march, 2022

202224mar(mar 24)12:00 am07may(may 7)11:59 pmYossi Milo Gallery | 03/24/22 - 05/07/22 | Cameron Welch RUINS | Cameron Welch | Chelsea

Time

March 24 (Thursday) 12:00 am - May 7 (Saturday) 11:59 pm

Location

Yossi Milo Gallery

245 Tenth Avenue New York NY NY 10001 United States

Organizer

Yossi Milo Gallery 245 Tenth Avenue New York NY NY 10001 United States

Event Details

Art Exhbition
Yossi Milo Gallery
245 Tenth Avenue New York NY NY 10001 United States

03/24/22-05/07/22

Cameron Welch meticulously assembles hand-cut bits of marble stone glass and tile to produce his monumental mosaics. His intricate compositions recount epic stories of contemporary life in America laden with references to ancient mythology art history and his identity. Mosaic the artist’s medium of choice allows each constituent piece to embody its own history while simultaneously contributing to the work’s grander narrative.
Mosaic has been practiced globally since antiquity yet its legacy in African art history and culture is often overlooked by western art institutions. Welch seeks to highlight and remedy this oversight with works such as Fugue State (2021). At eight feet high and twelve feet wide the work is a massive feat in both scale and complexity. In content it blends iconography from European Christianity consumer culture and modern-day socio-political issues making notable reference to Michelangelo’s Pietà. At its center a lifeless Burberry-clad body is draped across the lap of a winged deity. Surrounding these figures is a frenzy of iconographic elements including a Byzantinesque lamb masks from the horror film Scream an anti-cop protester and a devil-artist dancing atop a Modigliani-like figure of his own creation. Gold-plated glass and marble-printed porcelain tiles are dispersed across the mosaic’s surface humorously referencing the fabricated surfaces of Welch’s childhood home. This playful mix of codes begets a more serious consideration of displaced peoples and histories or what the artist refers to as a “black hole of nostalgia.” With a masterful command of his medium Welch builds worlds that challenge viewers to reconsider who and what ought to be immortalized in marble and stone.
In Plein Air (2021) the artist toys with the notion of self-portraiture imbuing the work with a liminality that reflects his lived experience as a biracial person in America. The central figure stands behind a literal canvas embedded in the mosaic. He holds a paint palette in one hand and a combination hammer in the other references to Welch’s training in oil painting and pivot to mosaic. Yet the title Plein Air suggests an outward view of an outdoor scene reiterated by the presence of wildlife creatures and a towering palm tree. The question is begged: is the depicted figure the artist himself or someone he observes? A jagged white line and winding paint strokes disrupt the composition suggesting both may be true. This nonlinear approach to storytelling grants Welch the freedom to construct spaces wherein dualities coexist. The result is a pictorial space cluttered with an assortment of symbols masks animals and complex tilework. Within this space chaotic as it may be the artist has free reign to explore his identity in all its complexity.
Cameron Welch’s work has been exhibited at Nino Mier Gallery Los Angeles CA; Kavi Gupta Gallery Chicago IL; Harper’s Books East Hampton NY; Jack Hanley Gallery New York NY; Jenkins Johnson Gallery San Francisco CA; Carl Kostyàl Gallery Malmö Sweden; and the Kunsthal KAdE Amersfoort Netherlands among others. Welch was born in Indianapolis in 1990. He received his BFA from the School of the Art Institute of Chicago in 2013 and his MFA from Columbia University in 2016. He currently lives and works in Brooklyn NY.

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