Booth D13 | November 1–5 • Eric Firestone Gallery’s presentation at The Art Show was recently featured in the New York Times in “The Art Show Highlights Masters — and Artists Under the Radar” by Martha Schwendener
“Eric Firestone has made a career of rescuing artists from the dustbin — or at least the margins — of art history, particularly New York in the late 20th-century. Here he’s featuring five who appeared in important exhibitions devoted to Black art in the late 1960s and early 1970s. Paul Waters’s canvases have a gorgeous, geometric simplicity, but the real standout is Anderson Pigatt, a self-taught sculptor who also worked as a restorer of antique furniture after studying cabinetmaking on the G.I. Bill. “In Honor of the Brothers and Sisters of Reclamation Site One” (1969) is a hulking monument made from a fallen oak tree in a Harlem park. The idea that wood has a spirit is deftly translated in this tough-but-tender memorial to civil rights activists.”
📷
“In Honor of the Brothers and Sisters of Reclamation Site One,” 1969
painted wood and mixed media
81h x 28 1/2w x 23d in
205.74h x 72.39w x 58.42d cm
APIGA013
THE ART SHOW
November 1–5, 2023
Eric Firestone Gallery | Booth D13
Park Avenue Armory
#EricFirestoneGallery #AndersonPigatt #TheArtShow
FEAUTURED IN NEW YORK TIMES | ADAA: The Art Show - Booth D13 | November 1–5 • Eric Firestone Gallery’s presentation at The Art Show was recently featured in the New York Times in “The Art Show Highlights Masters — and Artists Under the Radar” by Martha Schwendener
“Eric Firestone has made a career of rescuing artists from the dustbin — or at least the margins — of art history, particularly New York in the late 20th-century. Here he’s featuring five who appeared in important exhibitions devoted to Black art in the late 1960s and early 1970s. Paul Waters’s canvases have a gorgeous, geometric simplicity, but the real standout is Anderson Pigatt, a self-taught sculptor who also worked as a restorer of antique furniture after studying cabinetmaking on the G.I. Bill. “In Honor of the Brothers and Sisters of Reclamation Site One” (1969) is a hulking monument made from a fallen oak tree in a Harlem park. The idea that wood has a spirit is deftly translated in this tough-but-tender memorial to civil rights activists.”
📷
“In Honor of the Brothers and Sisters of Reclamation Site One,” 1969
painted wood and mixed media
81h x 28 1/2w x 23d in
205.74h x 72.39w x 58.42d cm
APIGA013
THE ART SHOW
November 1–5, 2023
Eric Firestone Gallery | Booth D13
Park Avenue Armory
#EricFirestoneGallery #AndersonPigatt #TheArtShow
Deeply honoured to be exhibiting with berggruengallery at the Art Dealers Association of America adaa a solo presentation of new work in November 🍂
ADAAThe Art Show, | Park Avenue Armory | 3-6 November | Booth B8
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“Palm Springs #3”, 2022
Paper, plexiglas, engineered wood, cotton thread, piano wire and acrylic paint on panel.
62 x 120 cm
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#LucyWilliams #artist #collage #paper #thread #basrelief #palmsprings #reflection #berggruengallery #adaa #theartshow #newyork
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Photography by toddwhiteartphotography
Deeply honoured to be exhibiting with berggruengallery at the Art Dealers Association of America adaa a solo presentation of new work in November 🍂
ADAAThe Art Show, | Park Avenue Armory | 3-6 November | Booth B8
-
“Palm Springs #3”, 2022
Paper, plexiglas, engineered wood, cotton thread, piano wire and acrylic paint on panel.
62 x 120 cm
-
#LucyWilliams #artist #collage #paper #thread #basrelief #palmsprings #reflection #berggruengallery #adaa #theartshow #newyork
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Photography by toddwhiteartphotography
