february, 2022

202217feb(feb 17)12:00 am08may(may 8)11:59 pmHauser & Wirth | 02/17/22 - 05/08/22 | Phyllida Barlow. glimpse | Phyllida Barlow | Los Angeles

Time

February 17 (Thursday) 12:00 am - May 8 (Sunday) 11:59 pm

Location

Hauser & Wirth

32 East 69th Street New York NY 10021

Organizer

Hauser & Wirth 32 East 69th StreetNew York NY 10021

Event Details

Art Exhbition
Hauser & Wirth
32 East 69th Street
New York NY 10021

02/17/22-05/08/22

Here Barlow responds to manipulates and punctuates the distinctive architectural features of the complex with her sculptures yielding an intimate and confrontational encounter between form environment and viewer. Visitors will be encouraged to walk around and under and look up and over the sculptures. Such interaction is a critical element of Barlow’s work typical of her longtime exploration of the ways in which sculpture can open the mind to different realms of experience by summoning the body forward.
Parallel to her studio practice Barlow worked as a teacher for more than forty years before retiring in 2009 from the Slade School of Fine Art University College London where she was made Emerita Professor of Fine Art. On the occasion of her first Los Angeles exhibition and in the spirit of her acclaimed pedagogical career Hauser & Wirth Publishers recently released ‘Phyllida Barlow: Collected Lectures Writings and Interviews’ a publication that brings together 50 texts by Barlow – a diverse array of prose presentations reflections on exhibitions and conversations with art-world luminaries critics and fellow artists – from across her esteemed practice. This volume illuminates Barlow’s unique insights and serves as a compelling complement to the works on view in ‘glimpse.’
Barlow has exhibited extensively at international venues including the 2017 Venice Biennale where she represented Great Britain. Recent solo and group exhibitions include ‘act’ a site-specific outdoor sculpture at London’s Highgate Cemetery (24 July – 30 August 2021) the major retrospective ‘frontier’ at Haus der Kunst in Munich (3 March – 25 July 2021) and ‘Another Energy: Power to Continue Challenging’ a group exhibition featuring 16 female artists in their 70s or older at the Mori Museum in Tokyo (2 April – 16 January 2022). Last summer the artist was commissioned to create the stage design for the Munich Opera’s new production of Mozart’s ‘Idomeneo.’
About the Exhibition
Upon arriving at Hauser & Wirth’s South Gallery viewers will be confronted by Barlow’s new works – sculptures of such scale and fecundity that they radically transform the environment of the former neoclassical bank building of the Globe Mills complex. On any other day this grand room complete with a mezzanine and 21-foot-high vaulted ceilings may draw viewers’ eyes upward to gaze at the immensity of the space. But through sheer force of imagination and innovation Barlow encourages viewers to do the opposite: to glimpse from above on the mezzanine or below on the ground floor the intricacies and energy of gargantuan sculptural works that deny a prescribed narrative in favor of pure sensory experience. Like a theater director she dictates viewers’ movement through space pushing them around forms and into tight passages drawing them into encounters with other works and unexpected vantage points.
At the center of South Gallery Barlow will position a sculptural structure reminiscent of a stage – a proscenium for the other surrounding sculptures. Though comprised of cement this work will be delicate prohibiting visitors from traversing its seemingly reliable surface. A nearby jumble of stilts will support two staircase-like forms holding them in a state of entropy. Nearby a cluster of poles and draped scrim may induce a sense of hazard but will beckon visitors beneath its wooden posts and skirt of vibrantly painted fabric.
The South Gallery’s mezzanine will host a collection of smaller floor and wall-mounted works more organic in their construction and suggestive of figuration. This grouping will include a new sculpture that harkens back to a visual trope of Barlow’s practice in the 1990s: a playful form reminiscent of bunny ears rests atop a gold base comprised of two cubes. This signature combination first appeared in Barlow’s 1994 work ‘Object for the television’ which resides in the Tate’s permanent collection.
In the following text titled ‘glimpse’ Barlow shares a recollection of a moment from her childhood shedding light on the inspiration for and evolution of the works on view at Hauser & Wirth Los Angeles.
glimpse
outside
It was a long time ago –
An enclosure on heath land an outcrop in the heather and gorse;
A circle of rusted railings decrepit close to collapse ominous –
We ran wildly round this broken construction
revelling in its anonymity and ambiguity
but aware of the notice boards fixed to the railings eroded into blank facades but emanating warnings and threats of danger
It was our discovery and it would be our place;
We squeezed into the empty space enclosed by these disintegrated posts;
we hurled ourselves around the inside perimeter –
stumbling on the coarse grass tussocks
landowners of somewhere unknown to the rest of the world
blissful ecstatic and full of excited fear of what this place might be
this dissolving steel ring syncopating earth and sky…
inside
the staircase splits into two left and the right –
on the left a door into the long narrow attic
a small window a horizontal half moon at the far end;
this dark space seems detached from the rest of the house;
the water tanks gurgle the pipes groan and grumble;
on a grey blanket shells stones dried plants are laid out in rows;
a secret museum has found its place…
it’s high up remote
an adventure where the tops of trees are framed by the half moon window
and the life below is miniature.
upstairs
one staircase looks at another –
above air;
so much empty gaping intangible space;
out of reach
but that is where the adventure is
to climb into the empty space to look up hoping for the sky;
to sense the weight and light and time of empty space
intruded upon by the reach and stretch of unnameable things –
plaster cement colour clumsy elegant surprise hang lean stretch…
the excitement of perilous moments the sentient fear of vertigo…
and here these big shapes anthropomorphic stare and wait
dumb curvaceous still biding time…
– Phyllida Barlow 2020

Installation view ‘Phyllida Barlow. glimpse’ Hauser & Wirth Los Angeles 2022 © Phyllida Barlow. Courtesy the artist and Hauser & Wirth. Photo: Zak Kelley

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